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Tre ragazze e un caporale

Titolo originale: Seven Days' Leave
  • 1942
  • Approved
  • 1h 27min
VALUTAZIONE IMDb
5,8/10
433
LA TUA VALUTAZIONE
Lucille Ball, Victor Mature, Marcy McGuire, Harold Peary, and Arnold Stang in Tre ragazze e un caporale (1942)
CommediaMusicaleRomanticismoSlapstick

Aggiungi una trama nella tua linguaSoldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a cat... Leggi tuttoSoldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a catch: before claiming the money, Johnny must marry a descendant of his great-grandfather's C... Leggi tuttoSoldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a catch: before claiming the money, Johnny must marry a descendant of his great-grandfather's Civil War enemy, General Havelock-Allen. Not wanting to disrupt his planned marriage to Map... Leggi tutto

  • Regia
    • Tim Whelan
  • Sceneggiatura
    • William Bowers
    • Ralph Spence
    • Curtis Kenyon
  • Star
    • Victor Mature
    • Lucille Ball
    • Harold Peary
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,8/10
    433
    LA TUA VALUTAZIONE
    • Regia
      • Tim Whelan
    • Sceneggiatura
      • William Bowers
      • Ralph Spence
      • Curtis Kenyon
    • Star
      • Victor Mature
      • Lucille Ball
      • Harold Peary
    • 11Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto4

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    Interpreti principali45

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    Victor Mature
    Victor Mature
    • Johnny Grey
    Lucille Ball
    Lucille Ball
    • Terry Havalok-Allen
    Harold Peary
    Harold Peary
    • Throckmorton P. Gildersleeve
    • (as Harold Peary {The Great Gildersleeve})
    Mapy Cortés
    Mapy Cortés
    • Mapy
    • (as Mapy Cortes)
    Ginny Simms
    Ginny Simms
    • Ginny Simms
    Freddy Martin
    Freddy Martin
    • Freddy Martin
    Les Brown
    Les Brown
    • Les Brown
    Marcy McGuire
    Marcy McGuire
    • Mickey Havalok-Allen
    Arnold Stang
    Arnold Stang
    • Bitsy Slater
    Lynn Royce & Vanya
    • Specialty Dancers
    • (as Lynn, Royce & Vanya)
    Ralph Edwards
    Ralph Edwards
    • Ralph Edwards
    Ralph Edwards & Co.
    • Radio Performers
    Peter Lind Hayes
    Peter Lind Hayes
    • Pvt. Pete Jackson
    Walter Reed
    Walter Reed
    • Ralph Bell
    Wallace Ford
    Wallace Ford
    • Sgt. Mead
    Buddy Clark
    Buddy Clark
    • Buddy Clark
    Charles Victor
    Charles Victor
    • Mr. Charles Victor
    King Kennedy
    • Gifford
    • Regia
      • Tim Whelan
    • Sceneggiatura
      • William Bowers
      • Ralph Spence
      • Curtis Kenyon
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti11

    5,8433
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    Recensioni in evidenza

    7rajaroberts33

    Enjoyable B Movie

    Can't really put my finger on it, but I really enjoyed this movie. The plot is completely implausible and corny, but that is beside the point. Lucille Ball is gorgeous, and seeing Victor Mature being charming and having fun is a treat. I also truly enjoyed the songs and dancing which came out of left field, but all brought a smile to my face. A very pleasant diversion on a Sunday afternoon, and I can't say that about a lot of movies. Enjoy.
    dougdoepke

    Early Ball and Mature

    Bouncy little musical programmer. For Lucy fans, there's little of her slap-stick comedic talents. Instead Ball gets to parade around statuesque style in high fashions of the day. And what a gorgeous young woman she was. Plot-wise, there's the usual romantic mix-ups this type musical trades on-- plus, token numbers from the bands including luscious songbird Ginny Simms, and a couple of forgettable novelty acts. Comedy's supplied by the inimitable Arnold Stang (before Milton Berle drafted him), an impish Marcy McGuire, and a gravel-voice Harold Peary soon to get his own Gildersleeve series. But get a load of Victor Mature. He's looser than I've ever seen him, mugging it up in hammy style, and a long long way from his later noir persona. The movie's pretty typical of war escapism, lots of winsome girls and brave servicemen to lighten the load. Nothing special, but a good chance to view Ball in a different kind of role, along with a goofy Victor Mature, of all things.
    6ptb-8

    Leave of Senses

    Glamorous WW2 comedy is an RKO fest of musical talent with believe it or not, those contract singing and dancing stars Lucille Ball and (yikes!) Victor Mature! He even sings with someone else's baritone too! It is like seeing GlennClose and Sylvester Stallone in a remake of HIGH SOCIETY...or maybe even Jungle Jim and Betty Grable in an imitation PHILADELPHIA STORY. It is an assembled musical with familiar but oddly placed actors and sets: RKO musicals of the 40s had MGM production values but with Republic talent. They have superb art direction and music but somehow out of place actors. HIGHER AND HIGHER is like this: lavish mansions with beautiful furniture and chandeliers, big orchestras, patios, modern nightclubs etc.....and then all these un-together actors placed in roles you might feel better if MGM or Paramount stars were there instead. Lucy is exceptionally beautiful in this film and dressed to impress. Marcie Gray, that teenage Shirley Temple of hep and jive is along for the dancing and comedy as well...so it looks totally like out-takes or a rehearsal for HIGHER AND HIGHER even more so. Good music and fun and quite expensive looking, SEVEN DAYS LEAVE is a patriotic musical of its day...but with Lucy and Victor? It all works in spite of itself.
    6Patriotlad@aol.com

    War Is Hell Unless You Are Victor Mature

    This film is a most interesting and intriguing cultural document: it was released in November of 1942, or less than a year after the attack at Pearl Harbor. As most any person who paid attention in their American history class might know, the first year of the declared war against Japan, Germany and Italy did NOT go very well for the United States. Aside from the shocking losses sustained by the fleet at Pearl Harbor and by the Army Air Corps units there, and the deaths of civilians on Hawai'i, there was the slow-moving disaster in the Philippines as the Japanese forces invaded, and rolled up the resistance.

    U.S. and Philippino losses in that first year of the war were heavy, and the treatment of the prisoners of war there was shocking and brutal, and fairly well-known before 1945.

    Watching this film, now, some sixty-four years later, one almost gets the sense of this being a "mockumentary." Of course, it isn't. It's a romantic comedy. But Victor Mature and his Army buddies are entirely too happy for newly minted soldiers facing the grim reality of mortal combat.

    This film is a goofy, confusing and fast-paced romantic comedy. It has some nice comedic moments but the true value of this film fiction lies in the romantic music and in the performance of Lucille Ball.

    Personality wise, Victor Mature comes off as being kind of ... cheesy ... which is unfair because many people who have considered his entire career find in him an actor capable of subtle and nuanced performances. He could and did play 'noble and heroic' types and he could also be the less-than-acceptable Cad & Bounder. In this film he's a high-voltage goof-ball surrounded by screwball types.

    Film buffs who do not know much about cinema productions made during the war really ought to make it their mission to see this film the next time it comes around on Turner Classic Movies. It is fun, in the aforementioned goofy way, Ms. Ball scintillates, and the singing of Ginny Simms and the big band music is exceptional, truly exceptional.

    Some day, some day soon, hopefully, some august person will write a dissertation or a pop culture book on the subject of ...

    Where Did Rock & Roll Go Wrong ?

    Looking back at Bill Haley & The Comets, Buddy Holly & The Crickets, the doo-wop era and the blues-oriented vocal groups of the 1950s, most anyone can see that rock & roll music grew out of the "swing" movement in the big band era.

    But what happened to the genius deployed in the big band styles ? How could it have become obsolete so quickly ? Was it "television" that killed the big bands ?? Get a load of the song stylings in this peculiar film, crafted, clearly crafted, as a form of 'feel good' entertainment for the home-front at a time when the news was bad, grim and getting grimmer, and most anyone will have to ask -- where did all those brilliant singers go ??? This is a good film and got a six, but only because the plot is entirely paper-thin. But that didn't stop either Ball or Mature from hamming it up and having a very good time on the silver screen.
    4planktonrules

    With soldiers like these, it's amazing that they won the war!!

    "Seven Days' Leave" is a piece of wartime propaganda fluff--pure and simple. Much of it consists of lots of soldiers singing and dancing and putting flowers in their hats--and it makes you wonder HOW the US managed to win the war if these guys are like the soldiers they fielded during WWII! After a whole lot of singing and dancing, the plot FINALLY is introduced. Johnny Grey (Victor Mature) will inherit a fortune. He's thrilled and plans on marrying his girlfriend. HOWEVER, he soon learns that there is a stupid codicil to the will. He MUST marry a descendant of General Allen. It seems, in a VERY contrived plot twist, that Johnny's grandfather, General Grey, fought against General Allen during the Civil War. And, the will wants a descendant of Allen to marry a descendant of Grey to heal up these old wounds. And, this woman is NOT the lady he plans on marrying but Terry Allen (Lucille Ball)--a woman who HATES the Greys.

    So, you've got a VERY contrived plot, lots of silly and superfluous singing and Victor Mature doing comedy. All in all, it sounds pretty bad...and it is. Even worse is when a fourth-rate guy does imitations of various celebrities. They announce each one before he begins--and you really need to be told who they are supposed to be because you really cannot tell by listening to him! A silly and forgettable film.

    By the way, there is a very strange character in the film. Throckmorton P. Gildersleeve (Harold Peary) is the lawyer who handles the estate, right? Well, this same character (and actor) played Gildersleeve in quite a few other films. Plus, Gildersleeve was a very popular radio character who appeared regularly on "Fibber McGee and Molly" and later had his own spin off radio show starring, who else, Peary!

    Trama

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    Lo sapevi?

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    • Quiz
      This film was a hit at the box office, earning RKO a profit of $673,000 (over $12.6M in 2024) according to studio records.
    • Blooper
      Between the credits and two shots showing the hyphenated surname of Terry Havalok-Allen's family in print, there are three different spellings of the first half of the surname and two different spellings of the second half of the surname.
    • Citazioni

      Mickey Havalok-Allen: I never saw you kiss Ralph like that!

      Terry Havalok-Allen: Like what?

      Terry Havalok-Allen: Like you kissed Johnny. It was more like a transfusion!

    • Connessioni
      Edited from Follie d'inverno (1936)
    • Colonne sonore
      Please Won't You Leave My Girl Alone
      (1942)

      Music by Jimmy McHugh

      Lyrics by Frank Loesser

      Played during the opening credits

      Sung and danced by the soldiers in the barracks, including Victor Mature, Peter Lind Hayes and Arnold Stang

      Reprised at he end by soldiers on the ship and civilians waving goodbye

      Played often as part of the score

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    Dettagli

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    • Data di uscita
      • 13 novembre 1942 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Seven Days' Leave
    • Luoghi delle riprese
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, California, Stati Uniti(Studio)
    • Azienda produttrice
      • RKO Radio Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 561.325 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 27 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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