Michael Shayne va a Broadway

Okay entry in Michael Shayne series. Mike works to clear innocent woman Hubbard (Carter) from a murder charge. And catch that sudden knife toss across a packed courtroom. The victim could have cleared Hubbard, but no longer. Now Mike's got to really dig, with the help (sort of) of spunky girl reporter Taylor (Weaver). Adding real spark is the inimitable Phil Silvers in an early role as a big personality photographer. Seems to me that Nolan's more subdued than usual, but he's always a strong presence anyway.

The storyline is pretty packed so you may need a scorecard to keep up with dolphin pins and custom made knives. Speaking of sharp edges, how did production finesse Telmachio's knife throwing act. I can't see them really letting a girl's live edges serve as the thrower's target. Oh well, it is well done, however they did it. Still, I had trouble telling Weaver and Carter apart since they're almost look-alikes —was that intentional, I wonder. Also, take a look at the huge windowless walls of the supposed warehouse that appears about halfway through. From their looks I'll bet they're outside walls of TCF soundstages. If so, the cast didn't have far to go. All in all, the 60- minutes remains an average entry in the often delightful Shayne series. And should you happen to miss a favorite Perry Mason, then give this courtroom drama a look-see.

Just Off Broadway an entry in the Michael Shayne film series has Lloyd Nolan sitting on a jury in a murder case where the beautiful Janis Carter is on trial for killing her fiance. How given his line of work he got on a jury is beyond me, but there he is.

Things really get interesting when a witness tesitfying is killed with a thrown knife from the rear of the courtroom. Why the cops also can't come to the conclusion that only an expert could have made such a throw is also beyond me.

Not particularly happy with how the defense is going Nolan when sequestered for the evening sneaks out and with Lois Lane like reporter Marjorie Weaver and in a few hours he gathers what evidence he needs to unmask the real killer.

In terms of the criminal justice system this is all patent nonsense. But Nolan and the rest of the cast keep the nonsense moving along quite nicely with some snappy dialog. You won't believe who the real killer is.

Phil Silvers abrasive comic style is put to good use as a nosy news photographer Nolan and Weaver have to keep dodging.

In the end no good deed goes unpunished for Michael Shayne. Watch and see what I mean.

Michael Shayne is serving on a jury when a key witness is murdered in front of everybody by a mysterious knife thrower. Despite the jurors being sequestered in a hotel, Shayne manages to sneak out to investigate. A decent B detective movie with a nice mystery and healthy dose of comedy. Lloyd Nolan is perfect in the role of Shayne and always a treat to watch. A trio of lovely starlets in this one: Janis Carter, Marjorie Weaver, and Joan Valerie. All three are pretty but Weaver has the best part as the reporter helping Shayne investigate. Good chemistry between her and Nolan. The rest of the cast includes Phil Silvers, Don Costello, and Richard Derr. Not one of the best of the series but a fine time-passer.

Terrible acting. The characters lack depth except the protagonists. Most acting is boring and two dimensional. Too much unrealistic drama. For example, when Nolan is being attacked by another man, the woman who is with Nolan knocks out the attacker with a gun. The worst part is how police suddenly show up. How did they know? Even worse is how two LEOs rush in, as if they know exactly where to go and who to look for. Then they fire off shots as the two people get away. I doubt that this was ever police protocol. A LEO especially does not fire away at a criminal as the criminal is running away at a distance. It's more of a cute movie with corny one-liners here and there. It's supposed to be a mystery detective comedy I guess but it's just poorly made. There are plenty of early 1940s films like Penny Serenade that have depth and three-dimensional characters.

Fast and furious "B" courtesy of Lloyd Nolan's unstoppable for very long Mike Shayne, private, I guess, detective. Murder abounds most foul, but you can be readily assured in this instance the butler didn't do it. Courtroom highjinks are just the beginning of the fun as Mike bothered by brunette reporter with occasional appearances by photographer buddy played by Phil Silvers in early "Sargent Bilco" mode, investigates in the wings of the local Ed Sullivan theater searching for a knife throwing contingency. After 2 or 3 conks on the head, sped up fist fights, being saved by bruised brunette more times than was needed, Mike is finally free to hunt down the master maniac. Imagine the surprise when we find out courtrooms are often like outhouses, full of stuff we'd rather not see, let alone smell.

The adventures of Mike Shayne weren't huge moneymakers for 20th Century Fox, in the detecting arena that role was filled by the ever scrutable Charlie Chan. Suffice it to say, this caper "Just Off Broadway" wasn't the best sparkler in the series, but an OK time waster in the 60 minute market. The method of death here can not be expected to be any "knife in the water".