Tarzan a New York

After a swim, jungle king Johnny Weissmuller (as Tarzan), pretty Maureen O'Sullivan (as Jane), and son John Sheffield (as Boy) see pilot Paul Kelly (as Jimmie Shields) land his plane in their idyllic African hideaway. It is an expedition led by hunter Charles Bickford (as Buck Rand), who needs lions for his circus. But, after seeing young Sheffield's animal antics, Mr. Bickford envisions the youngster as a circus act. Animal trainer Chill Wills (as Manchester Montford) tags him "The Boy King of the Jungle." When a mishap incapacitates his adopted parents, the interlopers take Sheffield to America...

Saved by "Cheeta" the Chimp, Mr. Weissmuller goes on a New York adventure to find Sheffield and bring him home...

After twenty exciting minutes in the jungle, we switch to seeing the Tarzan family in civilization. Actually, it's "Cheeta" who takes up most of the action, which turns out to be a good idea as the chimp handles the humorous situations better than Weissmuller. However, "Tarzan" does swing into action for an stupendous conclusion. "Tarzan's New York Adventure" was the most entertaining entry since the series began. Some of the editing, visuals and effects are worthy of an award nomination. Alas, this ended the comfortably budgeted MGM film, and Ms. O'Sullivan left. The RKO era would be next...

******* Tarzan's New York Adventure (5/42) Richard Thorpe ~ Johnny Weissmuller, Maureen O'Sullivan, Johnny Sheffield, Paul Kelly

As MGM knew Maureen O'Sullivan was departing the 'Tarzan' series, and budget and talent constraints were forcing the long-running series out of the studio (RKO would soon be Tarzan's new home), they decided to end things with a bang, clothing Johnny Weissmuller in a double-breasted suit, and setting him loose in New York's concrete jungle. The gamble worked, magnificently!

The premise is simple; Boy, thinking Tarzan and Jane are dead, after falling into a raging fire during a tribal attack, is whisked away by an evil circus big game hunter (Charles Bickford) in a chartered plane. (How so many planes land safely in the middle of the jungle in these films is never explained...)

Rescued by Cheetah, Tarzan and Jane hike across Africa, dress in more modern attire (a VERY funny scene!), and fly across the Atlantic to try and retrieve their son.

The fun begins when the pair reach New York. Tarzan's bemused reaction to a black taxi driver, his takes on radio, indoor plumbing, and nightclubs, are priceless (and were recreated years later in Paul Hogan's wonderful 'Crocodile Dundee'). There are a few slightly offensive racial stereotypes displayed, but considering the period of the film, these are really quite tame.

A few nagging questions about the series are addressed in this film...'What happens if Boy gets sick?' and 'How is he being educated?', although the biggest question is never addressed...How does a boy with a British 'mother' and an Ape Man 'father' end up with an American accent?

When the courts fail to return Boy (the jungle couple can't prove legal custody), Tarzan takes matters into his own hands, breaking out of the courthouse, and performing an extraordinary series of rooftop swings, leaps and acrobatics to get to the New Jersey home of the circus, climaxing with a breathtaking 100-foot dive off the Brooklyn Bridge. The sequence is still fabulous, over 50 years after the film was released!

The film concludes with the almost stereotyped rescue scene, as elephants rescue Tarzan and Boy, yet again! Evil is vanquished, the family is reunited by the court, and the judge is going to catch some really BIG fish when he comes to visit!

If you're looking for gritty realism, you won't be popping a Tarzan flick into the VCR, anyway, but if you want thrills, laughs, and wonderful escapism, look no further!

This is the last of the six great "Tarzan classics" with Johnny Weismuller and Maureen O'Sullivan. And I frankly didn't think I would like it: who, after all, wants to see Tarzan anywhere but in the jungle?

But this turned out to be a delightful tale after all. We are given enough of Tarzan, Jane, Boy, and the animals in the jungle to set the stage; and then are whisked to New York for a story full of situational humor, social commentary, and adventure.

Cheetah perhaps plays a bigger role in this movie than in any of the others. Cheetah provides us with great scenes of fun and good humor, opening the movie at the beginning and closing it at the end in the jungle. In both scenes, Cheetah opens with the elephants with delightful playfulness. In between, we have Cheetah going to New York with Tarzan and Jane for a series of easy-going, hilarious romps that help to really provide this movie with a special humor to offset what is I'll admit I really didn't like Boy's "tricks" with the baby elephants at the beginning of the movie. This all seemed very unnatural, and that really undermines the movies depiction of Boy in the Jungle.

However, the perhaps predictable but mordant social commentary contrasting "civilization" and Tarzan's jungle was to me a very good fit for a movie that really more than usual emphasizes environmental contrasts. The adventure/action scenes of Tarzan high above the streets of New York, and far above the Brooklyn Bridge, were wonderful.

The cinematography was excellent, crisply precise. The pace occasionally lagged, but in general, was good. All in all, this is a very worthwhile addition to the great Tarzan canon, and I would recommend it to anyone.

If you're a Tarzan fan of the Johnny Weismuller films, this is one you can't afford to miss.

Even the first twenty-two minutes of jungle scenes are briskly paced and amusing while JOHNNY WEISMULLER, MAUREEN O'SULLIVAN and JOHNNY SHEFFIELD encounter downed pilot PAUL KELLY and hunter CHARLES BICKFORD after their plane crashes. The plot is the usual simple one--Boy has been taken from the jungle and taken to New York City by circus exploiters--and Tarzan's mission is to recover him in time for a happy ending.

No expense has been spared in this big budget production from MGM. Although Cheetah gets lots of prime time, especially during the first half of the film, the supporting cast includes a lot of recognizable players such as Virginia Grey, Chill Wills, Charles Lane and villainous Cy Kendall. In this sixth film of the series (the last one featuring Maureen O'Sullivan as Jane), there's lots of monkey business involving tricks and stunts by a team of smart elephants worthy of any circus revue.

And thanks to director Richard Thorpe, the script plunges ahead easily to become one of the most entertaining in all the Tarzan films featuring Johnny Weismuller. At the fadeout, all is well in the jungle again after some amusing adventures in the Big City--including Tarzan's plunge from the Brooklyn Bridge.

Highly recommended for fans of the series.

TARZAN'S NEW YORK ADVENTURE (MGM, 1942), directed by Richard Thorpe, the sixth installment in the popular series, includes more finals than firsts. For starters, it's the first since the series began to distribute the next installment less than a year following the previous film, instead of the standard two to three years; but most important, this is the first to provide Tarzan, Jane and Boy outside their native soil into new territory (not overlooking that Jane originated from England); and the first to present the jungle family full clothing attire. As for the finale, this was the last Tarzan adventure for MGM starring Johnny Weissmuller, the last with Maureen O'Sullivan playing Jane, the last with the traditional jungle underscoring played during the opening credits superimposed over the map of Africa, and the last produced on a higher budget scale. While MGM canceled the series, this didn't mark the end of Edgar Rice Burrough's jungle hero nor of Johnny Weissmuller. Even if this were the final Tarzan movie made, this would have been a fine conclusion. However, the series resumed over at the RKO Radio studios where Tarzan and Boy (Johnny Sheffield) continued to perform their usual tasks dealing with great tales of action and adventure with Brenda Joyce making her debut as Jane in TARZAN AND THE AMAZONS (1945).

For its 71 minutes, the shortest in the MGM series, in spite of its hokeyness and trite dialog (some of it spoken by Paul Kelly), and evidence of severe cuts in order to quicken the pace, the movie does have enough ingredients to assure entertainment, especially for children. It starts off with the jungle family doing their morning swim, followed by an airplane (called "Iron Bird" by Tarzan), piloted by Jimmie Shields (Paul Kelly) along with hunters making a landing. After its leader, Buck Rand (Charles Bickford) shoots and kills one of the lions, Tarzan orders the men leave before morning. By the rise of the morning sun, Manchester Mountford (Chill Wills), one of the hunters, faces some danger with a lion, and it is Boy who comes to his rescue. Amazed by the way the youngster handles himself with animals, one of the men suggests the boy make a great circus attraction. Afterwards comes a native uprising with flying spears. Tarzan and Jane swing into action but as one of the natives cuts the vine, the couple fall to the ground, leaving them unconscious. They later awaken to find themselves surrounded by blazing fire started by the natives Believing Tarzan and Jane have perished, and finding the natives are heading towards them, the hunters make a hasty departure, taking Boy with them. Having survived the fire and guided to safety by Cheetah, Tarzan and Jane find that Boy was taken away. Upon learning the whereabouts of the hunters, Tarzan and Jane attempt to get their son back following them to New York City. While there it is Jane who take charge of Tarzan, who finds it difficult not only being in "Stone Jungle," but his adjustment in wearing clothes. They track down the hunters and Boy to a circus in Long Island, but have quite a time dealing with authorities and Rand's abductors to get him back.

Supporting players include Virginia Grey as Jimmie's girl, Connie Beach, ; Russell Hicks as Judge Abbotson; Cyrus Kendall as Ralph Sargeant. Look for Willie Fung as a tailor trying to measure suits for Tarzan, and Charles Lane as the aggressive attorney who cross examines Jane to a point in having Tarzan grab hold and throw him across the courtroom.

TARZAN'S NEW YORK ADVENTURE starts off in familiar territory of Africa, but once it shifts over to New York City does the story really get underway. After Boy's departure, he isn't seen until when the movie is more than half over. The focus here is solely on Tarzan and Jane (Cheetah, too). Aside from Tarzan riding in a taxi, taking a shower with his clothes on and doing his ape call, with Cheetah along for the ride providing comedy relief, the big topper includes the most memorable of all, Tarzan surrounded by police on the Brooklyn Bridge which leaves him no choice but to take a 200 foot dive to the East River as Jane calmly watches amongst the crowd. This scene pales in comparison to Tarzan's swinging on ropes of flagpoles from building to building and hanging on a ledge. In spite of being in foreign territory, Tarzan does keep the tradition going by getting help from the circus elephants leading to a stampede in order to rescue Boy from his abductors.

TARZAN'S NEW YORK ADVENTURE, one of the very best in the series, did have frequent revivals on commercial television for many years prior to 1990, followed by more revivals when shown on the American Movie Classics cable channel (1997-2000) and Turner Classic Movies(TCM premiere: Saturday, May 7, 2011). This, along with others in the MGM series, are available either on video cassette or DVD. Next in the series: TARZAN TRIUMPHS (RKO, 1943) (***)