Frutto proibito

I wish I understood how reviews are selected to be displayed as the IMDb-approved review. The current one for "The Major and the Minor" is a major disgrace. The movie article the little girl picks up at Penn Station is NOT "Why I Hit Women," by Charles Boyer, it is "Why I Hate Women." It's a joke-- obviously too subtle for some-- because Charles Boyer is of course one of the great lovers of the screen, one everyone would have known when this film was released in 1941. It's similar too when Ginger Rogers' character as a girl on the train is asked to speak Swedish for the conductors, who question her veracity. She answers, "I want to be alone." Again, this joke is something every movie viewer then would have known as an allusion to Swedish film star Greta Garbo. "The Major and the Minor" is a marvelous film and deserves better treatment on IMDb.

Ray Milland plays the army Major (Philip Kirby) who meets Ginger Rogers (Susan Applegate) on a train as she is pretending to be a 12-year-old. That's quite a stretch for an actress who is age thirty, but director Billy Wilder found that audiences will accept such credibility testers in a comedy. And Ginger shows some versatility in the role.

"Little" Susan is on her way back home to Iowa after rejecting the values of the big city. Along the way, her trip is sidetracked as are her intentions. Diana Lynn (Lucy Hill)is a teen who sees through Susan's ruse and sets her on another path. This is Miss Lynn's second credited role and her talent is readily apparent. (Six years prior, at age 10, she was a child prodigy as a pianist; she was also a recording artist.)

Miss Rogers earned her Academy Award for "Kitty Foyle" only two years earlier. Ray Milland's famous portrayal in "The Lost Weekend", which will win him the Oscar, will follow in only three years. Both of them were well cast in "The Major and The Minor". The script, written in part by Billy Wilder, is full of humor and heart. About the filming, Ginger Rogers wrote, "I believe I had more fun playing this role than any other, with one exception...'Kitty Foyle'." She reported that Billy made things easy and respected her as an actress. The joy the actors experienced making the film may have contributed to the final product's enjoyability. Ginger also enjoyed her mother being on set, playing the mother of her character in a small role.

This American directorial debut by Billy Wilder shows the promise that his later films would deliver on.

Susan Applegate (Ginger Rogers) gives up on pursuing her dreams in New York, and decides to return home on the next train. Not being able to afford an adult ticket, she pretends to be 11 (12 next week). This plan is rough to start with, and gets more difficult when she meets a handsome military man (Ray Milland) on the train...

Billy Wilder had gotten sick of his writing being taken by directors and butchered from his original vision. This marks his directorial debut, and it is a brilliant piece of film. Is it his masterpiece? Probably not. But I'd say it is better than many other of Wilder's works.

Can Ginger Rogers pull off being 12? On one hand, clearly not. But, at the same time, any actress that could would probably not be able to be the woman that is hidden underneath the child disguise. For the most part, the transformation is impressive, even if not completely believable.

I absolutely loved this film, and have not found myself more engrossed by a classic film in a long time (and I do watch plenty of classics). If you love Billy Wilder or Ginger Rogers, or want to get acquainted with either one, I would say this is the film for you.

In Billy Wilder's first American comedy he secured the stage and his basis for the rest of his days in America. His films were always good, and the remarkable thing is that he never repeated himself - every film he made is thoroughly original, and already in his first hit he ventured on some very bold challenges to spice his audience with which proved more than successful. The script is ingenious, and although you know from the start that they will win each other in the end there are many troublesome question marks on the way, and the great issue is how on earth they will manage themselves out of this mess of masquerade and intrigue. Ginger Rogers was always a superb comedienne, and Ray Milland was never better than in the beginning - he later turned to more and more doubtful characters, from "The Lost Weekend" and on, but here he is still sparkling.

The triumph though is the script, so eloquent, intelligent and ingenious, and every detail, although the intrigue many times turns into precarious and dangerous ground, is perfect. There is even some trying suspense, as Ginger at the telephone while the whole army is after her.

Great entertainment on level with the best screwball comedies, and yet this one is rather overlooked and unknown.

This Billy Wilder film stars Ginger Rogers as a grown thirty year old woman passing herself off as a twelve year old kid, PLEASE!! The storyline is unbelievable BUT....made very funny and watchable by its stars.

Susan is a woman who is fed up with New York. She left her little hometown to find happiness in the big city, only to find it filled with disappointment. So she decides to head back home on the train. When she gets there she finds that she is short funds. Not knowing what to do she gets a hairbrained idea that she could simply pass herself off as a kid to pay less!! When the conductor on the train gets wise, she runs and hides in the compartment of Ray Milland. Ginger makes little SuSu(Susan) so cute and delightful and Milland is funny and sweet as the(obviously blind) military school teacher.

It sounds stupid but it isn't really. Give it a chance and you'll love it. ENJOY!!