VALUTAZIONE IMDb
6,8/10
1226
LA TUA VALUTAZIONE
L' esperto del laboratorio criminale Gordon McKay utilizza le ultime tecniche per risolvere i casi di omicidio in una città afflitta da corruzione politica e racket della malavita.L' esperto del laboratorio criminale Gordon McKay utilizza le ultime tecniche per risolvere i casi di omicidio in una città afflitta da corruzione politica e racket della malavita.L' esperto del laboratorio criminale Gordon McKay utilizza le ultime tecniche per risolvere i casi di omicidio in una città afflitta da corruzione politica e racket della malavita.
Cathy Lewis
- Bessie Wright
- (as Catherine Lewis)
Ernie Alexander
- Truck Driver Eating at Eddie's
- (non citato nei titoli originali)
Sam Ash
- Card Player in Montage
- (non citato nei titoli originali)
Brandon Beach
- Club Patron
- (non citato nei titoli originali)
Leon Belasco
- Chris Spyro - Cook
- (non citato nei titoli originali)
Brooks Benedict
- Club Patron
- (non citato nei titoli originali)
Margaret Bert
- Miss Huser - Mayor's Secretary
- (non citato nei titoli originali)
Robert Blake
- Boy in Car
- (non citato nei titoli originali)
Eugene Borden
- Pierre - Headwaiter
- (non citato nei titoli originali)
Recensioni in evidenza
The category for this movie might be 'mystery', the plot however certainly isn't. Within the first five minutes of the film you found out that Jerry is corrupt and you meet McKay, the man who'll certainly solve the crime. This makes you wonder why the movie would be interesting.
Still, like most of Hitchcock's features, it's not what the movie is about, it's what you do with the plot that makes the movie. Zinneman's first is quite good for a debut: the film is sober but effective. The relation between McKay and his female assistant Mitchell is more interesting than 95% of the working relations you normally get to see. McKay's forensic quest is quite interesting too.
Bear in mind that it's a debut and watch a very nice film.
Still, like most of Hitchcock's features, it's not what the movie is about, it's what you do with the plot that makes the movie. Zinneman's first is quite good for a debut: the film is sober but effective. The relation between McKay and his female assistant Mitchell is more interesting than 95% of the working relations you normally get to see. McKay's forensic quest is quite interesting too.
Bear in mind that it's a debut and watch a very nice film.
Van Heflin is a forensics man trying to solve a couple of murders in "Kid Glove Killer," a 1942 MGM film also starring Marsha Hunt and Lee Bowman. As in "The Grand Central Murder," it's Heflin's performance that puts this film across, though this time he is aided by the lovely Marsha Hunt as his assistant, whom he calls "Mitchell." Lee Bowman plays a crooked politician pretending to be a good guy, and as a result, he's eager to see an innocent man put away for murder. He also is after the aforementioned Mitchell, who is waiting around for Heflin to make a move. Hunt's role is somewhat dated (or maybe not) - she's on her way to becoming a good forensics person, but says that the job is not for a woman and she wants to get married. Evidently that will put an end to her career.
Heflin was an interesting actor who could do character roles and leads. This film was made around the time of his breakthrough role in "Johnny Eager," after which he hung up his B movie mantle and moved on to bigger things. He always brought wry humor and subtle characterizations to his roles as well as excellent timing. Lee Bowman was a mustached actor who looked like he came from the Warren William era. He's solid but not terribly exciting. Hunt brings warmth and sparkle to her role.
There was, in my opinion, a major problem with the plot having to do with Heflin testing to find particles in the hair of various suspects some time after the crime - wouldn't the particles have come out when they washed their hair? You really end up thinking no one ever took a shower.
Nice beginning for Zinnemann, who would go on to direct some big features such as "High Noon."
Heflin was an interesting actor who could do character roles and leads. This film was made around the time of his breakthrough role in "Johnny Eager," after which he hung up his B movie mantle and moved on to bigger things. He always brought wry humor and subtle characterizations to his roles as well as excellent timing. Lee Bowman was a mustached actor who looked like he came from the Warren William era. He's solid but not terribly exciting. Hunt brings warmth and sparkle to her role.
There was, in my opinion, a major problem with the plot having to do with Heflin testing to find particles in the hair of various suspects some time after the crime - wouldn't the particles have come out when they washed their hair? You really end up thinking no one ever took a shower.
Nice beginning for Zinnemann, who would go on to direct some big features such as "High Noon."
Voters elect to "clean up crime" by electing Samuel S. Hinds (as Richard Daniels) mayor of a small city. Gangsters strike back immediately by murdering his district attorney. The homicide is investigated by forensics expert Van Heflin (as Gordon McKay) and his attractive assistant Marsha Hunt (as Jane Mitchell). She provides Mr. Heflin with most of his cigarettes. A likely couple, they say "match me" instead of "got a light?" Special prosecutor and crime-busting radio show host Lee Bowman (as Gerald "Jerry" Ladimer) is also on the hunt. In a "love triangle" subplot that adds tension later on, both men are attracted to Ms. Hunt...
As a car-hop, young Ava Gardner asks if anyone wants desert. Things heat up when the mayor is also murdered. In a "best supporting actor" role, sweating restaurant owner Eddie Quillan (as Eddie Wright) is accused. We know who the real killer is and who could be the next victim. This was a good feature length debut for director Fred Zinnemann. Before the car bomb, one of the characters says, "Wouldn't it Be Nice" which has no connection to The Beach Boys' song. However, the phrases "Don't Worry Baby" and "I Get Around" fairly quickly follow. God only knows if Brian Wilson was jotting down song titles while watching.
****** Kid Glove Killer (4/17/42) Fred Zinnemann ~ Van Heflin, Marsha Hunt, Lee Bowman, Eddie Quillan
As a car-hop, young Ava Gardner asks if anyone wants desert. Things heat up when the mayor is also murdered. In a "best supporting actor" role, sweating restaurant owner Eddie Quillan (as Eddie Wright) is accused. We know who the real killer is and who could be the next victim. This was a good feature length debut for director Fred Zinnemann. Before the car bomb, one of the characters says, "Wouldn't it Be Nice" which has no connection to The Beach Boys' song. However, the phrases "Don't Worry Baby" and "I Get Around" fairly quickly follow. God only knows if Brian Wilson was jotting down song titles while watching.
****** Kid Glove Killer (4/17/42) Fred Zinnemann ~ Van Heflin, Marsha Hunt, Lee Bowman, Eddie Quillan
In Zinneman's directorial debut, as in most of his films, the emphasis is on the interaction among human minds, souls, emotions, words, and actions. Forensic pathologist Heflin tries to clear accused killer Quillan from being railroaded by radio cop Lee Bowman. Marsha Hunt is marvelous as the lady caught in the triangle. John Litel is memorable in supporting role.
This is a wonderful little picture from MGM as it delivers on all levels. Unlike many "B-pictures", this film features better production values, better characters and a much better written script than usual. While MOST B-movies have plot holes and logical errors, this one is very tight and interesting and seems superior to the usual detective films.
Van Heflin plays a brilliant forensic scientist who works for the police. In many ways, he seems like a 1940s version of the TV show CSI--but his assumptions and equipment seem rather realistic and less fantastic than the shows we see on television today. For example, when Van finds what MIGHT be evidence, he is very hesitant to make huge logical leaps and is very cautious and thorough. In addition, he uses standard equipment of the day to investigate the crimes (whereas, CSI often features procedures that are NOT really used today).
Van is ably assisted by the pretty Marsha Hunt--who Van seldom seems to recognize for her many talents. Finally, after seeing no reaction from him, she begins to date the District Attorney and they become quite serious.
There's a lot more to the story than this, but I don't want to spoil it. Just be prepared to be impressed by an intelligently written and acted film--and much of the credit should go to the great director, Fred Zinneman, who is able to get the absolute most from the material. It's not surprising to find that Fred went on to better and more prestigious projects--probably thanks to his success with little films.
FYI--Although the forensics are pretty good, at one point Van picks up what's left of a pipe bomb with his bare hands. What about fingerprints?!
Van Heflin plays a brilliant forensic scientist who works for the police. In many ways, he seems like a 1940s version of the TV show CSI--but his assumptions and equipment seem rather realistic and less fantastic than the shows we see on television today. For example, when Van finds what MIGHT be evidence, he is very hesitant to make huge logical leaps and is very cautious and thorough. In addition, he uses standard equipment of the day to investigate the crimes (whereas, CSI often features procedures that are NOT really used today).
Van is ably assisted by the pretty Marsha Hunt--who Van seldom seems to recognize for her many talents. Finally, after seeing no reaction from him, she begins to date the District Attorney and they become quite serious.
There's a lot more to the story than this, but I don't want to spoil it. Just be prepared to be impressed by an intelligently written and acted film--and much of the credit should go to the great director, Fred Zinneman, who is able to get the absolute most from the material. It's not surprising to find that Fred went on to better and more prestigious projects--probably thanks to his success with little films.
FYI--Although the forensics are pretty good, at one point Van picks up what's left of a pipe bomb with his bare hands. What about fingerprints?!
Lo sapevi?
- QuizDuring the sneak preview performance, first-time feature director Fred Zinnemann noticed that all the MGM executives got up and walked out together. He later found out that it had nothing to do with the film. They had just gotten the news that Carole Lombard had been killed in a plane crash.
- BlooperIn the first scene, the city view with busy street is reversed.
- Citazioni
Eddie Wright: Just bury me with one of your swell hamburgers on my chest.
Bessie Wright: With onions?
Eddie Wright: You oughta know by now.
- ConnessioniFollows They're Always Caught (1938)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
Botteghino
- Budget
- 199.000 USD (previsto)
- Tempo di esecuzione
- 1h 14min(74 min)
- Colore
- Proporzioni
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti