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IMDbPro

La bandiera sventola ancora

Titolo originale: Edge of Darkness
  • 1943
  • Approved
  • 1h 59min
VALUTAZIONE IMDb
7,2/10
3246
LA TUA VALUTAZIONE
Errol Flynn and Ann Sheridan in La bandiera sventola ancora (1943)
After two years under German rule, a small Norwegian fishing village rises up and revolts against the occupying Nazis.
Riproduci trailer2: 17
1 video
39 foto
DramaWar

Dopo due anni di occupazione tedesca, un piccolo villaggio di pescatori norvegese insorge e si ribella contro i nazistii.Dopo due anni di occupazione tedesca, un piccolo villaggio di pescatori norvegese insorge e si ribella contro i nazistii.Dopo due anni di occupazione tedesca, un piccolo villaggio di pescatori norvegese insorge e si ribella contro i nazistii.

  • Regia
    • Lewis Milestone
  • Sceneggiatura
    • Robert Rossen
    • William Woods
  • Star
    • Errol Flynn
    • Ann Sheridan
    • Walter Huston
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,2/10
    3246
    LA TUA VALUTAZIONE
    • Regia
      • Lewis Milestone
    • Sceneggiatura
      • Robert Rossen
      • William Woods
    • Star
      • Errol Flynn
      • Ann Sheridan
      • Walter Huston
    • 62Recensioni degli utenti
    • 21Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Trailer
    Trailer 2:17
    Trailer

    Foto39

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    Interpreti principali68

    Modifica
    Errol Flynn
    Errol Flynn
    • Gunnar Brogge
    Ann Sheridan
    Ann Sheridan
    • Karen Stensgard
    Walter Huston
    Walter Huston
    • Dr. Martin Stensgard
    Nancy Coleman
    Nancy Coleman
    • Katja
    Helmut Dantine
    Helmut Dantine
    • Capt. Koenig
    Judith Anderson
    Judith Anderson
    • Gerd Bjarnesen
    Ruth Gordon
    Ruth Gordon
    • Anna Stensgard
    John Beal
    John Beal
    • Johann Stensgard
    Morris Carnovsky
    Morris Carnovsky
    • Sixtus Andresen
    Charles Dingle
    Charles Dingle
    • Kaspar Torgersen
    Roman Bohnen
    Roman Bohnen
    • Lars Malken
    Richard Fraser
    Richard Fraser
    • Pastor Aalesen
    Art Smith
    Art Smith
    • Knut Osterholm
    Louis V. Arco
    • German Lieutenant
    • (non citato nei titoli originali)
    George Blagoi
    George Blagoi
    • Townsman
    • (non citato nei titoli originali)
    Monte Blue
    Monte Blue
    • Petersen
    • (non citato nei titoli originali)
    John Bose
    John Bose
    • Soldier
    • (non citato nei titoli originali)
    Henry Brandon
    Henry Brandon
    • Maj. Ruck
    • (non citato nei titoli originali)
    • Regia
      • Lewis Milestone
    • Sceneggiatura
      • Robert Rossen
      • William Woods
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti62

    7,23.2K
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    10

    Recensioni in evidenza

    8dallen775

    Powerful WWII film

    This is a pretty powerful film with star performances to match. I usually don't care for flash backs, but don't give up on the film, the beginning does NOT give away the end. This isn't a Can't-Miss-Classic like Casablanca, but it's very well worth the watching. I gave it an 8.
    wgmcs6

    Comment on Roosevelt's over voice at the end of the film.

    I am old enough to have seen "Edge of Darkness" first run during WWII, and believe me this was a powerful movie for a 13 year old during the war. I've always remembered the effect of President Roosevelt's over voice message at the end of the film. For those who haven't seen this film the message was an excerpt from a speech he made probably in late 1940 or 41, and it refers to the resistance of the people of Norway to the occupation by the Nazis. I wouldn't doubt that it is possible that this speech was the inspiration for the novel from which the film is based. Yes, the way this over voice was used was a wartime "message" or propaganda if you will, but having seen and re-seen every war film made during WWII, I think this was about the best use of wartime messages.
    8utgard14

    "These fascists will never drive Norwegians out of Norway!"

    Errol Flynn made some of the best and most exciting WW2 films. Here he's part of an ensemble in this story about a small Norwegian fishing village under Nazi occupation. Many of the villagers want to fight back against their occupiers but they have no weapons. Errol Flynn and Ann Sheridan are the two main leaders of this resistance group. Sheridan's father Walter Huston wishes to avoid fighting and wait the war out. Then you have her uncle and brother, who are Nazi collaborators. Eventually tensions within the village boil over and the citizens revolt against the evil Nazis.

    The cast is excellent. In addition to the three big stars I list above, who all do commendable work, there's an outstanding supporting cast. Judith Anderson is a ballsy resistance fighter who is in love with one of the Nazis but doesn't let that sway her loyalty. Ruth Gordon gives one of her patented sensitive and soft-spoken performances. Charles Dingle and John Beal play the rat bastards who sell their own out to the enemy. One of them has a moment of redemption by the end. Morris Carnovsky is extraordinary as an elderly man who stands up to the Nazis despite the danger. Roman Bohnen is a scene stealer as a patriot who has to overcome his fear. Helmut Dantine plays the scar-faced Nazi in charge of the occupation. Many other fine actors in small parts, some of whom may only get one scene to make an impact but they make the most of it.

    Powerful script, beautiful cinematography, and excellent direction. The climactic battle scene is intense. It's an unflinching war movie with little to no comic relief, a rarity for Warner Bros, who usually threw Alan Hale or somebody into these pictures to add some lighter moments. But this is a serious movie about bravery and the sacrifices that so many made in the war. The story doesn't call for lightheartedness. It's one of the best war movies Flynn or WB made.
    9planktonrules

    One of the best WWII American propaganda films

    The term 'propaganda' has generally taken on a very negative connotation, though propaganda can be a very good thing--such as in the case of EDGE OF DARKNESS. Here is a film that did an excellent job of rallying the audience for the war effort against the Nazis. The emotional impact is great--mostly due to exceptional writing, production values and a nice ensemble cast. I'm sure when audiences left the theaters, they often were energized and it gave them a sense that "we're all in this together".

    Errol Flynn is cast in the lead as a Norwegian patriot who is slowly and very covertly trying to plan for a rebellion against their Nazi overlords. Interestingly, while Flynn and the rest do not sport Norwegian accents, the film (and in particular, Flynn's performance) is generally understated. This helped make the film seem more realistic and heightened the emotional impact.

    In addition to Flynn, the film also stars Ann Sheridan, Walter Huston and Ruth Gordon. However, unlike most Warner Brothers films of the day, the usual cast of supporting actors (Allen Jenkins, Frank McHugh, Alan Hale and the rest) are absent. This was a good decision, as the usual "comic relief" style of support is --replaced with a gritty yet believable group of actors.

    What I also liked about the film was that while the Nazis were very brutal and evil, they were not quite so over-the-top as they were in many propaganda films of the day. Yes, they murdered and even raped, but the whole thing was handled more realistically than many films--the Germans were not parodied or ridiculous--making them all the more scary.

    The film ends with a terrific final confrontation scene between the Norwegians and the Nazis. It was very deftly filmed and was super-exciting.

    All in all, this is one terrific film--mostly due to realism and excellent performances all around--from direction to sets to writing to acting to cinematography. A real stand out among the crowded pack of American WWII films.
    9oldblackandwhite

    Lewis Milestone's WWII Masterpiece Still Packs A Big Wallop

    Edge Of Darkness is one of the most underrated movies by one of the most underrated directors, Lewis Milestone. This World War Two "propaganda" piece or morale builder rises far above its genre in the hands of the cinematic master best known for his magisterial World War One picture All Quiet On The Western Front. The story of a revolt brewing against Nazi occupiers by the people of a Norwegian fishing village, scripted by Robert Rossen, is reeled out in Milestone's fluid, sensuous cinematic style with spellbinding suspense from beginning to end. Sets are first rate, with the magic of Old Hollywood art transforming the California coast into a misty Scandinavian fjord.

    Leading man Errol Flynn turns in perhaps his best job of acting. His dashing image is completely lost in the role of a humble fisherman not entirely confident as the leader of the local Resistance movement. No dashing uniform here, just a pea coat and a plain merchant sailor's cap. And no mustache! Flynn and leading lady Ann Sheridan both turn in the solid, understated performances their roles called for, but it is a superb cast of supporting players that really shines in this one. One of the great charms of this memorable movie is the rich character development amongst the supporting parts. Walter Huston, as the town doctor trying to sit the fence, and Judith Anderson, as a Resistance worker hopelessly in love with a German soldier, are dominating as always. But the show is practically stolen by Roman Bohnen, as a henpecked, middle-aged store keeper with dreams of glory, and the ubiquitous Henry Brandon, as a suave SS officer who may not be all he seems. Helmut Dantine, a refugee Austrian anti-Nazi in real life, plays the German commandant with razor-edge ruthlessness. Likewise outstanding are Ruth Gordon as the doctor's sadly unbalanced wife, Charles Dingle as her Quissling brother, John Beal as her wavering Quissling son, and Nancy Coleman as the commandant's frightened Polish mistress. Monte Blue, Frank Wilcox, Art Bridge, and Morris Carnovsky add their always reliable presences. Thanks to consummate acting skill, Rossen's intelligent script, and Milestone's precise direction, you will come to know these characters as well as your neighbors by the shattering end of this two hour movie.

    Franz Waxman's florid score themed on Martin Luther's stirring hymn "A Mighty Fortress Is My God" with snatches from Wagner sweeps the action along to a rousing climax.Sid Hickox is credited for the sublime cinematography, but as I have stated elsewhere (see my review of The General Died At Dawn), Milestone's graphic statement was the same no matter who was behind the camera or in the editing room. Sweeping camera, silky smooth scene changes with creative dissolves, panning mise-en-scene were all the master's trademarks -- much imitated and highly influential on the film noir style that came to dominate pictures of all genres during the 1940's. Notice how at the beginning of the final scene in Edge of Darkness the flapping flag dissolves into a sheet of paper in a typewriter!

    Edge of Darkness is a classic of the war/intrigue genre and one of the great movies of all time. First rate Old Hollywood entertainment from the master Lewis Milestone.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      According to the book "The Films of World War II" by Joe Morella, Edward Z. Epstein and John Griggs, the production was beset by many problems. The book states, "Ann Sheridan parted from husband George Brent; Errol Flynn was indicted for rape; location shooting in a small California town was delayed several weeks because of fog, during which Ruth Gordon and Judith Anderson were besieged with telegrams from Katharine Cornell demanding their return to New York for her stage production of 'The Three Sisters'. Miss Gordon was restrained from leaving, but not before letting it be known that she hated Hollywood and the picture. Fortunately for Warners, the fog lifted, Flynn was acquitted, and the film was completed."
    • Blooper
      After Gunnar (Errol Flynn) says to Karen (Ann Sheridan), "When my father was my age, he already had two children", there's an obvious jump cut indicating some dialogue had been deleted; this likely was due to a failure to gain acceptance by the Production Code censors.
    • Citazioni

      Captain Hauptmann Koenig: What do you want?

      Sixtus Andresen: I... thought it only right, considering that you are... de facto commandant of the village, to acquaint you with a decision that I've made.

      Captain Hauptmann Koenig: I'm very busy.

      Sixtus Andresen: I know. I hope you'll forgive me. I know I'm being selfish. But, uhh... Why did you want my house?

      Captain Hauptmann Koenig: For a block house! But what was it you wanted to see me about?

      Sixtus Andresen: I cannot let you have my house.

      Captain Hauptmann Koenig: You what?

      Sixtus Andresen: I must forbid you to enter my house.

      Captain Hauptmann Koenig: [laughs hysterically] Are you insane? I could have you shot!

      Sixtus Andresen: I know. But if you're interested, I'll tell you what brought me to my conclusion, which is, I can assure you, completely unshakeable. You see, I am well past seventy, and at my age it would be foolish for me to be like Socrates' enemies, and fear death more than I love truth.

      Captain Hauptmann Koenig: Go on!

      Sixtus Andresen: ...I have no guns, no airplanes, no force. I disdain.

      Captain Hauptmann Koenig: SILENCE!

      Sixtus Andresen: What you don't understand is that the individual man...

      Captain Hauptmann Koenig: QUIET, YOU FOOL!

      Sixtus Andresen: - The individual man must stand against you like a rock.

      Captain Hauptmann Koenig: [shaking Andresen] Will you STOP!

      Sixtus Andresen: [calmly] No. If I were afraid, there might be hope for you, but I am not.

      [Koenig slaps Andresen across the face]

      Sixtus Andresen: There are certain things you cannot take away from me... What is mine, is mine. Do you think you can stop the working of my brain and my heart?

      [slap]

      Sixtus Andresen: We are not animals; we are men.

      [slap]

      Sixtus Andresen: That is the foundation of law - you cannot win.

      [slap]

      Sixtus Andresen: Where are your courts?

      [slap]

      Sixtus Andresen: Your judges?

      [slap]

      Sixtus Andresen: And your juries?

      [slap]

      Sixtus Andresen: Until you bring them forward, I must forbid you my house.

      Captain Hauptmann Koenig: HE 'FORBIDS'!

      [knocks the old man down the stairwell]

    • Connessioni
      Edited into Il capitano di lungo... sorso (1969)
    • Colonne sonore
      A Mighty Fortress is Our God (Ein' Feste Burg)
      (uncredited)

      Traditional German hymn

      Lyrics by Martin Luther (1535)

      English translation by Frederick H. Hedge (1853)

      Played and sung offscreen by an unidentified chorus during the opening credits, in the church,

      and at the end

      Variations in the score throughout

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    Dettagli

    Modifica
    • Data di uscita
      • 24 aprile 1943 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Tedesco
      • Norvegese
    • Celebre anche come
      • Rebelión
    • Luoghi delle riprese
      • Cannery Row, Monterey, California, Stati Uniti
    • Azienda produttrice
      • Warner Bros.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 1.653.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 59 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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