Torbide acque

The Night Has Eyes (AKA: Terror House/Moonlight Madness) is directed by Leslie Arliss who also adapts the screenplay from the novel written by Alan Kennington. It stars James Mason, Wilfrid Lawson, Mary Clare, Joyce Howard and Tucker Maguire. Music is by Charles Williams and cinematography by Gunther Krampf.

"You seem to regard me as some sort of male sleeping beauty who is restored to life by your kiss"

During the school term break, two lady school teachers travel to the Yorkshire Moors in the hope of finding out what happened to a fellow work colleague who vanished there a year previously. Arriving on the moors at night time, a storm breaks and the two women are thankful to stumble upon an isolated house where somebody is at home. The inhabitant is Stephen Deremid (Mason), a mysterious man who may just hold the key to what happened to the ladies' missing colleague.

OK! It's a stage bound "Old Dark House" film that has noir shadings but is more in keeping with classic Gothic offerings like Jane Eyre, Uncle Silas and Gaslight. The setting is a doozy, a creaky and shadowy mansion with a secret room, add in a storm from hell, the foggy moors that hold secrets along with the patches of quicksand (quickbog?), a seriously brooding leading man greatly troubled by his past, a spunky heroine fronting up for love interest and some possible perilous shenanigans… and you are good to go for some dark deeds and closeted skeletons.

Director Arliss builds the suspense very slowly, dangling snippets of information that teases the audience as to what might be going on in this shadowy abode. Stephen is a music composer, he is also a veteran of the Spanish Civil War, the effects of which has left him scarred. Why does he take tablets? Why is the moon significant? Now that his house servants have turned up, do they know what happened to the girl last year? It all builds towards the film's chilling climax, where all is revealed, and not insultingly so.

The cast all perform well under Arliss' direction, with Mason honing the brooding lead man act that would serve him so well in his career. Cinematographer Gunther Krampf (Nosferatu/The Hands of Orlac) creates an eerie atmosphere of fog-bound menace out on the moors, and also a foreboding darkened house of shadows for the interior of the Deremid mansion. The slow pace may put some off, and you are asked to forgive one or two dumb character reactions to certain situations, but this rewards the patient and very much it's a film for Gothic thriller fans to seek out. 7/10

A very young James Mason plays a mysterious man who may know something about a young girls disappearance. Her friends try to find out what he knows.

I caught this on a cable TV station in the early 1980s. Back then there were a number of small cable stations starting up and they put on anything that they could get cheaply. The print I saw on this station was dreadful--VERY faded with some scenes so dark you could barely make out anything. The sound wasn't much better. Still I did like it and the final revelation of the killer (and the look on their face) chilled me. Also Mason was very good in an early role and it was a delight seeing him so young and full of energy.

This is a pretty obscure little film but worth seeing if you get the chance.

A pretty young school teacher named Marian(played by the very lovely Joyce Howard) sets out to investigate the disappearance of her friend Evelyn who had vanished on the Yorkshire Moors a year before.

Soon however her and her American friend Doris(enlisted to accompany Marian) get caught in an awful rainstorm but luckily happen upon an unlikely house located in the vicinity.

A bizarre young man named Stephen Deremid(played by James Mason), a former composer, offers them shelter for the night but warns the ladies to keep their doors locked at night. We soon learn that Deremid fears he cannot trust himself - fear he might unknowingly do harm to others following his years of fighting in the Spanish war and being held in a prison camp. But Marian soon finds herself in love with Stephen and sets out to help him at any. However others have more ghoulish intentions for the couple.

This film works much better in its Romantic settings than it does in its Horror ones. Character changes come rather abruptly and unexpectedly. The Yorkshire Moors does make a creepy setting however--with the fog, muck, dead trees and nothingness certainly contributing a sense of horror to the film. The best thing to watch this one for is the romance...those expecting out and out horror will find disappointment.

James Mason stars in this semi-horror film along with Wilfrid Lawson, Mary Clare, and Joyce Howard.

Joyce plays Marian who, with her horny friend Doris (Tucker McGuire) head for the Yorkshire moors with a mission. Their good friend Evelyn was lost on these moors a year earlier, and Joyce and Doris want to find out what happened to her.

A good-looking doctor (John Fernald) meets the women on the train and offers them a ride. For reasons known only to themselves, they decide to get out and walk at a certain point. A tremendous storm opens the skies, and one of the women is almost lost in the bogs that are like quicksand.

They are saved by an ex-serviceman Stephen (Mason) who lives with a housekeeper and a handyman on the moors. The women have no choice but to spend the night, and, when there's flooding, they have to stay the next day.

Stephen is very brusque, mysterious, and wants them gone. They soon learn why.

Pretty good, atmospheric film with some nice performances. My big problem was that the Joyce Howard character fell madly in love with Mason after knowing him for five minutes.

You'll figure this out pretty quickly, as the direction to the actors (in my opinion) made it obvious. A little underplaying would have been nice on the part of one of the actors.

This is a wholly satisfying romantic mystery tale, with excellent performances all round, well directed by Leslie Arliss, even though it was only his second film. James Mason delivers a powerful, brooding, mysterious performance as a tormented composer living a life of isolation in an ancient house in the moors, playing Schubert in the dark, surrounded by peat bogs, 'cut off from the world', and often flooded in. It is hard to believe that Mason made one of the worst films ever, with one of the worst performances ever ('Secret Mission'), in the very same year. Must be the directors. Mary Clare is amazingly eerie and haunting in her character role, and Joyce Howard is a charming, fresh-faced ingenue with eyes full of hope - frightened eyes, but hopeful. Wifred Lawson is a marvellous character study of a thicko in thrall to Mary Clare. Plenty of mist, lots of full moons, mysterious deaths, secret rooms, it's all there. Oh yes, and let's not forget the maidens in distress who conquer their fears for love, and the good time gal who wants to get back to town where 'all those delicious men in RAF uniforms' are. This really is a good one.