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Tomorrow We Live

  • 1942
  • Approved
  • 1h 25min
VALUTAZIONE IMDb
6,3/10
288
LA TUA VALUTAZIONE
John Clements and Greta Gynt in Tomorrow We Live (1942)
DramaRomanceThrillerWar

Aggiungi una trama nella tua linguaA mayor's daughter poses as collaborator to help British agent escape to England with vital information to help the allied war effort.A mayor's daughter poses as collaborator to help British agent escape to England with vital information to help the allied war effort.A mayor's daughter poses as collaborator to help British agent escape to England with vital information to help the allied war effort.

  • Regia
    • George King
  • Sceneggiatura
    • Anatole de Grunwald
    • Dorothy Hope
    • Katherine Strueby
  • Star
    • John Clements
    • Godfrey Tearle
    • Hugh Sinclair
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,3/10
    288
    LA TUA VALUTAZIONE
    • Regia
      • George King
    • Sceneggiatura
      • Anatole de Grunwald
      • Dorothy Hope
      • Katherine Strueby
    • Star
      • John Clements
      • Godfrey Tearle
      • Hugh Sinclair
    • 10Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto77

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    Interpreti principali26

    Modifica
    John Clements
    John Clements
    • Jean Baptiste
    Godfrey Tearle
    Godfrey Tearle
    • Mayor Pierre Duchesne
    Hugh Sinclair
    Hugh Sinclair
    • Maj. von Kleist
    Greta Gynt
    Greta Gynt
    • Marie Duchesne
    Judy Kelly
    Judy Kelly
    • Germaine Bertan
    Yvonne Arnaud
    Yvonne Arnaud
    • Mme. L. Labouche
    Karel Stepanek
    Karel Stepanek
    • Seitz
    Bransby Williams
    Bransby Williams
    • Matthieu
    Fritz Wendhausen
    • Commandant
    • (as F.R. Wendhausen)
    Allan Jeayes
    Allan Jeayes
    • Pogo
    • (as Allen Jeayes)
    Gabrielle Brune
    Gabrielle Brune
    • Mrs. Frissette
    Margaret Yarde
    Margaret Yarde
    • Fauntel
    David Keir
    • Jacquier
    Anthony Holles
    • Stationmaster
    Olaf Olsen
    • Sergeant Major
    D.J. Williams
    • Boileau
    John Salew
    John Salew
    • Marcel LaBlanc
    Walter Gotell
    Walter Gotell
    • Hans
    • Regia
      • George King
    • Sceneggiatura
      • Anatole de Grunwald
      • Dorothy Hope
      • Katherine Strueby
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti10

    6,3288
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    Recensioni in evidenza

    5malcolmgsw

    Resistance drama

    Somewhat out of the blue this wartime resistance drama has recently surfaced on Movies4Men.It is one of numerous similar films made around the same time of the war eg Flemish Farm,Freedom Radio which purported to show to English audiences what it was like to live in Occupied Europe.One wonders at this remove what their purpose was.Were they just rousing adventure stories or were they meant to show to the English audiences just how beastly the Nazis were and how the occupied nations were resisting them.I suppose the one standout of this film is the performance of Yvonne Arnaud.She is truly head and shoulders above the rest of the cast.This film is reasonably entertaining and worth a viewing
    8TondaCoolwal

    Surprisingly brutal for its time

    One's first thoughts are how clichéd this film is. But then you realise, as with Shakespeare, that the characters and situations only became clichés because of the constant copying of the theme in subsequent movies. Whereas things appear to fall into the hero's lap as per usual, the action is, at times, surprisingly realistic. A female collaborator is viciously slapped about by the SS and later gunned down by the Resistance. In turn two German officers are shot in the back without compassion and in retaliation fifty hostages are rounded up and shot. Thankfully off-screen. However in the midst of all of this is a hilarious scene in a cinema when the French clientele,at being subjected to a newsreel of Hitler, begin catcalling and making shadows on the screen. These include a V-sign, a fist punching Hitler in the face, and fingers tugging at the Furher's hair. All in all an enjoyable propaganda film
    8clanciai

    Cruel but efficient resistance drama

    What is striking in this film is the grim realism which makes a very authentic impression. You might object against the outrageous cruelties, and there are no small number of casualties here, but rarher a majority of all the actors. Still there are some breaths of fresh air, some puffs of good humour, some moments of humanity, but we have to remember that 1943 was perhaps the grimmest of the war years, and we who live so long afterwards can have no idea of how it really was, except by films such as this, made in the middle of horrendous crisis; and another idea to cheer it up could be that the leading actor John Clements actually looks like James Stewart, and James Stewart would have been perfect in the role. He never made any French parts except one, which was a failure, but John Clements is perfect as a Frenchman and could be a good replacement for James Stewart.
    4EdgarST

    Too Soft for Ulmer

    I have seen around 20 features by Edgar G. Ulmer, and this is perhaps the worst of the group. I saw very good films that surprised me, but among the not-too-good pack, even "The Naked Venus" has some redeeming value. There is nothing to do about this one. It is even unintenionally funny, as in the final confrontation between Pops and The Ghost (who goes nuts) or the "propaganda scene" the next morning. It somehow made me remember the resolution of Emilio Fernández's masterpiece "Enamorada", when aristocratic María Félix takes the "soldadera" route and decides to follow her lover and join the Mexican revolution. But there is no revolution in this one, just a silly mellow date in San Francisco, too sticky for Ulmer's cynic universe.
    5ib011f9545i

    tomorrow we watch a better film.

    This is a ww2 drama made in 1943.

    It is exactly my sort of film but I don't recall seeing it before I bought an expensive remastered blu ray.

    I value the fact that I can buy remastered forgotten classics.

    The blu ray comes with a 40 page booklet that claims the director is underrated,disagree there is a reason why his films are not well known,they are weak.

    I can't buy Operation Secret or Cross Of Lorraine but somebody decided to issue this film? Crazy.

    My god I can see why it is never on tv or why I don't remember it.

    I am British,my parents used to groan when most British films came on tv when I was a kid.

    I thought this was unfair and I love lots of British films from 1940s and 1950s.

    But this film was not known to me and I miss I had not bought it without seeing it previously.

    I a trying to not be negative but I can't find much to like about this film.

    I have a high tolerance for war films but this disappointed me.

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      This film's earliest documented USA telecasts took place as the second entry in the American Broadcasting Company's short-lived First Nighter Theater television series. It first aired in New York City on WJZ (Channel 7) and in Chicago on WENR (Channel 7) and in Detroit on WXYZ (Channel 7) Wednesday 25 October 1950; in Baltimore Sunday 5 November 1950 on WAAM (Channel 13), in Cincinnati Sunday 12 November 1950 on WLW-T (Channel 4), in San Francisco Monday 13 November 1950 on KGO (Channel 7), in Los Angeles Tuesday 9 January 1951 on KECA (Channel 7),
    • Curiosità sui crediti
      The last shot shows a Cross of Lorraine, with the tile of the movie in a large arc, and with the following text underneath - "... the growing light of dawn red-hued but clear ..." The source of the text is unknown but could be based on Proverbs 4: 18 "But the path of the just is as the shining light, that shineth more and more unto the perfect day."
    • Connessioni
      Featured in Turning Heads: Pamela Hutchinson on the life and films of Greta Gynt (2024)
    • Colonne sonore
      La Marseillaise
      (uncredited)

      Written by Claude Joseph Rouget de Lisle

      Sung by the hostages, and also heard during open titles and occasionally as a theme

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    Dettagli

    Modifica
    • Data di uscita
      • 5 aprile 1943 (Regno Unito)
    • Paese di origine
      • Regno Unito
    • Lingue
      • Tedesco
      • Francese
      • Inglese
    • Celebre anche come
      • At Dawn We Die!
    • Azienda produttrice
      • British Aviation Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 25 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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