La bandiera sventola ancora

One of the things that all of the films about Norway during World War II fail to mention is why the Nazis were there in the first place. All of the Scandinavian countries would have gladly sat out this war as they did World War I. In fact all, but Sweden got into it for various reasons.

In the case of Norway, it's simply the long Norwegian coastline. Even before the Soviet Union was invaded, Hitler saw the necessity of preventing supplies from getting to the Soviets should they break the Hitler-Stalin pact and enter the war on the allied side. The convoy route used was the one into the Arctic Ocean into Archangel and Murmansk. No other route was possible for American lend lease. The Nazis operated bases from Norway and sank a lot of allied shipping in the North Atlantic.

So this is why this small village and so many others like it were occupied and why the country was invaded. The Norwegian people from the king and queen on down, knew their country was in a sideshow theater, yet they did resist as best they could.

In fact Mr. Churchill did mount a counterattack in Norway, but the invasion failed and British troops had to withdraw. From time to time he brought up freeing Norway during allied conferences, but could get no support for it from Roosevelt or Stalin.

Errol Flynn stars in Edge of Darkness and the usual Flynn derring-do is kept on hold. Probably in keeping with the stoical nature of Scandinavian character. He's not exactly Captain Blood in this one. He's a fisherman, but his natural qualities of leadership come through as he leads the resistance.

Edge of Darkness is the story of one coastal Norwegian village who put up with Nazi occupation beyond what was humanly bearable. The rape of Ann Sheridan finally touches off a revolt.

It's not a star vehicle per se. Errol Flynn and Ann Sheridan have a great deal less dialog than they would in most films. Edge of Darkness is a study of the various townspeople and the way each one of them deals with the Nazi occupation.

Walter Huston and Ruth Gordon are the parents of Sheridan and John Beal. Huston is the town doctor and tries to remain above the battle. Gordon, like Patricia Collinge in The Little Foxes, retreats into nostalgia. Sheridan is a resistance member and Beal was an informer in Oslo, but only the immediate family know it at first.

However the performance I like the best is Charles Dingle's. Dingle has always been one of my favorite character players ever. He's Gordon's brother, the owner of the cannery, and he quite deliberately chooses to collaborate with the Germans. He's the kind of villain you love to hate as is Helmut Dantine the commanding officer of the Nazi garrison.

We learn Dingle's fate at the beginning of the film and as the action unfolds in flashback the audience really rejoices in that fate.

No mistake about it, Edge of Darkness is a World War II propaganda film, but still entertaining today

The term 'propaganda' has generally taken on a very negative connotation, though propaganda can be a very good thing--such as in the case of EDGE OF DARKNESS. Here is a film that did an excellent job of rallying the audience for the war effort against the Nazis. The emotional impact is great--mostly due to exceptional writing, production values and a nice ensemble cast. I'm sure when audiences left the theaters, they often were energized and it gave them a sense that "we're all in this together".

Errol Flynn is cast in the lead as a Norwegian patriot who is slowly and very covertly trying to plan for a rebellion against their Nazi overlords. Interestingly, while Flynn and the rest do not sport Norwegian accents, the film (and in particular, Flynn's performance) is generally understated. This helped make the film seem more realistic and heightened the emotional impact.

In addition to Flynn, the film also stars Ann Sheridan, Walter Huston and Ruth Gordon. However, unlike most Warner Brothers films of the day, the usual cast of supporting actors (Allen Jenkins, Frank McHugh, Alan Hale and the rest) are absent. This was a good decision, as the usual "comic relief" style of support is --replaced with a gritty yet believable group of actors.

What I also liked about the film was that while the Nazis were very brutal and evil, they were not quite so over-the-top as they were in many propaganda films of the day. Yes, they murdered and even raped, but the whole thing was handled more realistically than many films--the Germans were not parodied or ridiculous--making them all the more scary.

The film ends with a terrific final confrontation scene between the Norwegians and the Nazis. It was very deftly filmed and was super-exciting.

All in all, this is one terrific film--mostly due to realism and excellent performances all around--from direction to sets to writing to acting to cinematography. A real stand out among the crowded pack of American WWII films.

I am old enough to have seen "Edge of Darkness" first run during WWII, and believe me this was a powerful movie for a 13 year old during the war. I've always remembered the effect of President Roosevelt's over voice message at the end of the film. For those who haven't seen this film the message was an excerpt from a speech he made probably in late 1940 or 41, and it refers to the resistance of the people of Norway to the occupation by the Nazis. I wouldn't doubt that it is possible that this speech was the inspiration for the novel from which the film is based. Yes, the way this over voice was used was a wartime "message" or propaganda if you will, but having seen and re-seen every war film made during WWII, I think this was about the best use of wartime messages.

"The Edge of Darkness" is a 1943 propaganda film about a Norwegian fishing village rising up to fight the Nazis.

However, this movie is a cut above other propaganda movies. The cast is excellent, top-notch all the way: Errol Flynn, Ann Sheridan, Walter Huston, Ruth Gordon, John Beal, Helmut Dantine, Judith Anderson and Morris Carnovsky.

Sometimes on the IMDb message board, a poster will ask for opinions on the best ensemble cast ever assembled. This one deserves a mention.

It's probably not at the top of everyone's list because it was released while Errol Flynn was fighting statutory rape charges, which was a distraction to audiences, certainly, and also because it followed "Casablanca."

Norway was dragged into the World War II conflict because Hitler was very concerned about protecting the Norwegian shoreline so that the Russians could not receive supplies if they joined the Allies.

In the story, the village is being occupied by the Nazis, who are taking the people's shipments of basic necessities and oppressing the entire town by their very presence - curfews, patrols, and the commandeering of the local hotel as their base.

Flynn plays the head of the resistance, a brave fisherman named Gunnar Brogge. He is joined in the fight byand by other villagers and by the woman he loves, Karen Stensgard (Sheridan). Her father (Huston) is a doctor who, like many others, has been content not to make waves; his wife (Gordon) longs for the days before the war when the family was together.

Karen, however, has no such wish - her brother, Johann (John Beal) is a weakling who collaborated with the Nazis in Oslo. Hearing that he's returning home, she warns the resistance group that he could cause problems. Meanwhile, the group waits to receive a shipment of arms so that they can fight effectively.

The director, Lewis Milestone, has created an atmosphere where one feels the oppression, fear and frustration of these simple people. There are powerful scenes that demonstrate the viciousness of the Nazis, led by Helmut Dantine.

One scene is off-camera - the rape of Karen. As another poster here commented, she of course looks fabulous when she returns to the group - some dirt smudges and her beautiful hair falling around her face. That is really the one false note in this story of great bravery.

The entire cast is terrific, led by Flynn, who demonstrates quiet strength and determination as Gunnar. This is really an ensemble piece, however, and Flynn and Sheridan do not overwhelm the production.

Walter Huston again demonstrates his brilliant acting skills as a man trying to stick it out without having a high profile, and Gordon is sympathetic as his wife, who yearns for the family moments that are now gone. All of the roles, including the smaller ones, are essayed beautifully.

I am sure that this film was very inspirational when first seen, particularly the radio message from Roosevelt at the end of the movie. "Edge of Darkness" is a compelling story about the effect of the war and occupation on the average person.

A story incomparable of a people unconquerable about the underground movement in Norway , 1942 , based on the novel by William Woods . After two years under German rule , a small Norwegian fishing village rises up and revolts against the occupying Nazis . A fisherman (Errol Flynn) along with his loyal fiancée (Ann Sheridan) leads the local (Walter Huston , Ruth Gordon , Judith Anderson and several others) underground movement against a Nazi nasty captain (Helmut Dantine). The second part is quite starkly moving developing account of deeds that befall about the villagers and when they go into action.

A surprisingly very strong version about Norwegian resistance with career-best interpretations from Errol Flynn and Ann Sheridan . With a spectacular opening reminiscent of 'Beau Gest' , the film gets action , pretty downbeat deeds , intense drama with moments of extraordinary power and breathtaking final battle . Although numerous problems happened throughout shooting , this movie contains impressive images and submitted performances . Director tries to expose war for what it is and not glorify it . Very well camera work by cameraman Sidney Hickock . Thrilling and evocative musical score by the classic Franz Waxman . Rating : Above average , the flick earned big high marks for its superb scenarios , credible acting and dramatic scenes .

This War/drama is compellingly directed by Lewis Milestone , he was born in the Ukraine , but emigrated to America at 18 and he served in WWI becoming an assistant director on Army training films . Then War returned and Lewis was in thick of it with several fictional movies and a documentary . He often made chronicles of wartime conflicts and persisted in showing horror war from the point of view of the ordinary soldier . Milestone was using what he felt were the best means at his disposal to express his own philosophies about war in particular . Milestone's niche in movie history is secure with his War films and it is on these pictures that his reputation rests . As he showed WWI , winning Academy Award for ¨All quiet on the western front¨ , and WWII such as ¨Purple heart¨ , ¨Halls of Montezuma¨ , ¨Edge and darkness¨ , the best of which is ¨A walk in the sun¨ with remarkable intensity at times and Korean war as ¨Pork Chop Hill¨ ; and directed several others excellent movies in different fields , dramas as ¨Of mice and men¨ , Noir cinema as ¨Strange love of Martha Ivers¨, adventure as ¨Mutiny on the Bount¨ and heist-comedy as ¨Ocean's eleven¨, among others.

The picture is set during German invasion of Norway and subsequent Nazi conquest , the historical events are the following : The invasion began on April 9, 1940. The German Navy and Airforce led the operation . The Hitler plan relied on surprise to avoid interception by the British and to prevent Norwegian forces from mobilizing. The sudden appearance of naval task forces took Norwegian defenders by surprise and allowed airfields around Oslo , Tondheim and Stevenager to be captured by the German intact. German forces at Trondheim advanced and linked up with forces in Oslo. Norwegian forces in central and southern began to surrender. In northern Norway British and French troops fighting against Germans in Narvik . But the Allied decided to pull out of Norway , evacuating forces from Narvik . After that , Nazi conquest was completed with help some collaborators as the famous ¨Quisling¨ who was a Norwegian prime minister whose collaboration with the Nazis meant his name became a term meaning traitor and in this film is represented by the Walter Huston , Ruth Gordon's son , John Beal .