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The Day Will Dawn

  • 1942
  • Approved
  • 1h 38min
VALUTAZIONE IMDb
6,1/10
649
LA TUA VALUTAZIONE
Deborah Kerr, Griffith Jones, Ralph Richardson, and Hugh Williams in The Day Will Dawn (1942)
DramaWar

Aggiungi una trama nella tua linguaA British journalist working in Norway during WWII finds himself hunted by the Germans when he's tasked with a secret combat mission, while the daughter of a Norwegian sea captain helps the ... Leggi tuttoA British journalist working in Norway during WWII finds himself hunted by the Germans when he's tasked with a secret combat mission, while the daughter of a Norwegian sea captain helps the Brits combat the Nazi menace.A British journalist working in Norway during WWII finds himself hunted by the Germans when he's tasked with a secret combat mission, while the daughter of a Norwegian sea captain helps the Brits combat the Nazi menace.

  • Regia
    • Harold French
  • Sceneggiatura
    • Frank Owen
    • Terence Rattigan
    • Anatole de Grunwald
  • Star
    • Hugh Williams
    • Griffith Jones
    • Deborah Kerr
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    649
    LA TUA VALUTAZIONE
    • Regia
      • Harold French
    • Sceneggiatura
      • Frank Owen
      • Terence Rattigan
      • Anatole de Grunwald
    • Star
      • Hugh Williams
      • Griffith Jones
      • Deborah Kerr
    • 17Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto2

    Visualizza poster
    Visualizza poster

    Interpreti principali82

    Modifica
    Hugh Williams
    Hugh Williams
    • Colin Metcalfe
    Griffith Jones
    Griffith Jones
    • Police Inspector Gunter
    • (as Griffiths Jones)
    Deborah Kerr
    Deborah Kerr
    • Kari Alstad
    Ralph Richardson
    Ralph Richardson
    • Frank Lockwood
    Francis L. Sullivan
    Francis L. Sullivan
    • Kommandant Ulrich Wettau
    Roland Culver
    Roland Culver
    • Cmdr. Pittwaters
    Finlay Currie
    Finlay Currie
    • Capt. Alstad
    Niall MacGinnis
    Niall MacGinnis
    • Olaf
    Elizabeth Mann
    • Gerda
    Raymond Huntley
    Raymond Huntley
    • Norwegian Under Secretary (scenes deleted)
    Patricia Medina
    Patricia Medina
    • Ingrid
    Roland Pertwee
    Roland Pertwee
    • Capt. Waverley - Naval Intelligence
    Henry Oscar
    Henry Oscar
    • Newspaper Editor
    David Horne
    David Horne
    • Evans, Foreign Editor
    Henry Hewitt
    • Jack, News Editor
    John Warwick
    John Warwick
    • Milligan, Reporter in Fleet Street Pub
    Brefni O'Rorke
    Brefni O'Rorke
    • Political Journalist
    Bernard Miles
    Bernard Miles
    • McAllister (Irish Soldier)
    • Regia
      • Harold French
    • Sceneggiatura
      • Frank Owen
      • Terence Rattigan
      • Anatole de Grunwald
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti17

    6,1649
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    Recensioni in evidenza

    6jemkat

    Wartime British flagwaver fails to gel.

    British wartime propaganda film in which Hugh Williams plays a British foreign correspondent investigating German U-boat activities in Norway. The disparate elements of the film however, in terms of location, narrative and character, do not seem to have been successfully combined into a cohesive whole. Apart from the Hugh Williams character there is a lack of focus, and the film comes across as episodic and disjointed. Ralph Richardson, for example, is for the most part wasted in a role which despite popping up briefly all over the place, seems to have very little relevance to either plot or theme. Finlay Currie, always worth watching, does well by his part and has the most convincing accent of the piece, but Deborah Kerr sounds as Norwegian as praties. Francis L Sullivan trots out another of his well worn villains.
    8clanciai

    Norwegian Deborah Kerr getting mixed up with a local Quisling and an English spy

    We have seen this before, the freedom fighters of Norway under Nazi occupation, their hardship, their courage, their determination, their heroism and so on, and if this film at least is better than "The Moon Is Down" on the same theme, it's not up to Errol Flynn's "The Edge of Darkness". The one outstanding asset of this film though is the leading lady, a very young Deborah Kerr, who in a way sustains the whole movie. In the beginning she is just a very cheerful and happy Norwegian lass, but when the Germans come to build an oil refinery, which turns out to be a submarine base, the Norwegians get into trouble, and in order to save her father's life (Finlay Currie) Deborah has to marry the local Quisling, the local police, whom the Norwegians don't know at first that he is collaborating with the Germans (Francis L. Sullivan, awesome as usual.) When Hugh Williams as an English spy learns this on his second coming, he fell in love with Deborah during the first, he is not very happy.

    It's a very typical British edifying war film from the very darkest year 1942 and sides with many others of the same kind, outdated today, but still interesting for their great moral enthusiasm about surviving and fighting tyranny.
    6arthur_tafero

    Early Kerr role Interesting

    This early Deborah Kerr role steals the film, The Day Will Dawn, an early WW2 film about the invasion and occupation of Norway, a topic seldom seen in Hollywood films. English films tended to explore topics that Hollywood films avoided. In Hollywood, intellectual exploration was considered box office poison. This movie, despite the hilarious nazi scene of a nazi officer killing a Norweigen traitor by shooting at the wall, is very effective for most of the film, and highlights Kerr's acting talents. The rest of the cast, particularly Kerr's father, do a very good job in the film. Some portrayals of the nazis border on cartoonish, but that is to be expected, considering the time period. A good WW actioner.
    6ksf-2

    wartime flick with the usual patriotic messages

    Called the day will dawn in europe, but the avengers in canada and the united states. It's a brit film. Reporter colin metcalfe (hugh williams) is assigned to the european beat, after hitler moves into poland. When the germans sink his boat on the way to norway, no one seems to believe him. But he does fall for kari (young deborah kerr, in an early role), the captain's daughter. And as the german ships come into the harbor, pretending to be merchant ships, colin is abducted and held prisoner by the germans. Will metcalfe ever get to tell what he knows? Will his stories make a difference? The script is peppered with patriotic messages. A call to take action, avoiding neutrality, as hitler moves into more euro countries. Acc to imdb, this was released in the united kingdom in june 1942, so both britain and the united states were already actively in the war by then. This seems to start the story from earlier, before britain was involved in action. Directed by harold french. According to wikipedia dot org, french lost his own wife in a bombing raid in 1941. Produced by general films, and distributed in the united states by paramount. It's a little disjointed, but does show the chronology of events in europe.
    6TheLittleSongbird

    Well intentioned if flawed

    There have been plenty of fine war films and ones with a message or dealing with specific conflicts, am never going to dismiss every war film made during WW2 propaganda straight off the bat because many were more than that. 'The Day Will Dawn' was primarily seen for the cast, hard to go wrong with Deborah Kerr (in an early role), Finlay Currie and Francis L Sullivan, and because it was another film chosen to watch when visiting my godparents.

    My feelings on 'The Day Will Dawn' were mostly moderately positive, while not being bowled over. Was to be honest expecting more considering the calibre of the cast, but considering the general reputation of similar films centered around WW2 it also could have been worse. 'The Day Will Dawn's' good intentions were truly admirable and very obvious and there are many good things, though more subtlety and consistency would have made it quite a bit better.

    Am going to start with the good. The cast mostly are fine. Kerr did go on to do better and has an accent that would never pass for Norweigan in a million years, but she gives poignant dignity to a rather colourless role (particularly evident in the prison scene awaiting execution). Sullivan was seldom more malevolent than he is here and Currie is larger than life and touching. There is some nice photography and a stirring score.

    Did think too that enough of the action roused, while the prison scene was pretty heart-wrenching and the climax terrifying. It also starts off with great promise and is well directed.

    On the other hand, Hugh Williams has a very bland character and is too stiff and restrained in it. The pacing is not always consistent, at times it's perfect and exciting and at other times it could have been a good deal tauter and less deliberate.

    While the intentions are obvious, good and noble, the film did feel heavy handed and pretty much reiterated what many know already regarding how evil the opposition was. While photographed well, 'The Day Will Dawn' is not that well made visually, with some cheap settings and over obvious, overused and even cheaper stock footage that is clumsily inserted.

    In conclusion, above average if unexceptional. 6/10.

    Trama

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    Lo sapevi?

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    • Quiz
      The shot of the wooden building being blown up towards the end was from one of the British Commando raids on the Norwegian coast. These were usually to attack things like fish-oil processing plants. Various other extracts from newsreels or other reality footage were inserted into this film at various points.
    • Blooper
      Metcalf takes off in a Wellington aircraft and parachutes from a Whitley.
    • Citazioni

      Milligan, Reporter in Fleet Street Pub: This is the man in the street, Frank, the average man. And he's asking you a question the average man in the street wants answering. World war over Danzig?

      "Man-in-the-Street" in Fleet Street Pub: That's right. As you say, Danzig's only a small place.

      Frank Lockwood: So was Thermopylae. And Verdun. And Madrid. All very small places. Big enough to bury the people that hadn't the guts to fight for them. Did you ever hear Hitler laugh?

      [Man shakes head]

      Frank Lockwood: I did. I was in Vienna when he entered the city in triumph. "Providence has sent me here to save you," he bellowed to the mob of his followers. "And Heaven help all those that have been against me." And then he laughed. It's a kind of mad laugh. And they all laughed too, in the same way. They were baying for blood. Hitler was giving it to them. We're in this for our own sweet selves. If we want to save our skins we've got to fight.

    • Curiosità sui crediti
      Postscript on screen: "In a dozen famous ancient states, now prostrate under the Nazi yoke, the masses of the people, all classes and creeds, await the hour of liberation, when they, too, will be able once again to play their part and strike their blows like men. That hour will strike, and its solemn peal will proclaim that the night is past and that the dawn has come."

      The PRIME MINISTER In the SENATE OF THE UNITED STATES 26 · 12 · 1941
    • Colonne sonore
      Rule Brittania
      (uncredited)

      Lyrics by James Thomson

      Music by Thomas Augustine Arne

      Sung in bar in Norway

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    Dettagli

    Modifica
    • Data di uscita
      • 8 giugno 1942 (Regno Unito)
    • Paese di origine
      • Regno Unito
    • Lingue
      • Inglese
      • Tedesco
    • Celebre anche come
      • The Avengers
    • Luoghi delle riprese
      • D&P Studios, Denham, Uxbridge, Buckinghamshire, Inghilterra, Regno Unito(studio: made at D&P Studios England)
    • Azienda produttrice
      • Paul Soskin Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 38 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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