Aggiungi una trama nella tua linguaAn entertainer in Rio impersonates a wealthy aristocrat. After the aristocrat's wife asks him to carry the impersonation further, complications ensue.An entertainer in Rio impersonates a wealthy aristocrat. After the aristocrat's wife asks him to carry the impersonation further, complications ensue.An entertainer in Rio impersonates a wealthy aristocrat. After the aristocrat's wife asks him to carry the impersonation further, complications ensue.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie totali
- Alfonso
- (as Edward Conrad)
- Specialty Trio
- (as Flores Brothers)
- Butler
- (scene tagliate)
- Model
- (non citato nei titoli originali)
- Model
- (non citato nei titoli originali)
Recensioni in evidenza
If this plot seems familiar it was previously done as Folies Bergere with Maurice Chevalier and afterward by Danny Kaye in On The Double. Ameche is a prominent Brazilian financier who is married to Alice Faye and something of a cold fish. He's also a visiting American entertainer who is going out with Carmen Miranda and as part of his act does a dead on impersonation of the financier with a little more pizazz.
Circumstances have Curt Bois and S.Z. Sakall come to the entertainer to have him impersonate the financier for 24 hours while the financier goes out of town for some really delicate business negotiations. The entertainer succeeds in arousing the sleeping woman in Faye and the sleeping tiger in Miranda with the impersonation. I think you can figure the rest out.
Harry Warren and Mack Gordon wrote the score, but the songs that Faye and Ameche sing are barely noticeable. But I Yi Yi Yi I Like You Very Much and Chica-Boom-Chic became a staple of Carmen Miranda's nightclub act for the rest of her life. And the way she sings them, hey no one else has ever even tried to do those numbers, you can't possibly imitate that style.
For Carmen Miranda fans who are still legion, the world over.
"That Night in Rio" starts explosively with Miranda's entertainingly flashy number "Chicka Chicka Boom Chick" in Rio. Then Carmen's boyfriend Martin enters while riding a car. After hordes of couples dance to Carmen's colorful spectacle, Baron Duarte and his wife Baroness (Alice Faye) arrive. Martin announces he is going to impersonate the Baron. In a musical number, he does it brilliantly. The Baron is very impressed and goes off to backstage to meet him and Carmen. While he is in backstage, Martin courts the Baroness and does another fine Duarte impression. But Martin doesn't know the Baron is in real financial trouble. A few days after that night in Rio, the Baron leaves for Buenos Aires. Martin is secretly hired by the Baron's associates to replace him, so his rivals in the airline business won't notice his absence. Martin not only replaces the Baron, he again courts and romances the Baroness. Many funny and ingenious complications follow.
"That Night in Rio" continues the trend started in "Down Argentine Way" - pleasant romancing in exotic Latin locales, galvanized by Technicolor and Carmen Miranda. Alice Faye was supposed to star "Down Argentine Way" but due to illness, the lead role went to Betty Grable. Now, Faye got her lead in "That Night in Rio". I don't think it is near "Hello, Frisco, Hello" (my favorite Faye musical) but there are a lot to enjoy in "That night In Rio".
Miranda especially is very funny. Her quarrels with Ameche, her Brazilian accent ("You is a low down, no good ham!"), and her dance numbers (particularly "Ay, yai, yai, yai, yai, I like you very much") are entertaining & rapturous.
This is a bit of a mad farce...but it's story, actors and romance really hold it together and in the end brought me pleasure and take this from a watch and delete to a fun must see. The story involves the Baron and his two business partners seeing Larry's impersonation of the Barron and coming up with the inspired idea to have him impersonate the Barron for real as he desperately tries to save his airline business. Inadvertently, Larry ends up providing more that one kind of help to the Barron and everything ends as it should.
This is a wonderful feel good movie that was a bit of a surprise to me. Initially, I wasn't sure that I was going to enjoy this film but the romantic storyline really won me over. I recommend this to all those romantics out there like me and to classic film fans this is a colorful and real look at a time period when Americans and Hollywood had an interest in the "exotic" or Latin. Oh! And did I mention it also has S. Z. Sakall?
Lo sapevi?
- QuizDon Ameche considered this his favorite screen role.
- Citazioni
Baroness: [Larry has made a plan with the baroness to help her get even with her husband. Larry meets the baron in the hall, where he explains to the baron what his wife intended to do. Larry leaves, and the baron enters the room, where the baroness mistakes him for look-alike Larry] Oh, hurry! Hurry, I just saw his car in the driveway. Now, get ready. I expect him to come in any minute. He didn't see you, did he? Oh. A little closer, huh? No, no. Maybe you'd better take me in your arms. Oh, I'll show him! I'll give him the most unhappy moment of his life. I will.
[the baron kisses her passionately]
Baroness: Mmm! No! Not now, and not so violently! Wait until he comes in the room!
[the baron picks her up, bridal style, and carries her out of the room and up the stairs]
Baroness: Ohh! You can't do this to me! Stop! Put me down! Ohh, my husband will kill you for this! Manuel! Oh, Manuel! Stop! Ohh, leave me alone! Put me down! Manuel! Manuel! Ohh!
- ConnessioniEdited into Il caso Myra Breckinridge (1970)
- Colonne sonoreChica Chica Boom Chic
(uncredited)
Music by Harry Warren
Lyrics by Mack Gordon
Portuguese Lyrics by Pedro Berrios
Sung by Don Ameche and Carmen Miranda
Copyright 1941
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Dettagli
- Tempo di esecuzione1 ora 31 minuti
- Proporzioni
- 1.37 : 1