Black Dragons

We are treated to eavesdropping on a cabal of fifth-column industrialist leaders snickering over their misdeeds.

So, is this going to be a two-dimensional sabotage movie where the good guys figure out who the bad guys are just in time to save the bacon?

No. This is more insidious. It looks like the cabal has another secret that will be detected and corrected, not out of patriotism but revenge.

Can you guess the secret before it is played out?

Bela Lugosi Dr. Melcher - aka Monsieur Colomb, Cell Prisoner, gets to make his signature light on his eyes look.

Joan Barclay as Alice Saunders plays the love interest.

With a budget of, say, over $100 (which is what Republic appears to have spent on this) this could have been a much more intriguing film. Potential plot of sabatours being removed from this world (ie, getting killed) doesnt come close to fullfilling its promise. Still, it has its moments, and Mr Lugosi is real fun to watch. Not highly recommended, but there are worse ways to fill an hour.

This piece of tacky WW2 propaganda has Bela Lugosi kill off various fith columnists and leave their corpses outside the Japanese embassy in Washington (with a prominently placed "Closed" sign on its door). Most of the film has Bela darting in and out of various "hidden" rooms in his main foe's rather small house and sneaking up on people from behind them. For example, everyone enters the cellar by going round the side of the house and through some front doors above the cellar; Bela, however, appears to get in via some inside door (so he doesn't have to leave the house). In a scene near the end he drags one of his victims through a previously unseen curtain in the living room and into some huge, medieval-type room with a long table that had previously not featured in the house at all and had somehow been missed by the large contingent of FBI men. Another scene has him sneak into a small room below the stairs, as hero and heroine ascent the stairs, so he can somehow get into the upstairs room of his Doctor victim before the others. These momentary pleasures, though, are outweighed by the ludicrous climatic flashback plot revelation in which it is revealed that Lugosi is a Nazi plastic surgeon who has transformed Japanese agents into these American-looking fifth columnists. The daftest moment, in a thoroughly daft film, comes when Lugosi is double-crossed by the fiendish Orientals and thrown into a cell into which, conveniently, is another prisoner who looks exactly like him (but sans beard) and is about to be released. The Great Man gives a chuckle and takes out his beard-trimming kit (that the Japanese have helpfully left him with). Welcome to Monogram; a Universe all of its own. See also The Ape Man and The Corpse Vanished for more of the same.

The plot of this movie concerns Bela Lugosi killing off rich powerful Americans. Why this is occurring isn't explained until the very end and even then it makes no sense. I have the feeling this was one type of thriller that they grafted a war angle on to when Pearl Harbor was attacked.

Is this a good movie? Not in the conventional sense. Its a warm and fuzzy film with some murder and Bela and feels like the all night monster movie marathons that used to play on TV. I've seen this film several times now, usually late at night, and it some how comforts me. I don't know if its a childhood thing or what but its nice to know that somethings never change, like the (not quite) bad Bela movies of old.

Should you see it? Why not, it can't hurt. Its a movie that makes no sense and just sort of is. Just remember if you so watch it make sure you're tucked into bed and the lights are off...

This is probably the most ridiculous of Bela Lugosi`s nine Monogram movies of the early 1940s, and considering that they include such films as The Ape Man, Voodoo Man, and the Corpse Vanishes, this is quite an accomplishment. This picture, quickly produced following the Pearl Harbour attack, features a gang of Japanese saboteurs posing as US industrialists and their many perils. They say things like "These Americans are like children. They quickly forget the fire that burns their fingers", and "I wish we could blow up more ammunition dumps before we have to leave". The dialogue among them is other worldly! Meanwhile, Bela shows up claiming to be a "very sick man". He tries to project a jaded and philosophical image, saying things like "All men are in danger of dying, the question is when", "One must not flirt with destiny", and "Do you know which way you`re really going?". When the leading lady falls into his arms, he says "Mine can be dangerous", then adds "it`s nothing to worry your pretty head about". A film with both Bela Lugosi and ridiculous dialogue, a great combination.