Il corpo scomparso

*The Corpse Vanishes* doesn't waste any time getting down to business. Just about the first thing we see is a bride at her wedding dropping dead during the ceremony. The next thing we know, her body has been stolen away in the wrong hearse. (Important safety tip: When having cadavers taken away by hearses, ask to see the driver's identification.)

Amazingly, it turns out that this is only the latest in a series of such macabre incidents. I don't know about you, but if I were about to be married in a city where this was going on, I would probably delay my wedding (or at least hold it in another city.)

We soon learn that the dead brides are being used by Bela Lugosi as a source of something-or-other that he draws out of them with a nasty-looking syringe. This stuff then gets injected into his wife to restore her beauty; she's apparently suffering from some rapid aging disease or something.

A Spunky Girl Reporter (boy, they had a lot of them back then) finds out that all the dead brides had been given a rare orchid just before the ceremony. She then discovers that the local expert on this plant is (you guessed it) Lugosi. She winds up as an not-very-welcome guest of Bela and his wife. Their servants are an older woman and her two sons, one a dwarf and one a mute hunchback who likes to fondle the hair of the dead brides. (There's some speculation at one point that the brides are only in suspended animation, but this question is never resolved.)

*The Corpse Vanishes* is a wild bit of Grand Guignol, with all kinds of spooky stuff thrown in. We find out that Bela and his wife like to sleep in coffins. There is no explanation for this, except for the fact that they find them more comfortable. (This whole household makes the Addams Family look like the Brady Bunch.)

A couple of familiar faces other than Bela show up in this thing. The dwarf is played by Angelo Rossitto, who played various little people in everything from *Freaks* to *Mad Max Beyond Thunderdome*. Bela's wife is played by Elizabeth Russell. Fans of classic horror may best remember her as the woman who calls Simone Simon "Moia sestra" ("My sister") in *Cat People*. She's a striking and exotic woman, who manages the remarkable task of being more sinister than Bela.

This film is short on plot logic (surely there must be an easier way to obtain the bodies of young women than at their weddings) but it delivers more than enough in the way of creepy thrills. And of course there is the insinuation that Bela needs the glandular fluid of a virgin and a really big assumption - even in 1942 - that brides are virgins. How do you know they are virgins? Because, in the words of Fonzie of Happy Days fame - "Virgins never lie about these things."

I give it a five out of ten just because of the old world charm and mystery Bela brings to any role, no matter how low budget the film.

Wallace Fox' "The Corpse Vanishes" of 1942 starring his greatness Bela Lugosi, is certainly not one of the highlights of Lugosi's career, but it is certainly underrated and its reputation of being total garbage is, in my opinion, unfair. The plot is chaotic and the movie is certainly not very good and completely illogical in many parts, but is has a certain atmosphere and its creepy moments, as well as some very funny ones.

After several brides drop dead during their marriage ceremonies and their bodies are stolen, the police are unable to find any clues. When a female journalist (Luana Walters) decides to do some research, her investigations lead her to the sinister Dr. Lorenz (Lugosi) , who lives in an eerie mansion with his sardonic wife and a bunch of freaks...

It seems to me that director Fox actually didn't do a bad job bringing a completely messy script to screen. The movie's beginning is, admittedly annoying, and so fast-paced that hardly a scene lasts longer than half a minute. The movie improves after some time, however, and even though some parts are still incredibly cheesy (and therefore unintentionally funny), "The Corpse Vanishes" becomes quite atmospheric after some time. The atmosphere is aided by a pretty nice score (mostly violin music, which fits in very well), and I really liked some of the characters.

Bela Lugosi is, of course, always a pleasure to watch, this man knew how to bring eeriness to screen in a very special and unique way and his status as one of Horror's greatest icons is more than justified. Elisabeth Russel does a great job playing Lugosi's creepy wife, a malevolent and sardonic countess, whose spiteful character becomes great fun to watch at times. Luana Walters also fits well into her role and the cast furthermore contains Angelo Rositto (the midget from Tod Browning's masterpiece "Freaks" of 1932).

All things considered, "The Corpse Vanishes" is a movie that is certainly illogical and incredibly cheesy at times, but it has a certain atmosphere, and Bela Lugosi, as well as some of the other cast members make a good effort making up for the messy script. Certainly not a must-see, but amusing and recommended to Lugosi fans. 5/10

While I had pre-conceived notions of what this film would be like, I must confess that I was pleasantly surprised with this nice little old-fashioned horror story about a doctor who kidnaps "dead" brides only to remove spinal fluid in them to inject in his wife who is really 70 some odd years but looks thirtyish. Whew! Well I never said it was a great story, but it is a fine feature in which the great Lugosi can steal any scene he is in. The rest of the cast is adequate or below...some of the cast are just plain awful as with the female lead Luana Walters and the fella that plays her boss(Boy! They stink!). Yet, the story creates enough suspense to make this film very watchable and entertaining. I think the fact that it is barely over an hour in length also helps it create its zippy pacing. Minerva Urecal(from The Ape Man with Bela) and Angelo Rossitti(from Freaks) are in here, and they are fine as mysterious mother and dwarf-son Toby. The sets are pretty good considering the budget of the film and its Poverty Row Production. The fact Bela is in it is enough reason to see it, but at least with this film you get pretty good entertainment in the old traditional horror way.

Dr. Lorenz (Bela Lugosi) drugs young brides, kidnaps their bodies and takes spinal fluid from their necks to keep his 80 year old wife looking young. OK--it's not "Citizen Kane" but the plot is kind of interesting (in a ridiculous sort of way) and they throw in some unbelievable horror cliches--i.e. Lorenzs' assistants include an old lady, her idiot son (who Lugosi whips at one point) and a dwarf! Unfortunately they throw in an extremely annoying female reporter and a totally unmotivated romance. Also it is a Monogram picture, so production values are low (to put it mildly). Still, it does work and Lugosi gives a very good performance.

Bela plays a doctor who raises orchids and gives them to girls about to be married....when they smell them, they go into a comatose state, and appear dead. Lugosi & henchmen steal the "bodies" with a hearse, and draw out the girl's spinal fluid, which is used to keep Lugosi's wife looking youthful.

This is Lugosi at his finest....and the dungeons of his home are positively creepy with Minerva Urecal and her two sons, Angelo Rossito (a dwarf) & (ex-boxer) Frank Moran. Together, with Lugosi's "wife", it makes for some nightmarish scenes.

BTW...the actress who plays Lugosi's Wife was morbidly afraid of lying in a coffin, so a "double" was used for that scene!

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