Un veterano della prima guerra mondiale affetto da amnesia si innamora di una soubrette del music hall. Poi ha un incidente che ripristina i suoi ricordi originali ma cancella la sua memoria... Leggi tuttoUn veterano della prima guerra mondiale affetto da amnesia si innamora di una soubrette del music hall. Poi ha un incidente che ripristina i suoi ricordi originali ma cancella la sua memoria del dopoguerra.Un veterano della prima guerra mondiale affetto da amnesia si innamora di una soubrette del music hall. Poi ha un incidente che ripristina i suoi ricordi originali ma cancella la sua memoria del dopoguerra.
- Regia
- Sceneggiatura
- Star
- Candidato a 7 Oscar
- 6 vittorie e 8 candidature totali
Recensioni in evidenza
Despite being endowed with a story by the redoubtable James Hilton, this film is carried by the sheer power of its two stars. Colman (as Smithy/Rainier) and Garson (as Paula/Margaret) are at their luminous best. While the story can seem a bit implausible with too much thought, it is presented with such great truth, sincerity, and momentum that the viewer is swept along effortlessly.
Like other Hilton books and their associated film translations (such as Lost Horizon and Goodbye, Mr. Chips), this movie has an exceptionally memorable and satisfying ending. I wanted to watch the ending over and over, but I'm glad that I resisted in this case - it helped me to retain the film in perspective.
The sad note is Susan Peters, who does a great job of essaying Rainier's young admirer. Peters was paralyzed in a hunting accident not long after this film, and her career and personal life never recovered.
If you've seen and liked the other Hilton adaptations mentioned above, as well as films such as Mrs. Miniver and The Talk of the Town, then you should not miss this. Close to a 10/10.
The only movie that comes close to "Random Harvest" in sheer heart-wrenching romanticism is"Golden Earrings," with Ray Milland and Marlene Dietrich. Now THOSE were movies!! Yes,I'm stuck in the 40's,and very happy to be there! I cannot get enough of Ronald Colman's voice,especially in this movie.He has the most beautiful inflections of any actor I've heard,on par with Orson Welles,I think,but in a different way. I won't give away any plot twists,but suffice it to say there is one heart-grabbing scene that knocks you out.This movie is not to be missed by sentimental saps who loves black and white movies from the 40's.This is one of the very best.
Lo sapevi?
- QuizWhen shooting wrapped, the usually reticent Ronald Colman said, "This is one picture I hate to finish!"
- BlooperIn the last scene where Smithy goes back to the cottage, the flowering tree on the path has not changed or grown at all in the 15 years since he was last there.
- Citazioni
Smithy: Isn't there something morbid in burying one's heart with the dead?
Paula: That's a strange thing for you to say. Your capacity for loving, your joy in living, is buried in a little space of time you've forgotten.
Smithy: In some vague way, I still have...
Paula: ...hope?
Smithy: Yes, I suppose that's it.
Paula: Have you, Charles? Do you feel that there... really is someone? That someday you may find her? You may have... come so near her, may even have brushed her on the street... You might even have met her, Charles. Met her and not known her. It might be someone you know, Charles. It might... it might even be me.
- ConnessioniEdited into Hollywood: The Dream Factory (1972)
- Colonne sonoreViva La Company!
(uncredited)
Traditional
Sung a cappella by a mob at the end of the War
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- En la noche del pasado
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.210.000 USD (previsto)
- Lordo in tutto il mondo
- 25.142 USD
- Tempo di esecuzione2 ore 6 minuti
- Colore
- Proporzioni
- 1.37 : 1