Aggiungi una trama nella tua linguaAn entertainer in Rio impersonates a wealthy aristocrat. After the aristocrat's wife asks him to carry the impersonation further, complications ensue.An entertainer in Rio impersonates a wealthy aristocrat. After the aristocrat's wife asks him to carry the impersonation further, complications ensue.An entertainer in Rio impersonates a wealthy aristocrat. After the aristocrat's wife asks him to carry the impersonation further, complications ensue.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie totali
- Alfonso
- (as Edward Conrad)
- Specialty Trio
- (as Flores Brothers)
- Butler
- (scene tagliate)
- Model
- (non citato nei titoli originali)
- Model
- (non citato nei titoli originali)
Recensioni in evidenza
A comical 1940's film this is, also starring the one and only Carmen Miranda, who plays Larry's hot-tempered girlfriend, Carmen, who of course is also a singer at the club where Larry performs.
What I love about the old films from the 1940's is the old fashion Hollywood glamour with the fancy dresses and evening gowns, etc., and not to mention, the fine jewelry the women wear (i.e. the baronesses anniversary gift from her husband). But it's a far cry from what you see today: Lack of long term kissing, sex, violence, and of course, swearing. Lots of music and ditsy characters.
I found "That Night In Rio" quite delightful when I watched it on AMC. It was bubbly with a lot of really lighthearted music and comedy, and sophisticated fashions worn by Carmen Miranda and Alice Faye. I got a kick out of Carmen's hot-tempered character, who kept on throwing her shoes at Larry when he made her angry. Not to mention, Don Ameche was a brilliant actor who could play two different characters quite well, and can compare each of them onscreen. :)
Good film...enjoyable for anyone who likes old movies! :)
"That Night in Rio" starts explosively with Miranda's entertainingly flashy number "Chicka Chicka Boom Chick" in Rio. Then Carmen's boyfriend Martin enters while riding a car. After hordes of couples dance to Carmen's colorful spectacle, Baron Duarte and his wife Baroness (Alice Faye) arrive. Martin announces he is going to impersonate the Baron. In a musical number, he does it brilliantly. The Baron is very impressed and goes off to backstage to meet him and Carmen. While he is in backstage, Martin courts the Baroness and does another fine Duarte impression. But Martin doesn't know the Baron is in real financial trouble. A few days after that night in Rio, the Baron leaves for Buenos Aires. Martin is secretly hired by the Baron's associates to replace him, so his rivals in the airline business won't notice his absence. Martin not only replaces the Baron, he again courts and romances the Baroness. Many funny and ingenious complications follow.
"That Night in Rio" continues the trend started in "Down Argentine Way" - pleasant romancing in exotic Latin locales, galvanized by Technicolor and Carmen Miranda. Alice Faye was supposed to star "Down Argentine Way" but due to illness, the lead role went to Betty Grable. Now, Faye got her lead in "That Night in Rio". I don't think it is near "Hello, Frisco, Hello" (my favorite Faye musical) but there are a lot to enjoy in "That night In Rio".
Miranda especially is very funny. Her quarrels with Ameche, her Brazilian accent ("You is a low down, no good ham!"), and her dance numbers (particularly "Ay, yai, yai, yai, yai, I like you very much") are entertaining & rapturous.
This is a bit of a mad farce...but it's story, actors and romance really hold it together and in the end brought me pleasure and take this from a watch and delete to a fun must see. The story involves the Baron and his two business partners seeing Larry's impersonation of the Barron and coming up with the inspired idea to have him impersonate the Barron for real as he desperately tries to save his airline business. Inadvertently, Larry ends up providing more that one kind of help to the Barron and everything ends as it should.
This is a wonderful feel good movie that was a bit of a surprise to me. Initially, I wasn't sure that I was going to enjoy this film but the romantic storyline really won me over. I recommend this to all those romantics out there like me and to classic film fans this is a colorful and real look at a time period when Americans and Hollywood had an interest in the "exotic" or Latin. Oh! And did I mention it also has S. Z. Sakall?
This is a cute story, nothing new about it, but it is done in an amusing way. At one point, the Baron returns from his trip early, and the two Barons are in a room at the same time. They keep switching back and forth while talking to a businessman. The businessman, convinced someone else is in the room after hearing noises behind a screen and seeing the screen move, decides to continue the conversation in French. The actor, of course, can't speak it, so has to say oui, oui throughout. It's very funny. Also, the businessman searches behind the screen - the actor walks from behind the screen and into the room while the Baron goes the opposite way meets the businessman behind the screen and says, "See?" indicating there is no one there.
The cast is the typical Fox musical cast - by 1941, Tyrone Power was no longer doing musicals, so it's Ameche, Faye, and Carmen Miranda. Miranda is very funny and outlandishly dressed as usual; Faye sings well and looks lovely, although she seems stuffed into a gold gown.
There is plenty of music - in fact, the whole beginning is one number after another. Miranda sings a couple of her standards: "I, Yi, Yi, Yi, Yi (I Like You Very Much)," and "Chica Chica Boom Chic." Ameche and Faye sing "Boa Noite" and "They Met in Rio" - and there are plenty of production numbers.
Wonderfully entertaining.
Lo sapevi?
- QuizDon Ameche considered this his favorite screen role.
- Citazioni
Baroness: [Larry has made a plan with the baroness to help her get even with her husband. Larry meets the baron in the hall, where he explains to the baron what his wife intended to do. Larry leaves, and the baron enters the room, where the baroness mistakes him for look-alike Larry] Oh, hurry! Hurry, I just saw his car in the driveway. Now, get ready. I expect him to come in any minute. He didn't see you, did he? Oh. A little closer, huh? No, no. Maybe you'd better take me in your arms. Oh, I'll show him! I'll give him the most unhappy moment of his life. I will.
[the baron kisses her passionately]
Baroness: Mmm! No! Not now, and not so violently! Wait until he comes in the room!
[the baron picks her up, bridal style, and carries her out of the room and up the stairs]
Baroness: Ohh! You can't do this to me! Stop! Put me down! Ohh, my husband will kill you for this! Manuel! Oh, Manuel! Stop! Ohh, leave me alone! Put me down! Manuel! Manuel! Ohh!
- ConnessioniEdited into Il caso Myra Breckinridge (1970)
- Colonne sonoreChica Chica Boom Chic
(uncredited)
Music by Harry Warren
Lyrics by Mack Gordon
Portuguese Lyrics by Pedro Berrios
Sung by Don Ameche and Carmen Miranda
Copyright 1941
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- Tempo di esecuzione1 ora 31 minuti
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