The Living Ghost

The Living Ghost (1942)

If you want to be sure to see every early zombie movie (because you are obsessed, or a completist), you'll have to watch this one. Yes, this fairly low budget comedy with dramatic lighting and a murder, too. It's a common, lighthearted style from the 1930s and 40s, taking serious themes but putting a cheeky, clever lead in the middle of the situation to give it comic relief.

It's not a terrific formula without some great acting and writing, and this one is a strain. The detective (played by James Dunn) is called into lair of a rich family with some mysterious doings. He's a decent comic type, always in charge and casual and a bit goofy. He's looking for a real criminal or two, however, and so there is a backdrop nights in the garden and thunderstorms in strange houses. It's really rather fun and well done in many cinematic ways.

But it's too often silly and deflating, too. Lighthearted and lightheaded.

The zombie part? That's for real, and if this main zombie is so normal you'll get disappointed, he's still the real thing, and could be an archetype for a shadowy kind of zombie that infiltrates normal society. He's the opposite of the "World War Z" type of superman zombie, and it's a more interesting direction. As the movie progresses the detective (and the tag-along your woman who he's in love with) encounter another zombie, and it gets creepier even as the light comedy persists.

Anyway, watch if you just want a breezy fun time with lots of night and dark filming (which is rather nice overall). And a couple of zombies, more or less.

Have a house full of suspects. Bring in some unconventional detective who acts, at times, like an idiot, to solve the case, and you have this movie. Throw in the pretty sidekick, the tough mouthy female, and that adds another dimension. Saying that, I've already seen it a few times before. It doesn't mean that the byplay isn't fun and the murder isn't a challenge to figure out. After all, there is a guy who walks around with half a brain. Still, it is lacking. The seriousness of the murder is tossed aside and they go on this long escapade. The romance blooms while they search for the killer. I wish that they didn't have to spend so much time in a dark basement during the climax of the movie. I know that part of the suspense is based on the unknown aspects of the dark, but it goes on, and, frankly, I couldn't see anyone. I do like these old black and white mysteries, but, often, if you've seen one, you've seen the rest.

An ex-detective is called out of retirement to investigate a recent kidnapping. However, once on the job, one of the suspects becomes a zombie-like being and no one knows exactly how this occurred nor where the missing man is. And, to top it off, murder (or at least attempted murder) is in the air!

This is a modest little film produced by poverty row studio, Monogram. B-Detective films like this were a dime a dozen during the 30s and 40s, so there isn't much to distinguish this from the thousands of somewhat similar films. Since it was such an inexpensive film, the film was directed by William Beaudine (a man well known for NEVER shooting re-takes), the actors were all second-tier talent and it starred James Dunn. While not a household name, Dunn had bounced around for years and he did have a lovely role in the great film A TREE GROWS IN BROOKLYN. Here he has a nice, witty personality and plenty of excellent one-liners. In fact, this was the best thing about the film--whereas the mystery itself was purely secondary...at best. Due exclusively to Dunn's easy-going personality, he makes this simple little film quite watchable.

James Dunn had been Fox's breezy leading man in the early 1930s but by the late 30s he was drinking heavily and could not find much work. This is one of the films he made before he showed people what a fine and sensitive actor he was in "A Tree Grows in Brooklyn" (1945).

Directed by workhorse William Beaudine it is a "quickie" Monogram production that starts out dealing with psychics and zombies but fizzles out half way through. When a banker, Mr. Craig, turns up missing, the family decide to call in Nick Trane (James Dunn), an eccentric private detective who is earning a living as a psychic. He meets all the assorted relatives, including pretty Billie Hilton (Joan Woodbury) and wacky Aunt Delia (Minerva Urecal) who believes she has psychic powers.

Suddenly Mr. Craig turns up in a trance like state. Nick and Billie join forces to find the culprit. He organises to meet Mr. Phillips in the garden but then Phillips turns up dead. Mr. Craig then starts to walk around in a zombie like state - he has a knife and tries to kill Nick. There is also an odd butler, who suffers from insomnia, as well as hijinks at a haunted house. There is even a title, in my DVD that says - "Please wait one moment - while we change reels"!!!!

James Dunn shows the same likability that he had early in his career. Minerva Urecal found a home at "Mother's" in the Peter Gunn TV series of the 50s.

James Dunn stars as Nick Trayne in "The Living Ghost" from 1942. Dunn's fortunes were on the downward swing and doing B pictures after being a major star at 20th Century Fox. His performance in "A Tree Grows in Brooklyn" a few years after this won him a Best Supporting Actor Oscar. Nevertheless, his movie career continued to decline. It was on the stage and television that he found steady work.

The film also stars a Queen of the Bs, Joan Woodbury, and Paul McVey. It was directed by William "One Take" Beaudine for Monogram.

Dunn plays a smart-alecky former detective, Nick Trayne, who is called in by a friend when a wealthy man disappears. Was he kidnapped? What happened?

Craig shows up, but his brain is atrophied, something to do with the cerebral cortex cells. It's up to Trayne and Billie (Woodbury) to find out whodunit. Unfortunately for them, the whole group is crazy.

Nothing special, but I liked Dunn - he was fast talking and brought a lot of humor to the role.