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"Thunder Birds" is an innocuous movie of war propaganda, made by W.A. Wellmann, a first- rate director, with his usual professionalism. The locations are beautiful, the Technicolor is outstanding, and the flying scenes are accurately shot. The story is standard, a nice blend of adventure-action and comedy, with some good emotional scenes in the part placed in England, dominated by Dame May Witty.

What makes "Thunder Birds" special, and its message stronger, is the use of Gene Tierney as a symbol. Yes, she is called to represent exactly "what we fight for". We (the young men from America, Great Britain, China) fight for that dream of a girl, for her smile, for the hot dogs we devour with her, for her nylon stockings, for our freedom and prosperity that she embodies. And she doesn't leave us alone, like a damned arrogant European princess. She helps and supports us, with a merry smile and without any conceit. Here, among us, there's no room for the gruesome death-rhetoric of the barbarian killers we fight.

To be honest, I admit that anyone out of the mass of splendid American actresses of the 1940s could play the role of Gene Tierney in "Thunder Birds", with excellent results. But only with the Goddess of Beauty, shining on the screen, all the parameters go to infinity.

When William Wellman does a film about his favorite subject aviation you can always be sure that the flying sequences will be among the best ever done in a given era. Wellman who was a member of the famed Lafayette Escadrille in World War I made all his aviation pictures with precision, care, and love. Thunder Birds: Soldiers Of The Air is no exception.

Old World War I ace Preston Foster is to old for combat in this new World War, but he volunteers to be a civilian instructor at ThunderBird Field in Arizona for a new generation of fliers. The head of the base Jack Holt assigns Foster to Reginald Denny's British air cadets doing their training for the RAF in America. One of them is John Sutton who is the son of a British ace from the last war and a friend of Foster's who was killed.

It doesn't look like Sutton has the right stuff and that's the considered opinion of all save Foster. Sutton does have some issues but he's determined to carry on in the family aviation tradition even though his original training is for the medical corps. His brother was killed on a bombing run into Europe and Sutton feels this is what he must do.

Complicating things is the fact that both Foster and Sutton fall for Gene Tierney. Still Foster keeps his job and love life separate, but he's old enough and wise enough to keep it apart.

Darryl Zanuck splurged for color on this film, not something normally done in the wartime cinema. It always seemed that Fox did use color more than any other of the major studios. It certainly adds to Bill Wellman's aviation sequences. Look fast and you'll see Peter Lawford as one of the British cadets. And in a flashback sequence as Sutton's grandmother Dame May Witty borrows a bit from her character from Mrs. Miniver and shows she hasn't lost any of the right stuff herself.

Aviation buffs will love Thunder Birds: Soldiers Of The Air. The rest of us will find it more than acceptable.

The man who directed this film about aerial training, William "Wild Bill" Wellman, was a daring pilot himself, and was not only responsible for Wings, the first Oscar winning feature, but also helmed The Ox Bow Incident, Public Enemy and 1937's A Star Is Born, and compared to those classics, this is rather weak tea, rescued by Technicolor, a 22 year old Gene Tierney, and its historical value as a WWII flag-waver. Studio director Daryl Zanuck wanted to give Gene Tierney, his doll-like starlet, plenty of exposure; here she was just a few years away from her indelible performances in Laura and Leave Her To Heaven; Tierney is paired with old reliable Preston Foster in a tale set in the Arizona desert, where the brilliantly colored blue and yellow prop planes dazzle the eye, set against desert sands and clear blue sky; the story is essentially older man vs. younger flier (sometimes leading man John Sutton) who vie for the heart of the fair maid, but the side benefits of the film outweigh the tired plot elements: how often do we see young Chinese and British airmen in Arizona being trained by Americans? How things change!

A well done Technicolor story about flight training at Thunderbird Field, Arizona in 1942 at the height of WWII. Great cast of supporting players, with main stars Gene Tierney, Preston Foster, and John Sutton well suited for their roles. Beautiful flying shots with the Arizona desert as background. The dialogue in some spots is not too realistic in terms of aviation, e.g. when Preston Foster, playing the role of a civilian flight instructor at a military training school exclaims that a student's "motor conked out" while viewing the incident from the ground with his former sweetheart, Gene Tierney. Hilarious scene early in the movie where civilians are learning to be "civilian defense" first aid workers: Preston Foster, leg in cast, is loaded into an ambulance that then races away with the back door unlatched ejecting him out the back door and allowing him to fall attached to a stretcher onto the street. Touching brave sentiments portrayed by famed English actress, Dame May Whitty, on the loss of her son in combat. Jack Holt as the C.O. of the school, and Reginald Denny, as the British officer in charge of English cadets, add greatly to the overall quality of the picture, and Holt's facial expressions when he is dancing with Gene Tierney are particularly funny in the dance scene late in the picture. Peter Lawford has an uncredited bit part as a cadet in the movie. Overall, a very enjoyable movie if the viewer is interested in WWII aviation pictures, especially for the color quality.

TRIVIA NOTE: Famed aviation ace Richard Bong is one of the pilots flying the formation of North American AT-6s ("Texans") in the movie (uncredited), done before he shipped out to the Pacific to become the "Ace of Aces" by shooting down 40 Japanese planes, more than any other US pilot in WWII. (He died 8/6/45 at Burbank, California while taking off in a P-80 "Shooting Star" jet which lost power on takeoff.)

GOOF: in the water tower scene early in movie, Preston Foster, in a trainer from the base, buzzes water-bathing Gene Tierney and drops her his flight suit from the plane to use for cover/clothing when she gets out of the water tower. Film editing mistake shows her catching the flight suit, but then a shot of Foster's plane flying away shows the flight suit being thrown out from the plane (after she already has it!).

Aside from Gene Tierney (who gets top billing), this film has no big-name stars. Preston Foster plays a nice guy who is an instructor at a military flight school in the Southwest. He's a great pilot and in love with Tierney. One of his students, John Sutton, is an odd case. He is in flight school even though he easily becomes air sick AND he's already a doctor. In real life, I strongly doubt that the military would have trained any doctor to be a pilot--as the really needed doctors and it would have been a shame to waste that training. However, this is a Hollywood film, so you'll need to suspend your sense of disbelief. As for Sutton's motivation, his father was a great WWI pilot who was friends with Foster and Sutton's brother (also a pilot) was just killed. So, to fulfill his family legacy he enters training school. Along the way, Sutton also falls for comely Tierney and this brings problems--Sutton adores Foster and doesn't want to hurt him--but Tierney is a hot tamale and has fallen for Sutton as well.

The main theme, aside from the romance with Tierney, is Sutton's fitness to be a pilot. Despite the family history, he somehow is NOT at home in the air and is a great risk to be washed out of the school. It's only with the help of Foster that he has any chance at all to make it.

This Technicolor film is highly reminiscent of a group of films about pilots in school during the war. Believe it or not, there were quite a few films like this, such as CAPTAINS OF THE AIR and I WANTED WINGS and all are grand entertainment due to excellent flying sequences and good acting. Despite Sutton and Foster no longer being household names, they also did a nice job in the film. While I really enjoyed the movie, I also realize that not everyone loves airplane films like I do. So, while I might like the films enough to give them an 8 or 9, I realize that for the average person out there, the films aren't quite as compelling. Still, it's a solid WWII propaganda film--an excellent movie to bolster the war effort and entertain at the same time. The only problems with the film, and they are minor, are that the plot is a tad formulaic and in a few scenes the plane did some turns and acrobatics no real plane at the time could have done. As I said, minor problems in an otherwise good film.

By the way, for some semi-insane dating advice listen to the guy playing Tierney's Uncle. The scene where he was giving advice to Foster made me smile.

Also by the way, while I said that Foster was mostly forgotten today, he and the Commander (Jack Holt) were pretty big stars back in the silent days. It's interesting here seeing them in roles suited to them in middle age, as they continued acting well past their days as top-billed stars.