Ragazze che sognano

Somewhere between a romantic comedy and a screwball comedy, Rings on Her Fingers has its funny moments, but it also manages to occasionally fall into a boring moralism. Gene Tierney is magnificent, but she deserved a bolder role, other than that of a teenager in love.

Henry Fonda also seems ill-suited for comedy. It has never been his specialty, and the few times he succeeded, it was mainly due to the talent of his occasional partner (see The Lady Eve with Barbara Stanwick). Here, neither Tierney nor Fonda can pull each other off. Laird Cregar and Spring Byington are much more entertaining in the supporting roles.

A story that had everything to be an excellent screwball comedy but, unfortunately, is nothing more than a not very inspired romantic comedy, despite the quality of the cast.

Here's a light and frothy comedy with Henry Fonda repeating his "The Lady Eve" role as the rube being taken for his money by travelling confidence tricksters Laird Cregar and Spring Byington, plus their newly recruited honey-trapper Gene Tierney, fresh from the girdle section of a New York department store, lured by the exciting and seemingly glamorous life of wealth distribution, the dainty way Cregar describes the team's modus operandi of parting the rich from their money.

The catch here is that Fonda this time isn't filthy rich at all, the boat-buying con he falls for relieves him of his hard-earned, mathematically calculated, life savings leaving him penniless, although his consolation is that he and his temptress Tierney fall hard for each other so much so that she surreptitiously tries to put things right for him. Naturally there's a reckoning to be had, which fortuitously comes about when Cregar & co. and their victim coincidentally end up under the same roof, to wit Fonda's millionaire bachelor buddy's place, who himself is set to be the next target for the travelling tricksters.

While not hysterically funny, the film makes the most of its ever more unlikely situations and is nicely played by the four main leads. Fonda and Tierney combine well together as do Cregar and Byington. There are some amusing scenes, like when the young couple plod their way around a dance floor amongst some limbs-flying jitterbuggers, Fonda's "lucky" gambling streak at the casino and earlier when Fonda is distracted by Tierney in a bathing suit as he's trying to describe the dimensions of the boat he's seeking to buy.

The ending seems a bit contrived bringing all the main characters together again with Fonda improbably stepping out of character to get his girl in the style of Cagney, but at least it all ends happily ever after as there's little doubt that even the thwarted Cregar and Byington will continue undiminished on their merry way, indeed, in my opinion, an extra finishing scene showing them hooking up with another aspirant young shop girl to do their bidding could easily have been tagged on to keep the circle unbroken.

This wasn't the best screwball comedy I've seen and certainly Sturges and Hawks executed these farces a little more sharply and amusingly but this was still an engaging, pardon the pun, film to watch.

"Rings on Her Fingers" is a thoroughly charming picture that takes a kaleidoscope of elements from films of the era -- the shop-girl Cinderella, bathing suit poses on the beach, the rich man's yacht, the poolside party, mistaken identity, love on the breadline, evasion in a crowded terminus, the casino, the gangster -- and mixes them all up in a hectic, hilarious, but instinctively good-natured plot. As a romance, it's very funny without ever needing to resort to the anarchic destruction of many 'screwball' affairs; as a comedy, it laughs at its characters with loving affection rather than glee and discomfiture.

In the best of farces, absurd events unfold with a seemingly inevitable logic. It must be admitted that in this picture, the plot occasionally skates past short-term expedients that just have to be taken for granted -- but the ensuing situations are milked to such good effect that it's easy to turn a blind eye. The film is rich in set-pieces both verbal and visual, with a host of lively minor characters to accompany the note-perfect performances of the principals.

Laird Cregar excels as usual in the role of the resonant, urbane Warren (performing with impressive agility in his swimming-pool scene), while Spring Byington is here the best I have seen her, the actress submerging her trademark mannerisms in an actual character. Gene Tierney is sweet, smart, funny and distinctly shapely as the girl who pulls off the perfect con and then learns what she has really done. Henry Fonda -- for my money, both more credible and more sympathetic here than in "The Lady Eve" -- plays a mathematical dreamer with a passion for sailing and the sea, while some eye-catching yachts of the era star in the background, apparently shot on location!

The film starts off light and gradually gains in intensity and emotional weight as it goes along, with frequent upwellings of laughter to season some very genuine feeling. The two lovers are charming together, from a very Freudian first scene (in which the camera settles on Linda's trim contours as a somewhat dislocated John tries to describe the lines of his yacht) to the final escape, Perhaps the highlight is the taxicab sequence in which our hero, intoxicated with excitement, is convinced he has devised a 'system' to beat the roulette wheel, while Linda and the audience, in on the secret, find him both hilarious and adorable at the same time.

Like all good comedies, "Rings on Her Fingers" laughs at our human frailties, but it does so with a gentle touch. It shares with "Some Like It Hot" an essential innocence and sweetness at the root of its effervescent humour, and scarcely sets a foot wrong in the process. I enjoyed this little-known, little-rated picture very much indeed.

I stumbled across this movie on YouTube while trying to find something quick to watch that required little head thinking and I'm glad I did. It's a harmless, sometimes sweet, romantic comedy-crime story with a very good cast.

Two swindlers take Susan/Linda (Tierney), a girdle shop assistant who dreams of a life of glitz and glamour, under their wing and employ her for their money-grabbing schemes. Things get complicated when Susan/Linda falls for the small-time accountant John (Fonda) they are trying to con who parts with his life savings to impress her.

Fonda and Tierney's chemistry save this movie from becoming another unimaginative and dull comedy that relies on its star billing for top box office draws. Susan/Linda transforms herself from Brooklyn shop assistant to high society heiress with ease - cementing herself as the Grace Kelly of the 1940s. It is hard to believe she is only 21 years old in this movie. While he's no Cary Grant in the romantic comedy arena, Fonda plays the hapless and financially unsuccessful John perfectly who, like any man would, falls for Tierney in a heartbeat.

Although not a hit in its day and practically forgotten by today's audiences, "Rings on Her Fingers" is worth a watch for Fonda and Tierney's early comedic performances alone. They work well with the script and story they are dealt with.

I have not seen Henry Fonda in very many forgettable performances but Henry Fonda's performance in Rings on Her Fingers, is one of his clunkers. The film stars the beautiful Gene Tierney who is a wholesome hard working girl named Susan Miller (alias Linda Worthington) selling girdles, until two scammers wave a bunch of greenbacks in her face to join them in suckering foolish and gullible men out of their hard earned money. One of the men these three (3) con artists decide to con is a wealthy young man named John Wheeler played by Henry Fonda.

The latter half of the film kind of reminded me of the many confusing and chaotic comedies that Abbott and Costello had so much success in making films in the same era of the 1940's decade. I guess I have a bit of a hard time appreciating Henry Fonda playing the sap who falls in love with his con artist girlfriend. When Gene Tierney whose alias is Linda Worthington is being chased by a private detective in the airport and the two men who both want to marry her are also present, Linda must stay on her toes to keep the two men apart from each other while either one is in her presence.

I just felt that this film could not decide if it wanted to be a crime film, or a comedy, romance or a drama? In the end it does not matter as it really is a forgettable film other than seeing the beautiful Gene Tierney in a bathing suit squirming around on a blanket trying to get Henry Fonda's attention.

I give it a 6 out of 10 rating