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6,6/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA psychoanalyst causes a woman to doubt her happy marriage.A psychoanalyst causes a woman to doubt her happy marriage.A psychoanalyst causes a woman to doubt her happy marriage.
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- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 candidatura in totale
Mary Currier
- Maid
- (non citato nei titoli originali)
Jean Fenwick
- Dr. Vengard's Nurse
- (non citato nei titoli originali)
Bess Flowers
- Woman in Ladies Room
- (non citato nei titoli originali)
Rolfe Sedan
- Art Dealer
- (non citato nei titoli originali)
Gisela Werbisek
- Hungarian Dinner Guest
- (non citato nei titoli originali)
Recensioni in evidenza
It has some clever dialogue, but the plot you can see coming at you from a mile away, as it is a take on "the grass is greener". Plus there is only one really likable main character - Melvyn Douglas as Larry Baker.
After six years of marriage socialite Jill Baker is feeling quite bored. She is convinced by her equally bored Park Avenue socialite friends that she must simply go see Dr. Venguard, a psychoanalyst. Between Dr. Venguard, Jill's friends, and a complete narcissist she meets in Venguard's waiting room - Burgess Meredith as Sebastian, a pianist, she becomes convinced her marriage is on the rocks. This is all news to Larry who, although he does seem to eat and sleep the insurance business, is trying to build a better life for himself and his wife.
Before Larry knows what has happened, he is out and Jill wants to divorce him and marry the extremely tiresome Sebastian, whom she is convinced is a genius. He tells her so every day! Eve Arden as a legal secretary steals the show when she is asked about what is going on and her opinion. She says she sees it every day. Women taken care of in high style with no worries and nothing to think about but how unhappy they think that they are.
I wish I could make this review more inspiring, but the film itself is pleasant but uninspiring. No new ground is covered here, and the parts of it are greater than the whole. I can give kudos to Melvyn Douglas as the husband who thinks he is more clever at getting his wife back than he is, and to Burgess Meredith as somebody who thinks a great deal of himself as a musical genius but seems to have no visible means of support. Merle Oberon is lovely here and seems to have "that uncertain feeling" every step of the way. Events more than her own will seem to be propelling her forward in every instance.
A few great memorable lines, what could be heavy melodrama turned into a very light romantic comedy Lubitsch style, and probably worth your time if you run across it, but nothing to deliberately seek out.
After six years of marriage socialite Jill Baker is feeling quite bored. She is convinced by her equally bored Park Avenue socialite friends that she must simply go see Dr. Venguard, a psychoanalyst. Between Dr. Venguard, Jill's friends, and a complete narcissist she meets in Venguard's waiting room - Burgess Meredith as Sebastian, a pianist, she becomes convinced her marriage is on the rocks. This is all news to Larry who, although he does seem to eat and sleep the insurance business, is trying to build a better life for himself and his wife.
Before Larry knows what has happened, he is out and Jill wants to divorce him and marry the extremely tiresome Sebastian, whom she is convinced is a genius. He tells her so every day! Eve Arden as a legal secretary steals the show when she is asked about what is going on and her opinion. She says she sees it every day. Women taken care of in high style with no worries and nothing to think about but how unhappy they think that they are.
I wish I could make this review more inspiring, but the film itself is pleasant but uninspiring. No new ground is covered here, and the parts of it are greater than the whole. I can give kudos to Melvyn Douglas as the husband who thinks he is more clever at getting his wife back than he is, and to Burgess Meredith as somebody who thinks a great deal of himself as a musical genius but seems to have no visible means of support. Merle Oberon is lovely here and seems to have "that uncertain feeling" every step of the way. Events more than her own will seem to be propelling her forward in every instance.
A few great memorable lines, what could be heavy melodrama turned into a very light romantic comedy Lubitsch style, and probably worth your time if you run across it, but nothing to deliberately seek out.
Loved "That Uncertain Feeling" (1941)! Here, a superb, substantive, yet oft-times simultaneously silly, screenplay (adapted from the stage) meets first-rate actors. (The beautiful Merle Oberon is at her comedic best.) What makes this a must-see film is the palpable pathos swirling just beneath it all. In lesser hands (actors and writers all) this might've fallen into the snidely melodramatic or the mildly comedic.
By the by, who says the feeling man is dead? The reviews give credence to the fact that-- whether in their teens, twenties, or, like me, in their fifties-- men enjoy romantic comedies as much as women. I suspect that any polls showing otherwise are eschew for the very reason that too many films today use a "straw man," where the male lead isn't much more than duplicitous, a nitwit, a heel (or all three). In "That Uncertain Feeling," a certain maturity and balance rules the writers. Sure, men AND women's flaws come to the fore, but as (or more)importantly, both sexes' attributes are on show, too, to boot. If the writer creates, equally, humorously offensive male and female characters, then it actually mirrors the real world while not playing partisan sexual politics. Do that and movie theatres will be swarming with women AND men, maybe like in days of old...like those when I, too, was young.
By the by, who says the feeling man is dead? The reviews give credence to the fact that-- whether in their teens, twenties, or, like me, in their fifties-- men enjoy romantic comedies as much as women. I suspect that any polls showing otherwise are eschew for the very reason that too many films today use a "straw man," where the male lead isn't much more than duplicitous, a nitwit, a heel (or all three). In "That Uncertain Feeling," a certain maturity and balance rules the writers. Sure, men AND women's flaws come to the fore, but as (or more)importantly, both sexes' attributes are on show, too, to boot. If the writer creates, equally, humorously offensive male and female characters, then it actually mirrors the real world while not playing partisan sexual politics. Do that and movie theatres will be swarming with women AND men, maybe like in days of old...like those when I, too, was young.
There's a lot of talent here: Merle Oberon, Melvyn Douglas, Burgess Meredith, Ernst Lubitsch. Where the talent was lacking was in the script. It just isn't very clever. Everyone tries their best - it was a potentially great role for Meredith - but they can only do so much with a dull script. So, while there are occasional funny moments here, the movie as a whole is pretty much a dud.
More's the shame, since, as I said, there was so much talent here.
More's the shame, since, as I said, there was so much talent here.
A mild romantic comedy that's atypical of Lubitsch. Merle Oberon looks gorgeous. Her clothes are sensational. Melvyn Douglas is not credible as her crass insurance-executive husband. This is the man who taught Garbo to laugh in the same director's "Ninotcha" and was generally suave and somewhat iconoclastic. As the movie proceeds, he settles into a trick-playing husband not quite consistent with the man who've first met.
Burgess Meredith is sort of wasted as the annoying pianist Oberon meets in a psychiatrist's waiting room. (Alan Mowbry is hilariously dry as the analyst. And in some ways, this is a comment on psychoanalysis.) The Meredith character is the most interest. It is a very convincing study in absolute narcissism. He may be accomplished, indeed; but whether he is or not, he is his own greatest fan and protector.
There are swipes at modern art as well as those at analysis. In some ways, it's a little retrograde.
But it's beautifully shot and the design is fabulous. This is the New York City we'd all love to live in. And Oberon looks ravishing. Her performance is convincingly comic, too, though she is so match for Eve Arden in an all too small role.
Burgess Meredith is sort of wasted as the annoying pianist Oberon meets in a psychiatrist's waiting room. (Alan Mowbry is hilariously dry as the analyst. And in some ways, this is a comment on psychoanalysis.) The Meredith character is the most interest. It is a very convincing study in absolute narcissism. He may be accomplished, indeed; but whether he is or not, he is his own greatest fan and protector.
There are swipes at modern art as well as those at analysis. In some ways, it's a little retrograde.
But it's beautifully shot and the design is fabulous. This is the New York City we'd all love to live in. And Oberon looks ravishing. Her performance is convincingly comic, too, though she is so match for Eve Arden in an all too small role.
Suffering from hiccups and insomnia, beautiful Manhattan socialite Merle Oberon (as Jill) feels neglected by successful insurance peddling husband Melvyn Douglas (as Larry Baker). While seeing psychoanalyst Alan Mowbray (as Vengard), Ms. Oberon meets fellow patient Burgess Meredith (as Alexander Sebastian), a troubled pianist. As Oberon and Mr. Meredith grow closer, Mr. Douglas tries "reverse psychology" to win back his wife. Meanwhile, secretary Eve Arden (as Sally Aikens) may move in on Douglas.
This lesser Ernst Lubitsch offering was a re-make of the director's silent "Kiss Me Again" (1925), which made the critically polled "Film Daily" and "Motion Picture" magazine's annual year's best lists. Unfortunately, the original is presently a "lost" film. "That Uncertain Feeling" was a letdown after "Ninotchka" (1939) and "The Shop Around the Corner" (1940). But, it's definitely not awful. Douglas is in good form, particularly during the last act. Oberon wears some sexy outfits, especially during the early running.
****** That Uncertain Feeling (4/17/41) Ernst Lubitsch ~ Merle Oberon, Melvyn Douglas, Burgess Meredith, Eve Arden
This lesser Ernst Lubitsch offering was a re-make of the director's silent "Kiss Me Again" (1925), which made the critically polled "Film Daily" and "Motion Picture" magazine's annual year's best lists. Unfortunately, the original is presently a "lost" film. "That Uncertain Feeling" was a letdown after "Ninotchka" (1939) and "The Shop Around the Corner" (1940). But, it's definitely not awful. Douglas is in good form, particularly during the last act. Oberon wears some sexy outfits, especially during the early running.
****** That Uncertain Feeling (4/17/41) Ernst Lubitsch ~ Merle Oberon, Melvyn Douglas, Burgess Meredith, Eve Arden
Lo sapevi?
- QuizThere are few close-ups of Merle Oberon in this film - she was recovering from her second bout of cosmetic poisoning, which had left pits and sores in her face and could not be covered with makeup.
- BlooperSebastian is playing the piano when Margie enters the room and asks where Jill is. He gestures toward the bedroom door with his right hand but the music continues without interruption as if he were still playing with both hands.
- Citazioni
Dr. Vengard: Most people know nothing about themselves. Nothing. Their own real personality is a complete stranger to them. Now, what I'm trying to do is to introduce you to your inner-self. I want you to get acquainted with yourself. Wouldn't you like to meet you? Don't you want to get to know yourself?
Mrs. Jill Baker: No. You see, I'm a little shy.
- ConnessioniFeatured in Wide Awake (2006)
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Dettagli
- Tempo di esecuzione
- 1h 24min(84 min)
- Colore
- Proporzioni
- 1.37 : 1
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