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Thankfully you don't need a lot of "book learnin" to understand where this thing's going... Obviously a poverty row cash-in on Universal's big hit THE WOLF MAN (which was made just one year earlier), this finds the always-watchable George Zucco in another of his patented "mad doctor" roles as brilliant, vengeance-minded scientist Lorenzo Cameron. Cameron, who has set up shop deep in the swamp lands of what I'm presuming is the Louisiana bayou, is plotting revenge against four of his former peers who both humiliated him and forced him to resign from his previous job. You see, they scoffed at his claims of being able to mix man with beast to create an unstoppable army of wolfman creatures that would come in handy during war-time. Thankfully Cameron has found the ideal test subject for his wolf blood injections - a hulking, child-like half-wit named Petro (Glenn Strange). Petro is pretty clueless as to what's going on, doesn't ask too many question and lets the doc strap him down to a table and shoot him up with whatever happens to be in his syringe. This results in a time-lapse change of man turning into a werewolf. Cameron lets him out of the mansion using a secret passageway, so you basically get a big guy (Strange was 6'5") dressed in overalls with a bushy beard, hairy paws and a set of over-sized plastic teeth, running around in the woods the majority of the time. After an eyewitness sees the beast and a little girl is killed, the locals grab their rifles and organize a posse to hunt it down. Dr. Cameron, who can control the beast with a whip and also has a handy antidote to reverse the effect, also drags Petro along to the big city to try to track down the professors who had made a mockery of his original theories and destroyed his reputation in the process. Also hanging around the house is Cameron's daughter Lenora (Anne Nagel), as well as Lenora's nosy reporter boyfriend Tom (Johnny Downs), whose first inclination is that they're dealing with an upright-walking prehistoric creature (!)

Though a typically chintzy PRC flick in many ways, with unimpressive sets, cinematography and make-ups, as well as a fairly bland supporting cast, it remains watchable thanks to the histrionics of star George Zucco. I have no clue why Downs received top billing; he shows up half-an-hour in and really doesn't have a whole lot to do, nor is he all that impressive doing it. This is Zucco's show all the way and he's great ranting and raving, talking to himself while fantasizing that he's talking to his peers ("I'm not interested in your imbecilic mouthings!") and temporarily sliding in and out of sanity. Strange seems to have patterned his performance as the hilariously naive and slow-talking semi-retarded country bumpkin around the entire oeuvre of Lon Chaney Jr., from his turn as Lenny in OF MICE AND MEN, to his performance as the aforementioned WOLF MAN. In any case, Strange and Zucco do a fairly good job playing off one another. My favorite part is when Zucco calls him his "guinea pig" in front of a colleague while Petro just sits there grinning and staring at a doorknob. Some of the foggy swamp scenes are pretty atmospheric, too.

"The Mad Monster" is another of the low budget little horror movies turned out by poverty row studio PRC in the early 1940s. In spite of some of the comments that I've read on this picture, I rather enjoyed it.

Basically the plot involves mad scientist Dr. Lorenzo Cameron (George Zucco) experimenting on his dim-witted assistant Petro (Glenn Strange), turning him into a werewolf. It's the old story of a scientist trying to create a super race in order to build an invincible army and you guessed it, take over the world. At the same time Cameron seeks revenge on those who had publicly humiliated him when he first presented his ideas, by turning his mad monster upon them.

Director Sam Newfield gives us an entertaining little movie. In spite of its limited budget, it provides a creepy mist filled atmosphere, as the monster stalks its victims. It also aided by the casting of Zucco and Strange as the two principal characters.

Strange plays Petro not unlike "Lenny" as played by Lon Chaney Jr. in "Of Mice and Men" (1939). He also does a creditable job as the werewolf of the piece, again not unlike Chaney in the Universal series. Zucco was PRC's resident horror actor, a sort of a poor man's Karloff, and was always excellent in these roles. Strange usually played the Chaney like parts for PRC.

The standard hero Tom Gregory (Johnny Downs) and heroine Lenora Cameron (Anna Nagle) round out the cast.

If you are a fan of the old B & W "B" horror flicks of the 40s, then I'm sure you'll like this one.

A paranoid scientist creates a wolfman by transfusing wolf blood into a meek, quiet, but very large gardener, in order to prove an hypothesis. So the gardener begins nightly rampages and the scientist tries to use him to reclaim his credentials, but is rebuffed by his former colleagues for tampering with nature. Island of Dr Moreau, Frankenstein and various wolfman films all blended together into a terribly dated, goofy, morality play.

Though the subject matter is pedantic and unoriginal at best, this film is not too poorly made, and interesting to watch as a representative of horror film making of its time. Like most mad scientist films, this is a weak warning against fooling around with Mother Nature. It doesn't have the power or intellectual challenges of Frankenstein, but it doesn't ever extend its reach anyway. The acting is passable, as is the cinematography, and the film moves along at an entertaining clip. Some of the dialog is utterly ludicrous, but hey... it's just a movie - and a B minus one at that. There are also a few nice shots of a wolf, and a smattering of humor tossed-in to prevent the film from appearing to take itself too seriously - always a plus for this genre.

In writing reviews of werewolf movies I found on YouTube for the next several days, here is one on a production made by the lowest of the Poverty Row studios-PRC. George Zucco is the Mad Scientist wanting to create wolfmen so they can aid in the fight during World War II! But he also wants revenge against his former fellow colleagues at his previous institution. His patient is a mentally challenged farm hand played by Glenn Strange who would later take over the Frankenstein monster role at Universal after Boris Karloff didn't want to do it any longer. Also in tow is Zucco's daughter Anne Nagel who I just reviewed in Man Made Monster. Like in that one, she also falls for a reporter here played by a former Our Ganger from the silent era, Johnny Downs. One notable appearance is that of Mae Busch-formerly a usual Laurel & Hardy antagonist-as Susan who I think was the mother of that little girl who's fate was not good...My verdict: this movie seems to lumber its way through 77 minutes with not much of a music score, too many repetitious lines, and not much action till the end. In fact, part of me felt like sleeping while watching. So on that note, The Mad Monster is worth a look but no more than that.

****SPOILERS**** The movie comes up with the bright idea of using the blood of wild animals and having it injected, by blood transfusions, into human beings. Thus combining that of the animals strength cunning and ability to hunt and take down game far bigger then itself, and only kill for food and survival, with that of the mindless and destructive mentality to kill and destroy for personal gratification and glory by man. Dr. Cameron, George Zucco, planned to create an army of mindless killers, half-man and half-beast, to be used against Hitler's vaunted Wehrmacht that would win the Second World War for the allies.

This mad idea had Dr. Cameron thrown out of the faculty of the university that he was a member of and declared insane as well as him being stripped of all his honors and accomplishments as a brilliant man of science. That left him a very bitter and vindictive man.

At his laboratory in his plantation home in the swamps the discredit Dr. Cameron was to put his experiments to a different use, against those who destroyed his professional career. Dr. Cameron has his hulking and powerful as well as harmless and simple minded handyman and gardener Petro, Glenn Strange, injected with wolf blood. That's how Dr. Cameron plans to do in those who made a monkey out of him as well as having him be the laughing stock of the scientific community.

George Zucco in one of his many mad doctor roles that he played in his long movie career is convincingly and perfectly insane as the mad Dr.Cameron. Glenn Strange is at the top of his game as the innocent and slow-witted Petro who's used by Dr. Cameron in his mad experiments as the instrument of revenge and murder.

The movie "The Mad Monster" was in some ways as insane as Dr. Cameron with his former faculty members, who should have known better, being so gullible as to fall right into the trap that he set for them. Coming over to Prof. Blaine, Robert Strange, home with Pedro Dr. Cameron tells the professor to inject Petro with a syringe of serum, wolf blood. This to be done after Dr. Cameron left and thus giving him an alibi was really brainless on the part of Prof. Blaine who was then killed by a transformed and wolf-man-like Petro. Later in the movie we have Prof. Fitzgerald, Gordon De Main, being invited to Dr. Cameron's plantation in the deserted swampland who should also have know better not to fall for Dr. Cameron's trap.

Prof. Fitzgerald having it out with Dr. Cameron about his mad monster experiments than, without thinking, has Petro, who lived at the Cameron plantation, put in his car to drive him back to town. Petro changed by a delay-action injection of wolf blood given to him by Dr. Cameron just before he left with Prof. Fitzgerald. Again Petro turned into a wolf-man and attacked Prof. Fitzgerald and made him drive off the road. Knocked out but alive Prof. Fitzgerald is saved by a group of townspeople who came to his rescue but is later killed by Dr. Cameron at his home, where he was taken for help, before he could wake up and tell the police what happened.

The ending of "The Mad Monster" was a bit too much with Petro as the wolf-man running amok at the Cameron home after it was hit by a lightning bolt and set on fire during a heavy thunderstorm with both Dr. Cameron and Petro perishing in the flames.

It was truly ironic that the movie "The Mad Monster" came up with the idea for the allies to use an army of wolf-men to fight against the German army. It was three years later in 1945 there were rumors that were taken very seriously by the allies that Hitler planned to use German guerrilla-type units to attack and battle behind the lines of the allied forces who were invading Germany; Those units were called by the German as well as the allied high command "WEREWOLVES".