VALUTAZIONE IMDb
7,3/10
18.873
LA TUA VALUTAZIONE
In una locanda aperta solo durante le vacanze, un ballerino ed un cantante competono per le attenzioni di una bella ragazzaIn una locanda aperta solo durante le vacanze, un ballerino ed un cantante competono per le attenzioni di una bella ragazzaIn una locanda aperta solo durante le vacanze, un ballerino ed un cantante competono per le attenzioni di una bella ragazza
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 3 vittorie e 2 candidature totali
Bob Crosby Orchestra
- Orchestra
- (as Bob Crosby's Band)
Edward Arnold Jr.
- Second Dancer Ted Bumps Into
- (non citato nei titoli originali)
Loretta Barnett
- Dancer
- (non citato nei titoli originali)
Muriel Barr
- Dancer
- (non citato nei titoli originali)
Harry Barris
- Midnight Club Orchestra Leader
- (non citato nei titoli originali)
Patsy Bedell
- Dancer
- (non citato nei titoli originali)
Recensioni in evidenza
This movie has so much and if you can make the chemistry thing the sparking between Bing and Fred and ignore the sidebar romances that don't quite grab you, then you will truly enjoy it. "White Christmas" - the first performance of the standard and it always grabs me. And I must have seen it fifty plus times. The dancing scene with Fred and the firecrackers, stupendous, incredible, how DID he do it?? Forget the blackface bits, slightly offensive, even considering the era. And the rah-rah-rah for WW2. Evocative of 1942 and FDR. Everything comes together beautifully down to the encore of "White Christmas" and Bing in the best of voice all through. Story is just about zero and no credibility - imagine an inn open fifteen days of the year with an enormous cast for the floor show (with full orchestra, no less). Bankrupt after the payroll for one holiday would be my guess :>). But lovely and nostalgic and worth watching over and over, just for the boys, Fred and Bing. 7 out of 10.
I am most certainly under 70 and I absolutely adore this movie! Fred and Bing are great together. The songs are some of Irving Berlin's best. With Bing's voice together with Fred's dancing...it is a first class classic! My sister & I always looked forward to watching this at the holiday season.
They don't get much better than this: Astaire with the drop dead dancing cool, and Crosby with the honey crooning, both competing for the same gal. Crosby decides to let it all go and settle in the country, then on a whim realizes he can open his country house as a club open on holidays only. The girl he ends up drafting for the floor shows ends up being the love of his life, and the dancing partner Astaire has always been searching for.
Astaire, Crosby, and Reynolds have great chemistry together: I thought it quite convincing how Crosby's overprotective zeal scared Reynolds away for a while, and Astaire was very cool and believable as a kind of an inoffensive opportunist who exploits Crosby's passionate responses to whatever threat he perceives in Astaire.
Top it off with many of Irving Berlin's best classic tunes, performed in interesting interpretations, and you have a very good musical film.
Astaire, Crosby, and Reynolds have great chemistry together: I thought it quite convincing how Crosby's overprotective zeal scared Reynolds away for a while, and Astaire was very cool and believable as a kind of an inoffensive opportunist who exploits Crosby's passionate responses to whatever threat he perceives in Astaire.
Top it off with many of Irving Berlin's best classic tunes, performed in interesting interpretations, and you have a very good musical film.
"Holiday Inn" is the story of singer/dancer entertainers (Fred Astaire, Bing Crosby, Virginia Dale) who work together in New York. As the group splits up, one seeking a more tranquil life style, a third entertainer comes on the scene as a young aspiring singer/dancer (Marjorie Reynolds). Hoping to break into the business, she meets and begins work with one of the successful members. Relationships develop and change. This film (if it is not) should be an American classic. The music is excellent with performances of "White Christmas" and "Easter Parade." Both singing and dancing is very good (and what else could you expect with Astaire and Reynolds) and singing with Crosby. It is a warm, romantic film which depicts the celebration of many holidays. We use "Holiday Inn" as a staple, showing it several times during the Christmas season. Unlike many films from this era, it can be found is BOTH VHS and DVD. The DVD version includes both "Holiday Inn" and "Going My Way," another Crosby film. This is a great "feel good" film with a fantastic cast.
It is amazing how much the world has changed in the last 58 years. 58 years? Yes!
Reviewers who fault this movie for it's patriotism and display of martial force in the midst of a "holiday" movie are obviously too young to know what the world was like when this was made. It was a time of greater innocence, greater danger and greater racial discrimination. The innocence was that of the children and the general public who could take a "standard Hollywood plot" at face value. It was a time of danger, not necessarily from within society itself (as now when crime makes streets unsafe) but from the outside with dictators killing millions while they battle for world domination. Those tanks and planes WERE freedom. Without them we would be yelling "Seig Heil" today and would not have the right to critique a simple movie. The State would have made it for you and "you Will like it"!
As the "black face" routine was showing I turned to my family and said that I was sure that despite the "classic" status of this film there were probably a lot of people wincing as they watched Bing Crosby with burnt cork all over him.
I'm sure that before he died Bing too winced a little bit at that number, but taken in the context of history it was to be expected. Al Jolson made a career of blackface and never regretted it for a minute. Most of the American population accepted that that's "the way it is". Only in the last 40 years have we learned that's NOT the way it is.
Things change and it's understandable that after almost 60 years certain depictions of society as it existed then would be out of place today. 20 years ago the movie was popular but the music was certainly out of style. With the resurgence of the "big band sound" in the last 5-10 years people are noticing that Bob Crosby and the Bobcats were participants. No doubt a certain amount of nepotism existed, but Bob Crosby was not Billy Carter to Bing's Jimmy Carter. (Anyone under 20 can now run and look up Jimmy and Billy Carter.) Bob Crosby achieved a certain amount of star status with some of his recordings. He had 4 chart topping hits and led bands for almost 50 years. He was always eclipsed by his older brother, but then Bing Crosby was THE biggest star of that time, at least among singers.
Bob's music was a Dixieland style and it lent a lightness to the big band orchestrations of Irving Berlin's songs that might have otherwise made the music ponderous, too much so for this light comedy at least.
Remember, finally that when Holiday Inn came out we were losing WW2. The Pacific was a Japanese ocean, the Atlantic was virtually controlled by German U-Boats and Allied ships were being sunk within sight of American cities. The Axis also controlled all of Europe and the Russians were being rolled back into their own homeland.
Holiday Inn was escapist entertainment from this bleak reality and it is understandable if some martial patriotism was included to hearten the home front.
For 90% of the U.S., snow at Christmas is the exception rather than the rule, but the emotions expressed by the song White Christmas hit exactly the feelings of millions of soldiers taken from their homes to fight a war. If Holiday Inn did nothing else, it gave Americans something to believe in and remember when things were at their darkest.
"May your days be merry and bright, and may all your Christmases be White."
Reviewers who fault this movie for it's patriotism and display of martial force in the midst of a "holiday" movie are obviously too young to know what the world was like when this was made. It was a time of greater innocence, greater danger and greater racial discrimination. The innocence was that of the children and the general public who could take a "standard Hollywood plot" at face value. It was a time of danger, not necessarily from within society itself (as now when crime makes streets unsafe) but from the outside with dictators killing millions while they battle for world domination. Those tanks and planes WERE freedom. Without them we would be yelling "Seig Heil" today and would not have the right to critique a simple movie. The State would have made it for you and "you Will like it"!
As the "black face" routine was showing I turned to my family and said that I was sure that despite the "classic" status of this film there were probably a lot of people wincing as they watched Bing Crosby with burnt cork all over him.
I'm sure that before he died Bing too winced a little bit at that number, but taken in the context of history it was to be expected. Al Jolson made a career of blackface and never regretted it for a minute. Most of the American population accepted that that's "the way it is". Only in the last 40 years have we learned that's NOT the way it is.
Things change and it's understandable that after almost 60 years certain depictions of society as it existed then would be out of place today. 20 years ago the movie was popular but the music was certainly out of style. With the resurgence of the "big band sound" in the last 5-10 years people are noticing that Bob Crosby and the Bobcats were participants. No doubt a certain amount of nepotism existed, but Bob Crosby was not Billy Carter to Bing's Jimmy Carter. (Anyone under 20 can now run and look up Jimmy and Billy Carter.) Bob Crosby achieved a certain amount of star status with some of his recordings. He had 4 chart topping hits and led bands for almost 50 years. He was always eclipsed by his older brother, but then Bing Crosby was THE biggest star of that time, at least among singers.
Bob's music was a Dixieland style and it lent a lightness to the big band orchestrations of Irving Berlin's songs that might have otherwise made the music ponderous, too much so for this light comedy at least.
Remember, finally that when Holiday Inn came out we were losing WW2. The Pacific was a Japanese ocean, the Atlantic was virtually controlled by German U-Boats and Allied ships were being sunk within sight of American cities. The Axis also controlled all of Europe and the Russians were being rolled back into their own homeland.
Holiday Inn was escapist entertainment from this bleak reality and it is understandable if some martial patriotism was included to hearten the home front.
For 90% of the U.S., snow at Christmas is the exception rather than the rule, but the emotions expressed by the song White Christmas hit exactly the feelings of millions of soldiers taken from their homes to fight a war. If Holiday Inn did nothing else, it gave Americans something to believe in and remember when things were at their darkest.
"May your days be merry and bright, and may all your Christmases be White."
Lo sapevi?
- QuizThe Connecticut inn set for this film was reused by Paramount 12 years later as a Vermont inn for the musical Bianco Natale (1954), also starring Bing Crosby, and again with songs composed by Irving Berlin.
- BlooperThe telegram that Ted Hanover receives from Jim Hardy on Christmas Eve is dated December 25th.
- Citazioni
Linda Mason: My father was a lot like you, just a man with a family. Never amounted to much, didn't care. But as long as he was alive, we always had plenty to eat and clothes to keep us warm.
Jim Hardy: Were you happy?
Linda Mason: Yes.
Jim Hardy: Then your father was a very successful man.
- Curiosità sui creditiIn the opening titles the main credits for Irving Berlin as composer and lyricist, and Mark Sandrich as producer and director, are each facsimiles of their genuine signatures.
- Versioni alternativeIn 2008, the film was restored and colorized by Legend Films.
- ConnessioniFeatured in Concept (1964)
- Colonne sonoreOverture
(uncredited)
Music and Lyrics by Irving Berlin
Performed by the Paramount Pictures Studio Orchestra and Chorus conducted by Robert Emmett Dolan
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Dettagli
Botteghino
- Budget
- 3.200.000 USD (previsto)
- Lordo in tutto il mondo
- 80 USD
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Proporzioni
- 1.37 : 1
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