Inferno nel deserto

A surprisingly efficient and startling adventure feature from Africa by Henry Hathaway for being so young and early - this is already Hathaway completely fledged, and it's a very colourful drama although in black and white. Gene Tierney, also very young and fresh, provides the romanticism with glowing colours, and George Sanders for once plays a very unusually honest and heroic role. It's a great adventure, and the cave scenes are gorgeously suggestive in both drama, invention and cinematography. The photo is stupendous, and although rather thin, brief and superficial, it must be deemed as a great film - on a small scale, but nevertheless.

I just saw this movie tonite on a "Classic Movies" presentation on TV, and was just delighted.

Set in 1940s Kenya, This is a good African adventure flick, with a tale that is tied in very well with the contemporary World War II backdrop to this 1941 production. In fact, there's a really wonderful scene, that I won't describe in detail (don't want to give anything away) in which an Italian from Abyssinia expresses passionately the global significance of what is transpiring in this isolated Kenyan outpost. From there we have a tale of intrigue, adventure playing itself out across exotic landscapes, dark caverns, and lovely lake-fronts. All in all, this movie has a strong Rider Haggard flavor. If you know and like Rider Haggard's stories, you'll probably like this movie.

Gene Tierney's top billing in this movie is a bit of an overstatement: Bruce Cabot is actually the star of the movie; with George Sanders in a strong supporting role. All are very good, though, with the Cabot-Sanders character conflict and collaboration carried off very well indeed. And Tierney is simply lovely, a delight to behold; and really a very fine actress indeed.

All in all, a good movie ... I'm grateful to have stumbled across it while channel surfing tonite ... !

This old-fashioned desert adventure set during WWII features a very good cast (Gene Tierney, Bruce Cabot, George Sanders, Joseph Calleia, Harry Carey, Sir Cedric Hardwicke, Reginald Gardiner, Marc Lawrence, Gilbert Emery) and solid production values but is not particularly distinguished or even memorable. Even so, the film did manage to earn 3 Academy Award nominations for Alexander Golitzen's art direction, Charles Lang's cinematography and Miklos Rosza's music.

While Tierney is the film's nominal star, she actually doesn't have that much of a role playing a native girl who goes to work as an agent for the British against the Germans. Hardwicke, then, only appears at the very end, as a pastor delivering a stirring sermon in a dilapidated church which prefigures Henry Wilcoxon's similar role in William Wyler's MRS. MINIVER (1942). Harry Carey, too, is not given much to do but Marc Lawrence makes for a menacing treacherous native and Cabot and Sanders are their usual reliable selves in competing for the attentions of Ms. Tierney. Surprisingly, however - or perhaps not, having previously wooed Mae West in MY LITTLE CHICKADEE (1940) - it's our very own Joseph Calleia (playing an Italian P.O.W. who acts as cook to his captors and is given to hollering operatic arias every once in a while - Calleia had, in fact, been a professional opera singer before moving to Hollywood) who is Tierney's confidante. Being Maltese, I have to say that it was a joy for me to watch him in the company of such an alluring star, not to mention playing against one of my favorite character actors George Sanders. Intriguingly, the IMDb states that Dorothy Dandridge (as a teenage native about to be forced to marry a wealthy older man), Rory Calhoun, Woody Strode and even future Cult Italian director Riccardo Freda make an appearance in this one but, apart from Dandridge, I didn't catch them!

Despite Henry Hathaway's reputation as one of Hollywood's top action directors - having made, among others, the seminal THE LIVES OF A BENGAL LANCER (1935) - here he is let down by a second-rate script (courtesy of Barre' Lyndon and Charles G. Booth) which is ultimately just a rehash of GUNGA DIN (1939) and updated to the WWII era. A competent escapist adventure and time-waster, then, but regrettably enough given the talent at hand, nothing more...

I found SUNDOWN to be an enjoyable film. It seems sort of a cross between a jungle flick and a World War II espionage thriller, a kind of a TARZAN VRS THE NAZI'S. The story involves the British trying to prevent the Germans from secretly supplying the native Africans with weapons for a rebellion. Plenty of action and political incorrectness, plus Gene Tierney's ever so sexy overbite. Simply a must for Bruce Cabot fans everywhere.

This is a pretty good adventure tale of WWII before the US got involved.Perhaps the most interesting character is Pallini, the humane, civilized Italian gentleman who is not sorry to be a prisoner of the British rather than fighting on the side of the Axis.Maybe the most striking scene is the one in which they find the rifles that are being smuggled in to arm the natives against the British, and acid is used to raise the markings that have been ground off.When the markings indicate the Skoda Works in Czeckoslovakia(which had been occupied by Hitler several years before, so it was not the Czecks who were smuggling the guns) Pallini says with a shudder. "Its THEM!Its always THEM!".Without ever mentioning Nazis.Supposedly this was because we weren't in the war yet, but in fact it is extremely effective,like a monster whose presence is sensed, but not seen.It is as though Pallini is referring to some evil that is so terrible that he can't even bring himself to mention its name,the horror that is even more horrible because it has no name.