Hitler: Dead or Alive

Aesthetically speaking, this is not a good film in the least. The plot is stupid, the dialog is beyond just stupid and the film can only be enjoyed as a silly piece of kitsch. However, I liked it because it represents the extreme in how bad an American propaganda film can be. Like "First Yank in Tokyo", any attempt to make a believable story went out the window with this one! The film stars some actors who are usually there for support--Ward Bond, Paul Fix and Warren Hymer. While I liked them as colorful characters in films, without a strong and more competent leading man, the film is a bit doomed at the onset. The three play gangsters who lead a Three Stooges-like covert mission to kill Hitler. And, as for Hitler and his henchmen, they are about as smart as you'd expect from a Stooges' film! It's all very dopey and silly but I could also see someone today watching it precisely because it's so bad--so over the top.

This film has nothing going for it other than goofiness. It is so weird and wacky that it makes for a wonderfully strange evening of movie watching--and it's easy to, as the film is in the public domain and can be downloaded for free.

I was always interested in viewing a Bobby Watson vehicle. Recently I purchased this film solely for that reason. Film historians tell us that Mr. Watson was a dead ringer for Adolf Hitler and I had to see this for myself. Watson only shows up in the film after about two thirds of the way through.

All in all, this film is so bad that it's pathetic. Putting aside propaganda reasons, it boggles the imagination why an accomplished actor like Ward Bond (Gentleman Jim, Wagon Train, Gone With the Wind) would actually star in such a farce. My only guesses are that 1) he was hard up for money or 2) he felt it was his patriotic duty to do this stinker.

The Nazis in this film are shown to be idiotic boobs and incompetent to the point of not even being able to keep POWs from escaping from Dachau. Actually, Dachau wasn't even used as a POW camp. At any rate, that aside, they are depicted as a group of nincompoops, much like the ones in the TV program, Hogan's Heroes. I always thought that Stalag 17 spawned the idea for Hogan's Heroes, but now I think that Hitler Dead or Alive may have been the movie that influenced Bing Crosby to air that TV classic!!

Simply put, this movie is nonsensical, moronic and unrealistic. It's worth the time to view it once, just for laughs, but to view it a second time is a waste of time!

Yes, the movie "Hitler, Dead or Alive",was sub-par for that time period's genre, but I believe that the basic theme could be currently remade, with success! Using an all-star cast & more expensive sets, this "B" movie plot could capture a new audience, since World War II movies have become in fashion again, in recent years! I also think a film, like the "Dirty Dozen" was also influenced by it!

If you look at numerous 'war' films, actually made during WW II, they were done quickly & cheaply, to capitalize on the times.

Even the great "Casablanca", made in 1943, was done mostly on back-lots & to take advantage of the recent 'action' there, so please look at "Hitler, Dead or Alive" through the eyes of war audiences, who had no television & were anxious to see anything about world events!

Three gangsters head for Nazi Germany to capture Adolph Hitler and claim a big monetary reward. With a lot of Fuherer imposter's, how would they find the "real" Hitler: Simple, he had a beer stein cut on his upper lip delivered during the famous Munich Beer Hall Putsch, and grew his trademark mustache to cover it up. All the boys had to do was keep shaving "Hitlers" until they found the real one with the scar. And how did they learn to speak German??? Simple: (in Ward Bond's words) "...from driving a beer truck in Milwaukee..." To everyone who tells me that "Plan 9 From Outer Space" was the worst film ever made, I simply reply: "You haven't seen 'Hitler: Dead or Alive." Watch it for laughs!

Reportedly, in April 1865, upon hearing the dreadful news from Washington, D.C., Benjamin Disraeli made the comment that "Assassination has never changed history!". A brave statement, but dubious. Lincoln's murder took a first rate political mind and spirit out of an office that needed him, and put in a misguided, ill prepared man with some sense of his office's importance. The result was that Lincoln's hope to restore the Union with a benign peace was wrecked by the inept President Andrew Johnson and the Radical Republican Congress which sought a harsher peace on the South. John Wilkes Booth had changed history indeed.

Same happened in 44 B.C. when Julius Caesar was killed. Same happened in 1914 when Archduke Franz Ferdinand was killed and World War I broke out. Assassination does effect history.

In 1942 two Czech patriots were parachuted into their homeland to carry out a mission. They did - they killed Reinhart Heydrich, the "Hangman" "Protector" of Bohemia, and creator of the Final Solution. Heydrich was in a car that was blown up, and it is pleasant to announced that the creep actually died from being skewered by eight heavy springs in the seat that he was seated in - it took him over a week to die. Given his involvement in the Holacaust and other atrocities, one can only say he died the way he deserved. Unfortunately, the Germans destroyed two villages, and killed hundreds of people in retaliation. Because of that the Allies did not carry out any other assassination plots in Europe against Nazis.

But the notion of killing Nazi leaders was instilled in the air, and I think that is why this film was made soon after. To Americans Heydrich was vaguely known (after the destruction of Lidice and the other village interest in the "Hangman" led to two films being made: Fritz Lang's HANGMEN ALSO DIE and Douglas Sirk's HITLER'S MADMAN). HITLER, DEAD OR ALIVE is not a good film - it is really rather stupid. The idea of hiring three American criminals to kill Der Fuhrer is outlandish. But to be fair, this idea of criminals fighting the good fight against Nazis was fairly common in Hollywood films. Nazis never fought fairly, so we needed someone who also fought unfairly. Witness Humphrey Bogart and his co-horts in ALL THROUGH THE NIGHT (against Conrad Veidt) or Alan Ladd in THIS GUN FOR HIRE (admittedly against traitors working for Japan, not Germany) or LUCKY JORDAN. Still, if you want to kill the most vicious government leader in history, why use three gunman instead of working out a plan with the government. So if you have problems with this, you will have problems with the entire film.

The only thing I liked about this movie was when Bobs Watson (as Hitler) makes a comment to a cohort that he eventually plans to doublecross Mussolini. Perhaps it might have happened sooner or later, but Der Fuhrer actually had a high regard for Il Duce, and later in the war sent his leading special agent, Otto Skorzeny, into Italy to rescue the imprisoned ex-head of the government. Still it was amusing to hear that. Otherwise, the film was a total wash-out.