The Devil with Hitler

The Devil With Hitler has to be viewed in retrospect not so much for what it was poking fun at but more so for what wasn't known at the time regarding the full extent of the concentration camps and other atrocities. It is primarily Adolf(Bobby Watson), Benito(Joe Devlin) and Suki Saki(George E. Stone) in a series of Three-Stooges routines, with the premise that the Board of Directors of Hell has put the Devil (Alan Mowbray)on notice they intend to replace him with Adolph Hitler unless he can get Hitler to commit a good deed. As with nearly all of the Roach "streamliners" of the time, it has several double entendres which leads one to believe the censors were either asleep, didn't expect such from the "Our Gang" leader, or, more likely, it went over their heads. In addition to Hitler, speaking of the Rudolph Hess 'trip" to England as one in which..."I lost my Hess", Hitler is heard bragging about his skills as a two-handed house painter by claiming..."I could switch hands and never miss a stroke." I choose not to explain the original source( or activity described) of that line.

Delightful short, a wartime spoof in which Adolph Hitler (Bobby Watson, a frequent interpreter of the role) is seen so much as being the embodiment of evil that Satan's minions plot to have their master deposed and put the Fuehrer in his place! However, Alan Mowbray as "The Devil Himself" contrives to come up to Earth as the latter's butler (the actor had actually played many such parts throughout his career, most notably in TOPPER [1937]) and trick him into doing one good deed! Nowadays the film will probably be deemed politically incorrect – especially its demeaning depiction of the Japanese, personified here by one Suki Yaki – but it is so disarmingly funny that one can easily overlook this. Among the comic highlights are Hitler's disastrous bath-tub rehearsal of his speech for an upcoming Nazi rally (in which he ends with his current butler sitting on top of him!), the extended night-time sequence in which he shares a bed with Suki Yaki and Italian dictator Benito Mussolini (who keeps referring to Hitler as "The Hit"), each having planted a bomb under the other's pillow, and the predictably explosive climax in a munitions factory. The film was produced by slapstick mogul Hal Roach and, of course, director Douglas would soon go on to have a versatile career capped by the sci-fi classic THEM! (1954). Incidentally, THE DEVIL WITH Hitler would be followed by an equally short sequel, NAZTY NUISANCE (1943); subsequently, the two films would be strung together and released as a feature!

I wish that people who write reviews for the movies listed on IMDb would keep in mind the era in which they were made and the mood of the audiences for which they were intended. This is a comedy, folks. Who were the big comedians of the time? The Three Stooges; Abbott and Costello; Laurel and Hardy; Bob Hope. Slapstick; improbable situations; pratfalls; weird accents; implausible plots; all of these staples of comedy were used to good effect in this short amusing movie. The fact that it was produced by the great Hal Roach should give anyone with movie viewing experience an inkling that the makers wanted to give their audiences a few laughs. In the second year of WWII, there was very little escapism for the people of America. The leaders of Germany, Italy and Japan must have seemed Hell-spawned when the average citizen read about their daily antics in the newspapers of the day. Making them the subjects of comedy actions worthy of the Three Stooges was just another way to point out their stupidity in an insane world. After all, most good comedy is rooted in the truth, and when you watch this delightful little piece of fluff, put your mind in neutral and prepare to be entertained. Hal Roach would not have had it any other way.

I caught 'The Devil With Hitler' a while ago on TCM, and, expecting to see something absolutely dreadful like 'Hitler's Children', found myself delightfully surprised. What a ridiculously irreverent little flick!] Bobby Watson mugged hysterically as Hitler, and, while many of the jokes were pretty lame or corny, or light- or, all three put together- the general atmosphere of silliness made this an awful lot of fun. There were lots of amusing little B-grade Marx Bros.-wannabe touches throughout, like Hitler continuing his interest in the painted arts: here, he has a white room, which he paints black. (I can only imagine that, later, off-screen, someone paints it white again, so he can repeat the process ad infinitum!) This ain't no high-grade satire, this certainly isn't a good movie. But I got a lot of laughs and giggles from the proceedings, certainly worth 44 minutes of my time.

The board of directors of Hell want Satan to resign and replace him with Hitler. The Devil refuses to go and insists that Hitler isn't all bad and that he will prove it by having him perform a good deed. Heading up to Germany Satan gets himself in with Hitler and then sets about getting him to do good, while at the same time having to deal with Mussolini and the Japanese General Suki Yaki.

Odd running time aside, it's a streamline feature running about 43 minutes, this is an odd film. Its a very odd feeling watching the Devil run around trying to prove Hitler isn't all bad, especially when he uses examples of Hitler's cruelties that are actually much worse in retrospect than what was known when this film was made. In its way the film is almost an exercise in bad taste as a result of the revelations that followed.

But lets not dwell on the bad, lets talk about the good, this is an amusing little comedy. For the most part this is a series of set pieces and running gags concerning Satan masquerading as Hitler, the backstabbing and double dealing of the Axis "allies" and the insanity of Hitler. While many of the jokes will not be new to anyone who's seen comedies of the period, especially the Three Stooges classic rips at Hitler, they are funny and will produce smiles if not chuckles and giggles. The performances are right on target and engender a great deal of good will simply because they are so silly. And while some of the gags do go on much too long with out a really big pay off (they were stretching even to fill 43 minutes) it never wears out its welcome.

Worth a look if you run across it.