Vento selvaggio

DeMille epic about salvagers off the Georgia coast and Key west in the 1840s where takes place several ship wrecks . Mighty thrills with the screen's most romantic adventurer , including a fine cast , lesser story , and nice underwater cinematography . Along the Florida Keys, the beauty Loxi Claiborne (Paulette Goddard) along with the old captain Philip (Lynne Overman) carry out ship salvage business, rivalled only by the ruthless and unscrupulous King Cutler (Raymond Massey) and his brother Dan (Robert Preston) . As Loxi and Philip contend with Cutler taking place unexpected consequences . Meanwhile , Loxi rescues and falls in love with Jack Stuart (John Wayne), who comes to believe that his contender for Loxi, Stephen Tolliver (Ray Milland) , has sabotaged his chance at a new ship.

This is an exciting 19th century romp dealing with the freight route of America's Eastern seaboard prey to cruel salvagers along with the treacherous Florida coast . Adventure/romance/action movie featuring Wayne as a tough captain , the nasty Raymond Massey and a giant squid. It packs great sea spectacle , fist fights , shipwrecks , voodoo drums , lavish balls , dreary courtroom confrontation and a breathtaking giant octopus saves the day .Based on a novel published on Evening Post 1940 , being adapted by Jesse Lasky Jr , Charles Bennett, and Alan Le May . As Cecil DeMille who had directed in 1938 The Buccaneer referred to the famous battlle 1812 between the British and the USA in which pirate Jean Lafitte took part in the New Orleans battle . Then , Cecil along with his collaborators : Willam H Pine , Victor Milner , Arigley , Anderson from previous film made another epic , this ¨Reap of the woild wind¨in similar style and during 8 weeks . Being assisted by a real ship captain , Frank Ellis as technical assistant . John Wayne gives a good acting , as usual , as the stubborn captain who mistaken but vengeful joins forces with an enemy with tragic results. Flighty Southern belle Paulette Goddard is gorgeous as Loxi who soon finds herself turned apart between Milland's dandish insurance inspector and Wayne's brawny captain . Ray Milland arranges to put in a credible acting despite an embarrassing suit and a penchant for canine ventriloquism . Raymond Massey provides the best acting as an extreme villain , the ambitious , rolling-eyed salvager Cutler . Suport cast is pretty good , such as Lynne Overman , Martha O'Driscoll , Susan Hayward , Charles Bickford , Hedda Hooper , Walter Hampden , Beavers , and Robert Preston , among others .

It displays a colorful photography from Victor Milmer , and William Skall , shot on location in South Carolina, Kay West and Florida . Including excellent special effects by Academy Award winning Gordon Jennings . Along with impressive production design by Hans Dreier . Thrilling as well as romantic musical score by the classic Victor Young . This vigorous motion picture was realized in Cecil B DeMille's ordinary style , supported by a magnificent second unit by Harold Rosson ; both of them made some greatests spectacles of all time . Although a nimbler action filmmaker than Cecil might have made even more of the Oscar-winning effects work . Cecil produced and directed 70 films and was involved in many more . Many of his films were romantic sexual comedies , as he is supposed to have believed that Americans were curious only about money and sex . His best-known were biblical epics that further established him as the symbol of Hollywood such as King of Kings (1927), The ten Commandments (1923) , The Crusades (1935) and , of course , Charlton Heston's Ten commandments (1956) and he made two versions about The Buccaneer : 1938 and 1958 that was ended by Anthony Quinn and Arthur Rosson .

Cecil Blount DeMille, CB. The original 'Name Above The Title'. No matter what Frank Capra stated it was DeMille who put the Director/Producer over the title. His was a name that brought in the public and their money when Capra was still a 'gag man' for Mack Sennett. From the first feature film in Hollywood, THE SQUAW MAN (1914) to his last production, THE BUCCANEER (1958) he represented HollyWoods commercial success.

With DeMille people fall into two (2) camps. We HATE that hack and his hokey movies or we love him for he put our dreams on the screen. We fall into that second group seeing our first DeMille film circa 1957 THE TEN COMMANDMENTS (1956). My brother was four (4) and I was six (6) and we were enthralled with CB from then on. He dared to put BIG THINGS on the screen. They may not of always worked but he was unafraid to do them, stretching the envelope technically and did not give a damn what his critics thought and neither do we.

REAP THE WILD WIND (1942) was his second color film and we saw it in a re-release circa 1958. The plot is typical DeMille, obscure historical incident blown up for the big screen. Romance triangle punctuated by action sequences leading to a rousing conclusion. The film is well cast with Paramount Stars Paulette Goddard and Ray Milland. Not able to get Errol Flynn or Tyrone Power CB obtained John Wayne who turned in a credible and sincere performance. Milland stood up well to the 'Duke' and Ms. Goddard was a radiant love interest. A young Susan Hayward also showed her stuff with Robert Preston. Over shadowing all was Raymond Massey as the head villain with stooge Victor Kilian. Not to be forgotten was the CB stock company, from players who were with him during the silent era to Akim Tamiroff in a voice over for the 'Lamb'. Paramounts special visual effects wizard Gordon Jennings led that team and garnered a Oscar and Victor Young provide the score. Music being very important in carrying some of the fantastic goings on. Especially the Giant Squid scene that was directed underwater by CB himself.

The one (1) thing we never understood about CB is that he left many (BETTER) projects go fallow after investing money and time developing them. A few were THE WAR OF THE WORLDS, TITANIC and WHEN WORLDS COLLIDE. Two (2) were done by George Pal with CB as uncredited producer. It would have been very interesting to see how these would have turned out if made in the 1930s. Just thinking about the casting and how the special visual effects would have been done is a fascinating mind game.

Reap the Wild Wind is Cecil B. DeMille's contribution to such sea-faring adventure classics as The Sea Hawk or 20,000 Leagues Under the Sea. John Wayne plays a ship captain, Ray Milland plays a lawyer, and Paulette Godard a feisty southern belle who comes between them. There's plenty of fights, a trial, and an entertaining squid. There's Susan Hayward, Robert Preston, Louise Beavers, and Raymond Massey. There's a wonderful music score and beautiful Technicolor. There's a playful monkey and a talking dog (coutesy of Milland's ventriloquism). And it begins with DeMille's narration to set the tone for an action-packed, if occasionally talky, picture. This is good old-fashioned filmaking at its finest! For fans of all of the above, plus Hedda Hopper in her last role not playing herself, I highly recommend you definitely seek this one out!

Here's a lavish, exuberant tale of the high seas, produced and directed by Cecil B. DeMille, and presented with all the excess and spectacle the great showman built his career on. It involves shipwrecks, deep-sea diving, and giant squids, among other things. It's that rare kind of movie that's genuinely fun to watch, where you find yourself smiling because you're so engrossed in the story and the characters, often in spite of yourself. It's of the Saturday-afternoon-at-the-movies genre, where you leave plausibility at the door and put yourself in the hands of people who know how to entertain.

`Reap the Wild Wind' is the story of a sea captain (John Wayne) whose cargo ships are repeatedly sunk and plundered by a vicious crew of salvagers. When one of his ships is struck down, Wayne is rescued by a spirited southern belle (Paulette Goddard), with whom he falls in love. In order to help Wayne get the command he dreams of, Goddard becomes friendly with an influential lawyer (Ray Milland), and a love triangle develops. Through various turns of events, the two men find themselves on opposite sides of the fight against the raiders, with Goddard caught in between them. The story builds up to a spectacular battle with the squid, which single-handedly won the film an Oscar for its special effects.

The movie is well acted straight across the board. Wayne, having just achieved stardom, has the least colorful role but still registers strongly. Goddard plays her tempestuous role to the hilt, and is a joy to behold throughout. Her character is a welcome variation from the frail, straitlaced heroines of her time – she enjoys salty sea ballads, throws frequent tantrums and is not afraid to get her hands dirty – something of a toned-down Scarlett O'Hara. Raymond Massey is rightly villainous as the chief pillager. The highest acting honors go to Milland, however. His performance as the shrewd but foppish attorney is delightful, stealing scene after scene and providing priceless moments of comic relief, then turning noble toward the end.

In addition, the movie is beautiful to look at. At the time the film was made, color photography was still relatively new and quite costly, so it was generally reserved for epics. You can see every penny of it on the screen here. The direction is brisk and vigorous, and the visual effects are fantastic for that era or any other.

Yet another star-studded box office hit few people have today even heard of. (Years later Raymond Massey remembered so little of this film that when he observed to John Wayne they ought to do a movie together it fell to Wayne to remind him that they already had.)

By the time he made this Cecil B. DeMille was leaving all the location work in the hands of second unit director Arthur Rosson and the scenes at sea are otherwise achieved with obvious models (although the giant squid is memorable enough for the film to collect its one Oscar, for special effects).

No matter. It doesn't take itself too seriously, and with a cast like that burnished with plush costume design and interior decor in sumptuous Technicolor it's an agreeable way to squander a couple of hours.