The Bowling Alley-Cat

While it is slow in pace to begin with, Bowling Alley-Cat is still very enjoyable. It doesn't belong in the best of their cartoons, but in my opinion it is one of their better early ones. For one thing, the animation is lovely, crisp and clean and smooth in general. True, Tom looks like a kitten here, but for 1942 this animation was not bad at all, quite the contrary. The music was a delight, hearing the Waltz from Tchaikovsky's Sleeping Beauty was a real plus, and the sight gags were both original and funny. Also I loved this because it was different, it all takes place in a bowling alley rather than the house, it was really nice to see something new once in a while. Overall, different and enjoyable, definitely worth the watch. 9/10 Bethany Cox

For at least one reason, this was better than the rest of these 1942 Tom and Jerry cartoons: they got out of their house. With new surroundings - in this case, a bowling alley, - it allowed for different and better gags than the normal house scenes.

This starts off slowly, however, and I wondered if it was every going to produce some laughs, but it did, especially with Tom caught in the automatic pinsetter and then the caravan of bowling bowls was pictured as a train. Decent, overall, with the really clever stuff to come in a couple of years. This would have been much better, let's say, in 1945, with crazier stunts.

Nonetheless, this cartoons starts to set the stage for the really funny (and violent) material that also was to come.

Early Tom and Jerry cartoons have often been accused of being racist—with Mammy Two Shoes' character possibly being a servant and characters often getting a 'blackface' (amongst other stereotypical ethnic representations)—but now I'm starting to wonder whether I'm seeing examples of racism where there are none. I'm sure that there's one bowling ball in this short that is inexplicably made to look like a 'blackface'. Or maybe not.

Anyway, regardless of my possible hallucinatory concerns, this is actually a pretty entertaining T&J caper, with the guys escaping the confines of their house to wreak havoc in a bowling alley. The fresh environment allows for a whole new wave of creativity, there are plenty of laughs to be had (as well as much cartoonish violence, as one would expect in a place full of machinery and heavy objects), and the animation is as highly polished as the bowling alley we see Jerry skating on, with convincingly weighty bowling balls that look like they could really hurt.

The Tom-and-Jerry shorts were unquestionably, UNQUESTIONABLY, the most violent cartoons of the golden age. I recall reading that, in terms of bashings, stabbings etc. per minute, the Pink Panther cartoons are the most violent, followed (not surprisingly) by the Road Runner - but we know better than to trust such statistics. It's the Tom and Jerry cartoons that make you say "ouch". This is a tame sample, actually, from the days before Tex Avery came to MGM. Orthodoxy (for instance, Leonard Maltin, "Of Mice and Magic") has it that even the cartoons directed by Hanna and Barbera perked up after he arrived, and orthodoxy is correct. This is still a good cartoon. Watch it, and you'll see the violence I'm referring to clearly enough.

It's a clash between two forces that makes Tom and Jerry so bracingly brutal. Firstly, there's the detailed, polished, true-to-Newton realism. That bowling alley floor really is slippery, and the bowling balls really are heavy - one could get hurt playing with such things. Secondly, there's an element's somewhat muted in this pre-Avery cartoon, although it's still there - the hyper-exaggerated, sadistic anarchy which Avery brought over from Warner Brothers, back when that studio really was producing loony 'toons (mostly not very good ones, it must be admitted). Put them together and you have a bowling ball that will go out of its way to injure a cat, as only a cartoon bowling ball could - except that, somehow, it also behaves like a REAL, genuinely dangerous bowling ball. Ouch.

Tom and Jerry were at their best in the years following this cartoon, when the balance between realism and cartooniness was precisely maintained. At some hard-to-pinpoint moment in the 1950s, the realism got lost, and the cartoons became unbalanced in the opposite direction.

Another factor which enhanced Tom and Jerry cartoons, right through to the end, was their uncertainty. Usually, we side with Tom (the cat), who is mean-spirited but at least honest about it - and usually, it's Tom who is roundly walloped. But Jerry rarely emerges unscathed himself (unlike the Road Runner, or that unendurable creation, Tweety Pie). And sometimes, just once or twice, he gets the worst of the exchange. We suspect that Tom will somehow end up losing the battle, but we don't KNOW that he will - which, I suppose, makes his defeat sting all the more.

'The Bowling Alley-Cat (1942)' isn't complex. Its narrative plays on the most basic dynamic its two stars can possibly have, which is perhaps only natural considering that it's one of the earliest shorts starring the now-famous pair. The classic game of cat-and-mouse is made more interesting by the setting, however, which provides opportunity for some inventive, engaging and visually-stunning set-pieces. Indeed, the animation here is absolutely superb. It's probably the main reason why the piece is as entertaining as it is. It's peppered with satisfying sight-gags that seem so fluid you could almost swear they were real. The whole thing is just so well-accomplished. It's highly enjoyable and often funny, to boot. 8/10