Avventura a Bombay

This film is rather formulaic. Clark plays an international con man thief who falls in love with a female version of himself (Ms. Russell). While this certainly doesn't break any new ground and is a very predictable by-the-numbers MGM production, you are still left with a movie that is great fun but won't change your life. I, for one, love films like this. That's because I like the formula--as did the rest of America at the time. That's because despite its short-comings the film was dripping with quality. Both actors are at the top of their game, the writing and dialog is snappy fun and the direction is on target. All-in-all, a lot of fun and sure to please fans of this genre.

Clark Gable and Rosalind Russell had worked twice together before. Russell was a supporting player in two of Gable's previous films, China Seas and Forsaking All Others. But in They Met in Bombay they make a bright pair of competing and then cooperating thieves.

Bombay is in fact where they do meet, both of them working individually on a caper to steal a really big diamond belonging to inebriated Dutchess, Jessie Ralph. When they discover who each really is, there's some antagonism, but the police chasing them forces some cooperation which becomes more and more willing as the film progresses.

The pair eventually arrive in Hong Kong and I dare not say more, but some of Gable's con games involve him something far bigger than he can handle as the plot takes some unbelievable turns.

Gable and Russell worked well together, it's a pity that this was their only teaming on the big screen. Look also for good performances by Peter Lorre as the sly Chinese freighter captain and Reginald Owen as the British General and Matthew Boulton as the frustrated British police inspector. Also if you look fast you'll see Alan Ladd in a minute part as a British soldier in a scene with Gable while the leads are in Hong Kong.

They Met in Bombay is fast paced and very funny and still holds up remarkably well today.

Gerald Meldrick (Clark Gable) is a wanted jewel thief. He arrives in Bombay to steal the Star of Asia from the Duchess of Beltravers. Unbeknownst to him, con woman Anya Von Duren (Rosalind Russell) has the same idea. The two thieves quickly figure each other out. They compete and end up together. After both stealing the gem at different times, they escape the authorities on board Captain Chang (Peter Lorre)'s ship to Hong Kong. They arrive with war looming over the horizon.

The first half is a fun little screw-ball caper. I like both Gable and Russell having fun with the characters and each other. It's loads of fun in a light affair. The movie eventually turns into war movie and it's not always the best. Gable and Russell get separated in a large middle section. Gable's con is a bit fun until the war breaks out. The action, the vehicles, and the gears are not the most realistic. It's also wartime in the real world and a bit of war propaganda is to be expected. This is a good pairing and one can excuse any flaws for the greater cause. The mix of a real war and light comedy is just a bit awkward.

'They Met in Bombay' had a lot going for it. Having Clark Gable, Rosalind Russell and Peter Lorre in the same film, a really conceptually interesting story and a talented director being the primary ones, plus MGM were responsible for many classics of all genres (especially musicals) that are too numerous to list.

On the most part, 'They Met in Bombay' doesn't disappoint. Not quite one of those completely living up to high expectations and exceeding them, but it nearly does and in no way a waste of potential. 'They Met in Bombay' is not necessarily great. It is uneven and disjointed for reasons that will be explained later and actually have been covered already in previous reviews. 'They Met in Bombay' having said that is also very entertaining, would classify it as a good film that is hard to dislike and with nothing to be offended by.

Good things are a great many. Clark Gable and Rosalind Russell are terrific in the lead roles, particularly Gable. Lots of charm and with great comic timing, their chemistry sparkles. Peter Lorre, Reginald Owen, Matthew Boulton and Jessie Ralph give nice support, Lorre and Boulton coming off most memorably.

Production values are lovely to look at, particularly the crisp photography. The score is suitably peppy and the direction sees someone with a lot of talent doing a more than solid job. 'They Met in Bombay' goes at a snappy pace, the script is funny, witty and surprisingly sophisticated and the story for the near-perfect first two thirds is immensely engaging with plenty of well done scenes (including a hilarious scene in a beauty parlour).

It is a shame that the last third is not as good. The pace slackens, the wit and sophistication disappears and the patriotic element that is introduced feels heavy-handed and almost tacky, it just felt very misplaced. With the more action-heavy and political edge 'They Met in Bombay' did feel like a completely different film, and one that wasn't near as interesting or entertaining as the first two thirds (which only had the predictability to fault it).

Also thought that Gerald's character went through a character change to a more heroic personality trait that also jarred, almost like there were two different Geralds.

Concluding, a good and entertaining film let down by a disappointing final third that was enough to bring the film's quality quite a bit. 7/10 Bethany Cox

Gable and Rosalind Russell play a couple of jewel thieves who meet in ..... well, guess where, and keep running into each other thereafter.

It's a fairly formulaic film carried on the charms of the leads; director Clarence Brown can't overcome the MGM gloss to provide the screwball details that the first half of the film really needs, although Peter Lorre as a shady and unctuous tramp steamer captain is a lot of fun.

I have the feeling Miss Russell replaced Myrna Loy at some stage in the production and the first couple of reels show damage. Clarence Brown directs the comedy bits for everyone but the two leads, a telling indictment of his opinion of their chops. Even worse, William H. Daniel's high-lit camerawork makes Miss Russell look a trifle jowly.