Black Dragons

None of the critics have much good to say about it, but BLACK DRAGONS is a much better-than-expected attempt at an entirely new genre: flag-waving horror.

Bela Lugosi is a mysterious man who mysteriously shows up at a renowned doctor's home, soon after which his guests start mysteriously being murdered. Could it be that they had something to hide? Could there be more to them than meets the eye? What initially fails to make much sense is creatively sorted out in a wonderfully fun B-movie manner.

BLACK DRAGONS was made during the Second World War and it shows, quite painfully at times. The use of the term "Japs" will catch some contemporary viewers off guard, but it's really not that bad when you put it into the proper context. The film is clumsily patriotic, and more silly fun than scary or thrilling. Lugosi is an absolute treat, covering up murders and turning on the "Who, me?" act with ease.

It's not a classic, but BLACK DRAGONS is a good, tidy black and white B-film with a certain watch-it-late-at-night appeal. Director William Nigh had a knack for turning poverty row pictures into something special. Some of his other efforts include DOOMED TO DIE and THE FATAL HOUR with another horror icon, Boris Karloff.

IF only I had read :"A cabal of American industrialists, all fifth-columnists intent on sabotaging the war effort, are methodically murdered by the malevolent Monsieur Colomb. It is only until detective Dick Martin is assigned to the case that everyone's true motives and identities are revealed.", I might have had a clue as to what was going on. Maybe.

Truly awful even for a Z grade Lugosi movie. True, Clayton Moore is in it BUT he is not recognizable - he wears no mask and his voice isn't Lone Rangerish enough to catch more than occasionally when actively listened for.

This is probably the most ridiculous of Bela Lugosi`s nine Monogram movies of the early 1940s, and considering that they include such films as The Ape Man, Voodoo Man, and the Corpse Vanishes, this is quite an accomplishment. This picture, quickly produced following the Pearl Harbour attack, features a gang of Japanese saboteurs posing as US industrialists and their many perils. They say things like "These Americans are like children. They quickly forget the fire that burns their fingers", and "I wish we could blow up more ammunition dumps before we have to leave". The dialogue among them is other worldly! Meanwhile, Bela shows up claiming to be a "very sick man". He tries to project a jaded and philosophical image, saying things like "All men are in danger of dying, the question is when", "One must not flirt with destiny", and "Do you know which way you`re really going?". When the leading lady falls into his arms, he says "Mine can be dangerous", then adds "it`s nothing to worry your pretty head about". A film with both Bela Lugosi and ridiculous dialogue, a great combination.

With a budget of, say, over $100 (which is what Republic appears to have spent on this) this could have been a much more intriguing film. Potential plot of sabatours being removed from this world (ie, getting killed) doesnt come close to fullfilling its promise. Still, it has its moments, and Mr Lugosi is real fun to watch. Not highly recommended, but there are worse ways to fill an hour.

"Black Dragons" is a second feature WWII propaganda film popular at the time. It's not as bad as some would have you believe.

A secret meeting hosted by the respected Dr. William Saunders (George Pembroke)is interrupted by a mysterious stranger names Monsieur Colomb (Bela Lugosi). Shortly thereafter the participants at the meeting begin to turn up murdered, their bodies being placed on the steps of the Japanese embassy in Washington. Colomb is suspected. Federal Agent Dick Martin (Clayton Moore) is assigned to the case and meets Saunders niece Alice Saunders (Joan Barclay) who tries to assist him. The reasons behind Colomb's actions are not explained until the final reel. Until all is explained at the end, the story is hard to comprehend.

Lugosi who had by this time been reduced to appearing in a string of low budget quickies, is actually quite good in this one. He is not allowed to over act as much as he ususlly did and credit for this has to go to director William Nigh. Lugosi's character slinks through the shadows and is reminiscent of his Dracula even to the point of the full close ups of his piercing eyes.

Clayton Moore, a one dimensional actor at best, would become TV's Lone Ranger in a few years. Joan Barclay makes a good heroine.

Although a little dated now, "Black Dragons" is not a bad way to spend an hour.