Aggiungi una trama nella tua linguaIn order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in lov... Leggi tuttoIn order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in love for real.In order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in love for real.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 2 candidature totali
- Kewpie Blain
- (as Guinn Williams)
- Grand Central Station Worker
- (non citato nei titoli originali)
- Nightclub Headwaiter
- (non citato nei titoli originali)
- Chorus Girl
- (non citato nei titoli originali)
- Guard House Singer - One of The Four Tones
- (non citato nei titoli originali)
- Private
- (non citato nei titoli originali)
- Guard House Singer - One of The Four Tones
- (non citato nei titoli originali)
Recensioni in evidenza
That's the story and admittedly, it's not much. There are some very good dance numbers, but the thing about the film that's special is the partnership of Astaire and Hayworth. They are marvelous together. Supposedly Rita was his favorite partner, and it's easy to see why. She doesn't dance; she floats, and she's so gloriously beautiful, you can't take your eyes off of her. Fred and Rita dance to the "Boogie Barcarole," "So Near Yet So Far," and "The Wedding Cake Walk," sung by Martha Tilton for Rita. Fred's solos include "Shootin' the Work for Uncle Sam," and "Since I Kissed My Baby Goodbye." It's hard to go wrong with stars like Fred Astaire and Rita Hayworth, and while this isn't the best film of either one of them, it's still enjoyable.
Expert mix of comedy, dance, and glamour. The glamour's supplied by Hayworth who's—in a word—simply dazzling (okay, two words). Her appearance in Gilda (1946) may have supplied the smoldering sex appeal, but this one supplies the sheer beauty. Plus she cuts a pretty good rug with the incomparable Astaire who turns in his usual nimble footed magic. Of course, putting the rail-thin danceman in the army is a stretch, but the script doctors manage to turn his weight trick into a chuckle.
Then there's the terminally befuddled Robert Benchley (Mr. Cortland) who can't seem to tell a backscratcher from a bracelet or his wife from a chorus girl. Pairing his nonsense with the classy, no-nonsense Inescort (Mrs. Cortland) is a comedic masterstroke. I love his I'm-caught-again stammer as he withers under her glare. Then too, the chorus girls send-off for the soldier boys in the train station is a real eye-catcher and masterpiece of staging. It may not be the dance centerpiece, but it does brim over with genial high spirits.
If I didn't know better (release date, Sept. 1941), I would have guessed this was a WWII morale booster. But clearly the big one is on the horizon, and I'll bet this 90-minutes of escape played in a ton of overseas bases. After all, what GI would not fight to keep the Hayworths back home safe and secure. But happily you don't need to be a GI or his girl to enjoy this expert blend of dance and whimsy, courtesy a stellar cast, a clever script, and Columbia studios.
The first peacetime draft in American history forms the background for this film in the same way as Universal's Abbott and Costello classic, Buck Privates. You'll Never Get Rich bares some resemblance to Buck Privates in the comedy portions of the film though it does stay away from the burlesque aspects that Abbott and Costello brought to it.
Remember this is a Fred Astaire film and in the plot it has a lot of resemblance to what Astaire had been recently doing over at RKO with Ginger Rogers. The same kind of kittenish romantic complications with humorist Robert Benchley taking the Eric Blore/Victor Moore part as the one who causes all the problems.
The dance numbers bear a strong resemblance to the routines Astaire did with Rogers. But here he is being brought over to Columbia to showcase the woman who would be Columbia Picture's mealticket for the next decade and a half.
Rita Hayworth was just coming into her own as a box office attraction when this film was done. On the dance floor she complements the elegant Mr. Astaire divinely. This was the first of two films she did with Astaire and while I like You Were Never Lovelier a lot better than this one, You'll Never Get Rich is still entertaining.
Cole Porter wrote the score for this film and it's probably one of his lesser efforts for the screen and stage. Still it did have an Oscar nominated song in Since I Kissed My Baby Goodbye. It's not a song that immediately brings Cole Porter to mind for today's audience though.
Will both Rita Hayworth and Uncle Sam get the services of Fred Astaire? See You'll Never Get Rich and find out.
Lo sapevi?
- QuizThe language that Swivel Tongue (Cliff Nazarro) uses was called "double talk" and was a popular fad during WW2.
- BlooperAs Fred Astaire and Robert Benchley are discussing the upcoming show they pass several soldiers who are working with shovels. Though the soldiers are supposed to be breaking up clods and smoothing the dirt the shovels never come within six inches of the ground.
- Citazioni
Robert Curtis: Confidentially, Sheila, I'm delighted every time you make a mistake. It gives me the chance to dance with you.
Sheila Winthrop: Confidentially, I make mistakes for the same reason.
- Curiosità sui creditiThe opening credits are presented as a series of roadside advertising signs observed by one of the characters.
- ConnessioniFeatured in Hollywood: The Great Stars (1963)
- Colonne sonoreBoogie Barcarolle
(uncredited)
Written by Cole Porter
Danced by Fred Astaire, Rita Hayworth and chorus at rehearsal
I più visti
- How long is You'll Never Get Rich?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- You'll Never Get Rich
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Proporzioni
- 1.37 : 1