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Universal Studios had an impressive list of successes in the horror genre starting in 1931 with Tod Browning's "Dracula". The myth of the werewolf, was firstly adapted in 1935 in "Werewolf of London", but the movie failed to get the public's attention in the same way as the "Dracula" and "Frankenstein" series of movies. However, the moon shined for the wolf in 1941, when a second attempt was done with a completely new story. "The Wolf Man" had a great reception and soon was considered among the finest of the Universal Studios' movies of that era and it is probably the last of the Classics as the horror movies of the 40s started to have lower budget and production values.

"The Wolf Man" is a classic tragedy where a man becomes a beast that must kill every time the full moon shines on the sky. Lon Chaney Jr. is Larry Talbot, who returns home to Wales after spending years in the U.S.. Not only he'll have to adapt to the life in countryside and improve his relationship with his father (Claude Rains); now he'll face the curse of the werewolf after been bitten by the gypsy Bela (Bela Lugosi).

I have always thought that the previous "Werewolf of London" was a vastly superior film in terms of acting, direction and even make-up; however, the film's plot is not captivating and in the end not very attractive. On the other hand, Curt Siodmack's script for "The Wolf Man" is a brilliant masterpiece of horror and fantasy. So perfect that it makes up for all the film's other flaws, as it has an unnatural charm that is simply mesmerizing.

Like a Greek tragedy, the saga of Larry Talbot and his curse works in so many levels that is no surprise that it is the film that not only type-casted Chaney, but also serve as basis for all the future werewolf films. Siodmack basically creates the Werewolf myths out of thin air and gives them form with masterful care. Who can forget Maleva's (Maria Ouspenskaya) words? The "Wolf Man" rhyme is now one of the most famous quotes in film history.

Claude Rains is superb as Sir John Talbot, and gives the role the dignity that requires. Probably Lon Chaney Jr. had a limited range as an actor, but he was the perfect Larry Talbot with his sad looks and overall tragic appearance. Against all odds, Chaney embodied the wolf man and made the part almost mythical. The rest of the cast was definitely not as convincing as those great actors; however, Maria Ouspenskaya and Bela Lugosi are terrific as the gypsies who will play an important part in Talbot's future.

Jack Pierce's make-up is definitely the other star in this movie. The legendary monster maker created a piece that is now considered legendary. The wolf man's make-up is more beast-like and primal than the subtle one that Henry Hull used in "Werewolf of London", but that is because both werewolves are very different between them. While Hull's character was the darkest side of his persona, Chaney's wolf man is a beast that posses his body, and Jack Pierce captured that essence with the limited technology of his time, creating an immortal masterpiece in make-up history.

"The Wolf Man" may not be a perfect film, but the captivating storyline and the mystique surrounding it definitely have earned this movie a huge reputation as one of the best of the Universal Studios films of the 30s-40s era. While there may be better werewolf movies out there, this one will always be remembered as THE definitive werewolf classic. 8/10

It wasn't the first werewolf movie (that honor goes to `Werewolf of London'), but it was `The Wolf Man' that gives us most of the werewolf mythology we still cling to today.

As with most classics, `The Wolf Man' draws its power from a combination of elements. First, there's Curt Siodmak's plausible and intelligent script. Siodmak said he was given a title, a star and a start date, and from there he consolidated and invented the werewolf myth into a cohesive, logical format.

Then there's the actors, a veritable who's who of 1930s-40s Universal horror. Lon Chaney joins the pantheon on great horror actors on this one, playing the tormented Larry Talbot. He manages to give Larry a tragic quality, a man trapped by a curse he doesn't understand or deserve. Chaney also generates considerable chemistry with the luminous Evelyn Ankers, which is surprising considering the rumors that the two practically hated each other. And then there's the always-excellent Claude Rains, who doesn't look very much like Lon Chaney's father, but still exudes quiet authority and authenticity.

Topping off the whole package is a healthy dollop of atmosphere: foggy forests, Gothic mansions and crypts, colorful Gypsy encampments. Each bit of design enhances the sense of mystery and dread that surround Larry Talbot, and burns `The Wolf Man' into your memory.

I'll never walk a foggy forest at night again!

An all time classic! One of the top notch horror films of the 1940's! Superb Universal atmosphere, superb performance by Lon Chaney Jr. I won't go into the story because we all know it. Let me just say that this movie is chuck full of atmosphere and it's fair share of thrills. If your a youngster, it will still scare you just as it did all those years ago. And for us older folk, it is a great throwback and full of nostalgia. Really makes you remember where you were as a kid the first time you saw it! Rent it, buy it, treasure it! One heck of an enduring classic!

Lon Chaney Jr lived under the shadow of his famous father, but in 'The Wolf Man' he helped create a horror icon that has lasted for over sixty years. Chaney had already shown that he could act in 'Of Mice And Men'(1939). In 'The Wolf Man' he gives another excellent performance, but this movie was both a blessing and a curse to his career I think. It forever labeled him a horror actor, and frankly he made a lot of lousy movies after this. Some good ones too, don't get me wrong, but too often he was given b-grade material to work with. Maybe his drinking problem had a lot to do with it, I don't know, but apart from a strong cameo in 'The Defiant Ones'(1958) and a great performance in Jack Hill's cult classic 'Spider Baby'(1964), he rarely was given a role as good as Larry Talbot in this movie. Chaney is surrounded by a very strong supporting cast including horror legends Claude Rains ('The Invisible Man') and Bela Lugosi (sadly only a cameo), Ralph Bellamy ('His Girl Friday'), and frequent costar Evelyn Ankers (she and Chaney made a great on screen couple but apparently hated each other off screen. Such is Hollywood!). Many people complain about the casting of Rains and Chaney as father and son. I agree it's totally unrealistic, but I don't think it hurts the movie at all. The lack of Lugosi is a bigger problem. There was more footage of him but unfortunately it wasn't used in the final cut. It's too bad as more scenes between Lugosi and Chaney would have been a treat. Of course they worked together a few times after this, but mostly in lesser movies. The real scene stealer in 'The Wolf Man' is Maria Ouspenskaya who plays the gypsy woman Maleva. She's just terrific, and gives the most memorable performance after Chaney. 'The Wolf Man' has had an enormous influence on just about every subsequent werewolf movie. Much of the lore seen on screen here isn't in fact traditional, as many people assume, but created by the talented Curt Siodmak ('Donovan's Brain') who subsequently wrote the horror classics 'I Walked With A Zombie'(1943), and 'The Beast With Five Fingers'(1946). 'The Wolf Man' is an undisputed horror classic, and just as entertaining and interesting as it ever was.

What famous horror classic, panned by reviewers upon its initial release in December of 1941, looks better and better every year? THE WOLF MAN, starring Claude Rains, Ralph Bellamy, Evelyn Ankers, and Lon Chaney Jr. as the hapless Larry Talbot.

The story is a familiar one: Larry, the son of esteemed Sir John (Rains) returns home to Wales after many years in America, is bitten by a werewolf (well played by Bela Lugosi), and becomes a werewolf himself. What's extraordinary is the fact that the film can be so effective today.

The biggest reason for this is the acting. Some classic films, pre-Actor's Studio, look pretty pathetic when it comes to realistic characterization. Not so THE WOLF MAN. Curt Siodmak's excellent screenplay (likened to a Greek Tragedy) provides a vehicle for the stars to be at their best, and, boy, do they shine: Rains a tower of strength as the proud father; Ankers hitting just the right note as the torn female lead; Maria Ouspenskaya as the Old Gypsey Woman whose words prefigure Larry's doom....

But the standout is Lon Chaney Jr. A definite mixed-bag as an actor, he is perfect here--and this is a role calling for the use of all human emotions (unlike later Wolf Man films, where Talbot's head-pounding becomes monotonous). In fact, seeing THE WOLF MAN recently has convinced me that Chaney would have made the ideal screen Phillip Marlow (and I'm not forgetting Bogie)--big, tough, surly, yet charming when need be (a highlight early in WOLF MAN is Larry's attempts at flirting with Ankers; Chaney does the surprisingly playful dialogue with just the right touch). There's no doubt that his performance would merit accolades even today.

This is not to say that there aren't problems in the film. The continuity is off in a number of places (Chany transforms into the Wolf Man at one point wearing a sleeveless undershirt; in the very next scene, he's wearing a neatly buttoned Dickey), and there's a scene or two that's completely inexplicable (e.g., why DOES the Wolf Man pass out when caught in that trap?)....

But overall, the pace, lighting, cinematography, excellent musical score, and strong story propel the film through these rough spots, the 70-minute ride leaving the viewer wanting more. For these reasons, THE WOLF MAN is a classic.