Aggiungi una trama nella tua linguaThe official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 5 vittorie totali
Foto
- Narrator
- (voce)
- (non citato nei titoli originali)
- Self
- (filmato d'archivio)
- (as Lord Lytton)
- Self
- (filmato d'archivio)
- (as General Chaing Kai-Shek)
- Self
- (filmato d'archivio)
- (as Darré)
- Self
- (filmato d'archivio)
- (as Dietrich)
- Self
- (filmato d'archivio)
- (as Frank)
- Self
- (filmato d'archivio)
- (as Doctor Goebbels)
- Self
- (filmato d'archivio)
- (as Goring)
- Self
- (filmato d'archivio)
- (as Hess)
- Self
- (filmato d'archivio)
- (as Hitler)
- Self
- (filmato d'archivio)
- (as Kurusu)
- Self
- (filmato d'archivio)
- (as Ley)
- Self
- (filmato d'archivio)
- (as Yosuke Matsuoka)
- Self
- (filmato d'archivio)
- Self
- (filmato d'archivio)
- Self
- (filmato d'archivio)
- (as Reinhardt)
- Self
- (filmato d'archivio)
- (as Doctor Alfred Rosenberg)
Recensioni in evidenza
E. G. Marshall chief of staff tells : ¨A knowledge of these facts in an indispensable part of military training and merits the thoughtful consideration of every American soldier ¨ . ¨We are determined that before the sun set on this terrible struggles , our flags will be recognized throughout the world as a symbol of freedom on the one hand , an overwhelming power on the other ; no compromise is possible and the victory of the democracies can only be complete with the latter defeat of the war machines of Germany and Japan¨. And Vice-President Henry Wallace says : ¨This is a fight between a free world and slave World ¨.
Meanwhile in Germany, Italy and Germany is prohibited the reunion , public assembly of more than five persons is strictly forbidden, violators will be prosecuted ; only the application of brutal force used continuously and ruthlessly can bring about the decision in favor of the side it supports : ¨Mein Kampf¨ . As foes of Putch slain in Munich, the ex-premier crushed Hitler's attempt to seize power in 1923 ; in Italy Giacomo Matteotti socialist leader murdered to silence him and slain by Italian Fascisti ; in Japan General Watanabe and Viscount Saito are assassinated by Tokyo clique and Japanese statesman murdered in bed by rebel force of Army officers, plus Inspector General of Military Education slain by group of young rebels and Inoyuye Minister of Finance is also slain . Furthermore in Germany Roehm assassinated in Nazi purge with hundreds dead . Hitler attempts the Christian cross is to be removed from all churches and cathedrals and is to be replaced by the immortal symbol of Germany, the swastika. Berlin , 1935, 700.000 members of the Protestant youth organizations were forced to disband , Nazis storm cardinal Faulhaber's palace and bricks and clubs are hurled at windows . Pastor Niemoller is sent to prison camp and other Pastors are imprisoned in homes ; Nazis jail priests , friars and nuns , arrest follows search and rampage of convents and monasteries. Nazis vent rage on Jews , riots all over Germany, mobs kill , loot and burn . The fascism , Imperialism and Nazism have their own slogans as Hitler says : ¨I want to see again in the eyes of youth the gleam of the beats of prey ¨ ; as Japanese Army slogan : ¨To die emperor is to live forever ¨; as Mussolini : ¨Three cheers for war , noble and beautiful above all ¨ .
The film terminates with a patriotic words : ¨Victory of the democracies can only be completed with utter defeat of the war machines of Germany , Italy and Japan ¨. The story is interestingly written by Philip and Julius Epstein , Casablanca's writers . This documentary-propaganda is well directed by Frank Capra and by Anatole Litvak , though uncredited .
Judged in hindsight Prelude packs vast amounts of information in its engrossing less than an hour running time about threats to the American way, soberly and effectively narrated by Walter Huston. Filled with charts and graphs it divides the planet in two ( the world of light and the world of darkness) as the iconic symbols of the axis powers advance across territories in black, inter cutting documentary footage of atrocity.
Over 60 years after it was made this documentary about world wide life and death struggle remains compelling viewing as the universe still wrestles with massive conflict today. I can only imagine the massive emotional weight this film must have had on an American film audience as the conflagration still raged in 1943. To sit in a darkened theater suddenly illuminated by blast and explosion viewing visions of civilian slaughter in city streets like ours must have shaken audiences to the core. Frank Capra made some classic films in his day but he never made more important ones than the Why We Fight series.
But perhaps surprisingly, Prelude to War and the other films in the series also contain a good deal of accurate factual information, so that unless you're a World War II buff, you can learn quite a bit about how the war progressed and at least one side of why it progressed (one of many necessary sides)--if you watch the series with a critical eye.
The series also contains a lot of intriguing historical footage--including films of Axis military campaigns in execution, and some of the more typical newsreel-type shots of the three Axis leaders--Hitler, Mussolini and Hirohito, their right-hand men and their military and civilian support systems. Just as notable now is footage of various aspects of American life that would have passed by without much thought in 1943--such as cars traveling on relatively sparse, newly built U.S. highway interchanges. You can gain as much from Prelude to War by simply watching the images and keeping in mind the historical context as you can by listening to the narration.
There are a couple rough spots--a montage of Axis armies marching like huge, well-oiled machines probably goes on too long 60-something years later, but surely the aim was to put just a bit of fear as well as an increased fervor to conquer into the new U.S. military recruits.
This film isn't crucial viewing for everyone, but for those who study history, politics, sociology, the military and especially World War II, it is essential.
Some of the language is a little hard to handle and the overt nature makes the viewer laugh more than once, its great to look at old training videos as the try and instill a sense of pride in America and hate over the enemy. Recommended viewing for anyone looking into WW II propaganda, also used as a good counter argument to Triumph of the Will.
Lo sapevi?
- QuizThis film is in the public domain. As a work by Federal Government employees on behalf of the Federal Government, the film is by law ineligible for copyright protection and was released into the public domain at its creation.
- BlooperDuring the (silent) footage of Ethiopians shouting, the angry voices are actually shouting in Kiswahili: "Kwenda!" ("go:), etc. The principal language of Ethiopia is Amharic. Kiswahili (commonly known as "Swahili") is the main language of Kenya, Tanzania and Uganda.
- Citazioni
Narrator: [Last line] For this is what we are fighting: Freedom's oldest enemy, the passion of the few to rule the many. This isn't just a war. This is the common man's life and death struggle against those who would put him back into slavery. We lose it, and we lose everything. Our homes; the jobs we want to go back to; the books we read; the very food we eat. The hopes we have for our kids; the kids themselves. They won't be ours anymore. That's what's at stake. It's us or them! The chips are down. Two worlds stand against each other. One must die, one must live. One hundred seventy years of freedom decrees our answer.
[Legend - not spoken]
Narrator: "... victory of the democracies can only be complete with the utter defeat of the war machines of Germany and Japan." G.C. Marshall, Chief of Staff
- ConnessioniEdited into The Road to War: Japan (1989)
- Colonne sonoreThe Star Spangled Banner
(1814) (uncredited)
Music by John Stafford Smith (1777)
Played often in the score
I più visti
- How long is Why We Fight?Powered by Alexa
Dettagli
- Tempo di esecuzione
- 52min
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1