VALUTAZIONE IMDb
6,7/10
1931
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn amnesiac French diplomat is blackmailed for crimes that he committed before he lost his memory.An amnesiac French diplomat is blackmailed for crimes that he committed before he lost his memory.An amnesiac French diplomat is blackmailed for crimes that he committed before he lost his memory.
- Regia
- Sceneggiatura
- Star
Enrique Acosta
- Associate Judge
- (non citato nei titoli originali)
George Barrows
- Lecture Guest
- (non citato nei titoli originali)
Robert Bradford
- Whistling Solo of 'Auprès de ma blonde'
- (voce)
- (non citato nei titoli originali)
Francis X. Bushman Jr.
- Giant Policeman
- (non citato nei titoli originali)
George Calliga
- Lecture Guest
- (non citato nei titoli originali)
Jack Chefe
- Reporter
- (non citato nei titoli originali)
Frank Conroy
- Defense Attorney
- (non citato nei titoli originali)
Armand Cortes
- Clerk
- (non citato nei titoli originali)
Guy D'Ennery
- Reporter
- (non citato nei titoli originali)
Recensioni in evidenza
Slickly done MGM programmer. It may not be a top-of-the-line production, but it still has the studio's signature polish and glamor. The premise is an intriguing one-- is successful diplomat Powell also a murderer with a bad case of memory. With luscious wife La Marr and an ascending career, he's got a long way to fall if he is. Powell is his usual urbane self, while La Marr and Trevor get to play dress-up, big time, while Rathbone gets a break from Sherlock by playing a rather nasty villain. There's nothing special here, just an entertaining diversion with a rather unsurprising ending. For those interested in European types, this is a good opportunity to catch them under a single roof, as it were-- especially Felix Bressart, whose pixilated professor lifts the sometimes stolid proceedings. Aesthetically, there's one really striking composition of black and white photography. Powell's on his way to the river to end it all. But next to the coursing dark waters separated by a zigzagging wall is a shimmering cobblestone boulevard lit by three foggy street lamps. It's an uncommon depth of field with subtly contrasting shades of black and gray. All in all, it's a real grabber, and demonstrates vividly those values that have been lost in the wholesale move to Technicolor.
Not a lot to add to what others have suggested, but this is a very lovely bit of movie making.
Powell really gets to display the acting chops that he had in spades. His ability to show pain, uncertainty and angst is not something that he got to do a lot, and it's enjoyable here. And the writing really helps. Powell seems, in so many ways, to be a contemporary actor, despite the thin mustache! He was just such a natural!
Hedy is mostly eye candy, but that's not her fault. Felix Bressart puts in a spot-on performance. He really nails his role beautifully. Trevor and Rathbone are solid, as always.
And this movie is really shot well, too. Great B & W photography that helps maintain a noir- esquire mood.
Powell really gets to display the acting chops that he had in spades. His ability to show pain, uncertainty and angst is not something that he got to do a lot, and it's enjoyable here. And the writing really helps. Powell seems, in so many ways, to be a contemporary actor, despite the thin mustache! He was just such a natural!
Hedy is mostly eye candy, but that's not her fault. Felix Bressart puts in a spot-on performance. He really nails his role beautifully. Trevor and Rathbone are solid, as always.
And this movie is really shot well, too. Great B & W photography that helps maintain a noir- esquire mood.
I was drawn to this by the presence in the cast of William Powell, an actor whose graceful charm always lent class to any movie he appeared in. His work in this surprisingly good story of mystery and blackmail, lives up to expectations. The plot manages to surprise one throughout and keeps one's interest going right to the end. Good script, good direction, and a nice setting in 1920's France. Basil Rathbone turns in a nice bit as a villainous character from the past. Worth seeing.
William Powell plays David Talbot, a French diplomat. When he receives a cryptic letter seeming to ask him for repayment of an old debt, he involves the police, who capture the apparent blackmailer. When the mysterious apprehended man goes on trial for extortion, the story of David Talbot develops. He was in an accident 13 years prior, leaving him with no memory of the previous years. Because he cannot absolutely deny things attributed to him before the accident, we are not sure of the truth. It would have been interesting to see how Hitchcock might handle this story.
We wonder if Talbot, the man with he dubious past, really suffers from amnesia. The evidence, as it is revealed, pulls us back and forth. Is Talbot's behavior due to his confusion? Is he angry at the charges leveled against him? Or is he feigning forgetfulness? Perhaps every new development is bringing his memory back to him?
It is William Powell's acting that creates the ambiguity that keeps this story interesting. Hedy Lamarr, Basil Rathbone and Claire Trevor perform admirably in their supporting roles.
It's a simple premise. But the action develops the story in such a way that the viewer's interest is always engaged. Clues--at least what we think are clues--are parceled out cleverly. Powell's reactions are well-studied, always maintaining the veil that clouds his intentions. It is totally believable because we know that Talbot is probably confused too. This is a mystery worth watching.
We wonder if Talbot, the man with he dubious past, really suffers from amnesia. The evidence, as it is revealed, pulls us back and forth. Is Talbot's behavior due to his confusion? Is he angry at the charges leveled against him? Or is he feigning forgetfulness? Perhaps every new development is bringing his memory back to him?
It is William Powell's acting that creates the ambiguity that keeps this story interesting. Hedy Lamarr, Basil Rathbone and Claire Trevor perform admirably in their supporting roles.
It's a simple premise. But the action develops the story in such a way that the viewer's interest is always engaged. Clues--at least what we think are clues--are parceled out cleverly. Powell's reactions are well-studied, always maintaining the veil that clouds his intentions. It is totally believable because we know that Talbot is probably confused too. This is a mystery worth watching.
This is a good, keep-you-guessing mystery. William Powell plays a man who doesn't remember anything of his life beyond 13 years ago. Circumstances begin to make him doubt himself and wonder what he had done before an accident caused him to have amnesia. He is very much in love with his wife (the beautiful Hedy Lamarr), and it is riveting to watch his self-assurance crumble as clues begin to reveal a possible shady past. Also starring Claire Trevor and Basil Rathbone. Good movie, especially if you are a William Powell ("The Thin Man") and/or Hedy Lamarr fan.
Lo sapevi?
- QuizThis film was a hit at the box office, earning MGM a profit of $1,473,000 (equivalent to about $29.2M in 2025) according to studio records.
- BlooperAlthough the story takes place in 1935, all of the women's fashions and hairstyles are strictly in the 1942 mode, which was significantly different from 1935.
- Citazioni
Dr. Andre Tessier: I always turn to this book. Older than all the others - by thousands of years. Ah, here we are. Proverbs, twenty-third chapter, seventh verse, "as a man thinketh in his heart, so is he." "As a man thinketh in his heart." That's all that matters. Solomon was a very wise man, David. Even if he did have a thousand wives.
David Talbot: That's just it, Andre. I have only one.
- Curiosità sui creditiAfter 'The End' AMERICA NEEDS YOUR MONEY BUY WAR BONDS AND STAMPS AT THIS THEATER
- ConnessioniFeatured in The Youngest Profession (1943)
- Colonne sonore'Til You Return
Music by Arthur Schwartz
Lyrics by Howard Dietz
Claire Trevor's singing was dubbed by Connie Russell in the night club scene.
[Instrumental version played during the opening credits, then later sung by Michelle Allaine (Claire Trevor - uncredited) at the nightclub (probably dubbed)]
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Dettagli
Botteghino
- Budget
- 846.000 USD (previsto)
- Tempo di esecuzione
- 1h 23min(83 min)
- Colore
- Proporzioni
- 1.37 : 1
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