The Boogie Man Will Get You

Horror King Boris Karloff seems to be having a good time here spoofing his own mad doctor image in this light-hearted black comedy which was probably inspired by ARSENIC AND OLD LACE. As a kindly (but naive) old inventor, the wacky Karloff wants to "aid the war effort" by creating his own homegrown superman. Boris teams up in this one with the offbeat Peter Lorre as another "scientist" and "jack of all trades" to bop unsuspecting subjects over the head for usage in their daffy experiments. One of their dimwitted victims is even Max "Slapsie Maxie" Rosenbloom. Karloff and Lorre make a good comical duo in the first of a few films where they'd eventually share the spotlight together, and there are some light chuckles to be had in this good natured, if uneven, diversion. **1/2 out of ****

The Boogie Man Will Get You: 6 out of 10: If Ma and Pa Kettle ever did Arsenic and Old Lace it would be this movie. Very very silly and occasionally quite funny the Boogie Man has a couple of big faults. The supporting cast is mixed at best and the ending is a mess.

It also has two great assets, Boris Karloff and Peter Lorre. Karloff is spot on as the bumbling well meaning murdering scientist. Whose experiments on traveling salesman to create super-soldiers for the war effort are both well meaning and quite homicidal.

Peter Lorre is hilarious as the Mayor, Police Chief, Undertaker, Notary, excreta. He dresses in a three piece suit with a Siamese kitten in his pocket to which he coos in German.

Watching these two together is pure entertainment and certainly worth a viewing. The rest of the movie is light, frothy, derivative, and occasionally irritating. Just watch the stars at work and forget the rest.

Karloff and Lorre attempt to make superhuman zombies for the war effort. Its far from the best horror comedy ever made but if you click into its loopy silliness you're in for a breezy hour plus.

What can I say I found it charming and sweet even as seemingly ghoulish things were going on. Some people I know find it dumb, and to be honest, it is dumb, but the chance to see Lorre and Karloff being silly together years before Roger Corman brought them together again is a joy.

Should you run across this film, by all means see it, you may not laugh but you will smile from start to finish is a goofy sort of way.

From the very beginning, during the opening credits, you already know what you are dealing with, despite Boris Karloff and Peter Lorre. It's not my cup of tea, but that's a movie from Lew Landers,, a grade B movies provider whose I have already tried not to miss any movie available; many are not anymore. Fortunately for me, this feature is not too long, so it was not too hard for me to really focus on the plot. It is definitely fun, enjoyable. Impossible to say the least harm about this film. Made during the war, 1942, it is obviously destined to help audiences to forget, at least for more than one hour, the nightmare of the conflict.

Though conceived as a quickie ripoff of "Arsenic and Old Lace," "Boogie Man" now seems more like a weird precursor of "Green Acres," featuring (Miss) Jeff Donnell as a sort of young female Eddie Albert, and Boris Karloff in what might be called the Eva Gabor position, spoofing his kindly old mad scientist roles as a semi-senile inventor attempting to create a race of electrically enhanced supermen in the basement of a crumbling colonial inn while Miss Donnell joyously appraises all the charming old antiques upstairs. Peter Lorre, of all people, gives a rare comic performance as the local version of Mr. Haney, running around dressed like Robert Mitchum in "Night of the Hunter," with a cute little Siamese kitten in his pocket that he periodically coos to in German. This is the sort of movie you used to catch one night on the late late show, and wonder for years afterwards if you'd actually seen it or just dreamt it.