Un duca inglese del 1876 viene trascinato inavvertitamente nella moderna New York, dove si innamora di una dirigente pubblicitaria coraggiosa.Un duca inglese del 1876 viene trascinato inavvertitamente nella moderna New York, dove si innamora di una dirigente pubblicitaria coraggiosa.Un duca inglese del 1876 viene trascinato inavvertitamente nella moderna New York, dove si innamora di una dirigente pubblicitaria coraggiosa.
- Candidato a 1 Oscar
- 1 vittoria e 5 candidature totali
- Gracy
- (as Arthur Nascarella)
- Passerby
- (as Robert Manning)
Recensioni in evidenza
As for MEG RYAN, she is giving her usual Meg Ryan schtick--a sort of slightly brighter version of Goldie Hawn--but here it doesn't matter because Jackman manages to steal every scene he's in. BRECKIN MEYER is excellent as her boorish brother who learns a few things from his 18th Century friend about manners and etiquette. But it's the time travel aspect of the story that is its weakest link.
Highly recommended as a romantic comedy that owes much of its charm to the performance of its leading man--an actor of remarkable skill whose hunky presence dominates much of the movie.
It's the sort of romantic fluff that would have starred JEAN ARTHUR and GARY COOPER had it been made in the '30s. The New York location photography is excellent.
The best part of this movie by far is Hugh Jackman. Not only is he devastatingly dashing and handsome, but his performance shows off his acting chops quite well. However, he and Meg Ryan had little on screen chemistry.
If you like silly romantic comedies, or if you just like Hugh Jackman, I would advise you to check out this film. You also shouldn't expect much plot wise. The script lacks continuity and has a few plot holes and many inconceivable ideas (well, so do most films, but others do a better job of making you believe it).
**1/2
I've seen 'Kate & Leopold' a few times now and enjoy it every time. Yes, it is predictable, but it is really funny. Hugh Jackman is just so incredibly charming that he can be as credible in a romantic comedy as he is in a fantasy action movie. Jackman stars as the titular Leopold, a Duke from 1876, who is accidentally transported to present time New York through a porthole. The person to blame for this mishap, is Stuart (Liev Schreiber), who discovered the porthole.
Stuart is Kate (Meg Ryans)'s ex-boyfriend, and they still live in the same apartment building. I enjoyed the fact Kate and Leopold didn't fall in love straight away. For once Hollywood got it right. This is a film about romance (and not lust!), where two people fall in love over a period of time thanks to moments they share together. This was far more realistic than so many of the romantic comedies out there.
'Kate & Leopold' is also a wonderful illustration of how customs have changed; costumes, speech, traditions, etc. I liked the characters and the set-up of each character. The character development was also very good. The film's visual effects - especially back in 1876 - are good. Yes, the ending is predictable and cheesy, but it is oh-so-wonderful. I really do enjoy everything about 'Kate & Leopold'.
Lo sapevi?
- QuizAccording to the DVD commentary, several of the film's actual crew members appear in the crew of the margarine commercial.
- BlooperAmong the people he admires, Leopold mentions "Edison with his lamp", Diesel, Bell, and Westinghouse. In 1876, when the movie takes place, Thomas A. Edison had just gotten his first interest in incandescent lamps, Rudolph Diesel was 18, and Alexander Graham Bell's telephone had just been patented. Although the Westinghouse Electric Company wasn't founded until 1886, George Westinghouse received his first patent in 1873.
- Citazioni
Stuart: It is no more crazy than a dog finding a rainbow. Dogs are colourblind, Gretchen. They don't see colour. Just like we don't see time. We can feel it, we can feel it passing, but we can't see it. It's just like a blur. It's like we're riding in a supersonic train and the world is just blowing by, but imagine if we could stop that train, eh, Gretchen? Imagine if we could stop that train, get out, look around, and see time for what it really is? A universe, a world, a thing as unimaginable as colour to a dog, and as real, as tangible as that chair you're sitting in. Now if we could see it like that, really look at it, then maybe we could see the flaws as well as the form. And that's it; it's that simple. That's all I discovered. I'm just a... a guy who saw a crack in a chair that no one else could see. I'm that dog who saw a rainbow, only none of the other dogs believed me.
Gretchen: I believe you.
- Curiosità sui creditiIn 1852, Elisha Graves Otis invented the safety brake for a lifting platform. One year later in 1853, he founded the Otis Elevator Company in Yonkers, New York. The Otis Elevator Company is a wholly owned subsidiary of United Technologies Corporation.
- Versioni alternativeThe following scenes were cut from the film just a few days before the release:
- References suggesting that Kate has a genetic relationship to Stuart
- a scene where Ryan appears in the background of a 19th-century party
- a cameo by director James Mangold where he plays a director whose film is being changed to meet the demands of a test screening
- ConnessioniFeatured in Sting: Until (2001)
- Colonne sonoreManhattan Beach
Performed by University of Michigan Band
Composed by John Philip Sousa
Courtesy of Vanguard Records, a Welk Music Group Company
I più visti
Dettagli
Botteghino
- Budget
- 48.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 47.121.859 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.725.408 USD
- 30 dic 2001
- Lordo in tutto il mondo
- 76.019.048 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1