Il grande ammiraglio

One of the best known stories of adultery in British history is the one between Lord Horatio Nelson and the enchanting Emma Hamilton. This film by Alexander Korda takes that story and does not disappoint.

In the pivotal role of Emma, Vivien Leigh shines in a role that came not long after her international triumph in 'Gone With The Wind'. Her Emma is flirty, scheming, and delightful, and you can see why she captured the heart of Nelson. The part of Nelson is taken by Vivien Leigh's real-life husband, Laurence Olivier, and his stuffed-shirt persona suits the role perfectly.

In support, Alan Mowbray (as the cuckolded Lord Hamilton), and Gladys Cooper (as the snide Lady Nelson), are excellent, and the standard of script, photography, and direction is high throughout.

This was said to be Winston Churchill's favourite wartime film, and you can see the attraction. It was given a coda which showed that Emma didn't profit from her liaison but this is a small price to pay for such a sumptuous and engaging film.

Screen biography of Emma, Lady Hamilton, whose love for Lord Nelson (the British naval hero of the Napoleonic wars) scandalized the Regency world.

Vivien Leigh is in almost every frame, and completely dominates the film. The story is all about Lady Hamilton and her unhappy marriage, her love for Nelson, and the consequences of leaving her stodgy husband to live adulterously and with the man she loved. (He was already famous before Trafalger, this was the "Monicagate" of its day) It's a fine soap opera, centered around a performance that can only be called luminous.

The camera doesn't just love Leigh, it gets down on its knees and worships her. Even in GWTW she never looked so unbelievably beautiful, and she's also completely charming and sensitive. The great Sir Laurence Olivier doesn't have a chance, he barely registers. He's handicapped by a serious lack of screen time and a dreadful red pony-tail wig, but the director seems to have decided to give him short shrift so he can squeeze in a few more exquisite close-ups of Leigh being enchanting. And she is, oh is she ever...

In 1941,only England was still resisting Hitler.So the parallel was obvious and "that Lady Hamilton" is a propaganda work,which does not prevent if from being highly commendable,thanks to the two leads,mainly Leigh-this must have been her third best performance,in the movies,far behind "gone with the wind" and "a streetcar named desire",but her beauty shines in every scene.

The movie is a long flashback,sandwiched between two "present scenes " in a jail in France.Hamilton tells her story to her prison mate,an English good-time gal:the rise,decline and fall of a courtesan.There are some brilliant lines in the dialogue:Hamilton to her old soon-to-be hubby:"so your nephew sent me to you with his paintings and the bric-à-brac because he's broke!".Her last lines are touching .My mother saw the movie when it was released and how did she love them:"And then?" ,the hooker says " "there's no then" Hamilton replies"there's no after".When Hamilton understands she's lost everything,she draws the curtains and collapses,she seems to be on a stage and the play is over.

Vivien leigh did not make many movies.So it would be a pity to miss this one.

French remake by Christian-Jaque in 1968,with Michèle Mercier,John Mils and Richard Johnson as the leads ,known as "les amours de lady Hamilton."Despite a huge budget,much inferior to Korda's version" Jean Tulard.

If nothing else, 'That Hamilton Woman' proved two things: Vivien Leigh is just as beautiful in black and white as she is in the glorious technicolor of 'GWTW'; and when it comes to the cinema, her acting technique on screen is every bit as expert as Laurence Olivier's. (In fact, Olivier himself admitted this when he saw a screening of her Scarlett O'Hara performance.)

At any rate, my main interest in seeing this film was that I learned it was Winston Churchill's favorite movie during World War II, dealing as it does with the British admiralty and the threat of war and domination. As Lady Hamilton, Vivien Leigh narrates the story and since it is told from her viewpoint, she manages to dominate with her beauty and acting prowess. How she rises from abject poverty to become Lord Nelson's mistress makes up the bulk of the story--which sometimes seems a bit unbelievable. However, since both stars were at the time married to others, one can easily see that these roles suited both of them to perfection. Surely, if anyone could identify with these characters, they could!

Slow moving in spots, handsomely photographed in black and white, it is interesting to note how very British Leigh actually was when not assuming a more American way of talking (as in 'GWTW') -- proof indeed that she was a good actress. Of all of her films after "Gone with the Wind", I prefer her in 'Waterloo Bridge' (with Robert Taylor). Following that, I would choose this one.

Some of the ships are obvious models--but other than that, the production is a handsome one. Worth seeing for the two stars alone.

Laurence Olivier and Vivien Leigh when they were both young and desperately beautiful are a joy to watch in this film. He plays the great English naval hero, Nelson, and she, Lady Hamilton, the wife of the English ambassador. Another favorite movie moment of mine is after the opera given in his honor when they are in a bar, before they have actually declared their love for one another. They're talking about what they're not missing by having left the ball after the opera. She says, "This is where the real and exclusive party is." Then she tells him about himself: "Nelson in a good mood," and she makes a bored face. "Nelson in a bad mood," and makes the same face. "Nelson in an exuberant mood," with the same face a third time. He says, "Am I really such a dull fellow?" Her reply: "Only when you ask questions like that." His response is the beautiful part. He says something to the effect of, "Now I'll give my performance. What mood is this? One guess." And he leans his chin on his hand and gazes into her eyes. She guesses something like, "Nelson allowing himself to be just a little bit happy?" He shakes his head slowly and says, "Nelson in love." She leans forward and her chin touches his hand, and just then a group of soldiers, including his son, enter the bar. The moment is all the better because you're left wanting more!