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A wonderful, funny B movie with an A cast. Bogart made this one between THE MALTESE FALCON and CASABLANCA. Lorre and Veidt and Dame Judith Anderson are wonderfully villainous, and a couple of future superstars -- Phil Silvers and Jackie Gleason -- make their debuts as members of Bogart's gang. This has everything Warner Brothers films loved: a murky waterfront, an old abandoned warehouse, a sinister auction gallery run by foreigners, a swanky nightclub that seems to be inhabited exclusively by gangsters (the Good Guys) and Nazis (the Bad Guys). Puns galore. Probably audiences didn't want to see a comedy about the Third Reich back in 1942, but it gets better (and given the cast, historically more important) with age.

Not the typical Bogie film, but still with the typical Bogie... cracking wise and being a tough guy that is slower to catch on that usual. This is more of a romp with plenty of fun thrown in, almost akin to a Bob Hope style Ghost Busters or even a Bowery Boys serial. William Demarest plays a good supporting role for those of us that only remember him from "My Three Sons" replacement to Bill Frawley.

If you are a fan of the 30's and 40's style vernacular, you will enjoy this film more than most from the period as the lingo is fast and furious and many terms familiar with some new ones in there as well. Light humor, CORNY... but get a bucket of corn of your own to fight back with... and hiss the villain... Gee, I wonder if Bogie will come through in the end and get the pretty girl?!!?

A search for the murderer of their friendly neighborhood German baker and a nightclub bouncer leads New York City "sports promoter" (read: bookie) Gloves Donahue (Humphrey Bogart in one of his most entertaining roles) and his sidekicks Sunshine (William Demarest) and Barney (Frank McHugh, or as we affectionately call him, "Annabelle's Husband," in honor of the film's running gag about his character's newlywed status) to a nest of Fifth Columnists with sabotage on their minds, right in the middle of Manhattan! The high concept of this fast, funny, suspenseful Warners adventure is basically "Damon Runyon Meets The Nazis." I especially got a kick out of the breezy, sometimes punny dialogue (like "We'll get them by the seat of their Panzers" and "Hey, there's more here than meets the FBI!") and its delightful euphemisms for Bogie's line of work, such as "man about town and well-known figure in the sporting world." (My late dad was a bookie, so I should know! ;-) Bogart, Demarest, McHugh, and charming leading lady Kaaren Verne are joined by smooth villains Conrad Veidt, Peter Lorre, and Judith Anderson, and on the good guys' team, Jane Darwell (as Bogie's mom!), Edward Brophy, Barton MacLane, and even a young Phil Silvers and Jackie (C.) Gleason! Alas, Pearl Harbor was still too fresh in 1942 audiences' minds for them to appreciate a quasi-realistic World War 2 spy thriller with broadly humorous overtones. Luckily, ALL THROUGH THE NIGHT is available on home video and Turner Classic Movies so you modern movie lovers can enjoy this entertaining genre blend!

A neat little comic thriller out of Warner Brothers with Bogart as Gloves Donahue and a great supporting cast filled with names that run on and on. Two particular scenes stand out. Bogart, a lowbrow New Yorker, finds himself stuck at a fancy auction and in an attempt to get backstage begins making outrageous bids -- a woman bids two thousand and Bogart tops her with, "I'll see da lady and raise her five." He gets backstage but is conked unconscious. Recovering, he finds the warehouse filled with incriminating Nazi junk. He spills all this to the dubious police. "I can't grasp it," says the Lieutenant, "maybe I'm not big enough mentally." But finally the cops agree to investigate the warehouse, only for Bogart to discover that everything has been rearranged or removed in such a way as to make his tale sound like a fantasy. (Does any of this sound familiar? You might have seen it in Sam Taylor's screenplay for "North by Northwest.") Great snappy lines -- Bogart to a girl singer: "Sister, I like da way you sling dem obligattos around." While digging around for evidence with his friend Sunshine, "Da police are frequently skeptical." Not as tightly wound as the best comic thrillers, including "North by Northwest" and "The Thirty-Nine Steps," but well worth wasting time on.

Vincent Sherman's "All Through the Night" has a feeling of a B picture, although probably was not intended to be that way. This 1942 Warner Bros. film is much more enjoyable than we suspected, because even though the film was supposed to tackle a serious problem, it has a lot of fun moments that make the film much lighter in tone than perhaps the film makers intended.

At the center of the story we find 'Gloves' Donahue, a small time gangster and his crew. They are a fun group that are drawn into an international spy story right in their own backyard. Ma Donahue comes to ask her son's assistance in trying to solve the murder of her baker neighbor, and the fun and games begin in full force.

There are a lot of good moments in the film, but it is dominated by Humphrey Bogart who runs away with the picture. His crew is also a great asset to the film, Frank McHugh, a fantastic actor, no matter in what picture is excellent, as well as William Demarest, one of the best character actors in the movies of that era. A much slender Jackie Gleason puts in an appearance as Starchy, a member of Donahue's team.

The heavies are amazing. Conrad Veidt is wonderful as the Nazi spy trying to blow up a ship in New York's harbor. Mr. Veidt was such an elegant figure in everything he did. Judith Anderson is seen as the mysterious assistant to Mr. Veidt's character. Ms. Anderson had a way about her that she dominates the scenes in which she appears. Peter Lorre does a lot with his small piano player, Pepi.

The film never ceases to entertain. Thanks to Mr. Humphrey and the wonderful cast assembled for the movie, it will not disappoint anyone with an open eye for a lighter take on a serious matter.