VALUTAZIONE IMDb
7,3/10
45.080
LA TUA VALUTAZIONE
Una timida giovane ereditiera sposa un gentiluomo affascinante, e presto comincia a sospettare che stia progettando di ucciderla.Una timida giovane ereditiera sposa un gentiluomo affascinante, e presto comincia a sospettare che stia progettando di ucciderla.Una timida giovane ereditiera sposa un gentiluomo affascinante, e presto comincia a sospettare che stia progettando di ucciderla.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 7 vittorie e 2 candidature totali
Cedric Hardwicke
- General McLaidlaw
- (as Sir Cedric Hardwicke)
May Whitty
- Mrs. McLaidlaw
- (as Dame May Whitty)
Billy Bevan
- Ticket Taker
- (non citato nei titoli originali)
Faith Brook
- Alice Barham
- (non citato nei titoli originali)
Violet Campbell
- Mrs. Barham
- (non citato nei titoli originali)
Leonard Carey
- Burton
- (non citato nei titoli originali)
David Clyde
- Trunk Man
- (non citato nei titoli originali)
Clyde Cook
- Photographer
- (non citato nei titoli originali)
Alec Craig
- Hogarth Club Desk Clerk
- (non citato nei titoli originali)
Carol Curtis-Brown
- Jessie Barham
- (non citato nei titoli originali)
Recensioni in evidenza
I watched this film last night, not knowing what to expect. Hitchcock is my favourite director, yet Suspicion is not treated among his best work. My conclusion from watching the film is that it is very good, but it is not perfect, and not Hitchcock's best. What let it down? Well, a lot of reviews have said so already, but the ending. For me it was abrupt and felt tacked on and somewhat implausible. Then again, StageFright and the Birds both had somewhat abrupt endings. And I know it isn't the fastest paced of his movies, but Torn Curtain's pacing was disappointingly pedestrian. However, Suspicion has a lot to recommend it. The acting is uniformly excellent, with Cary Grant charming and sometimes chilling as the man suspected of trying to murder his wife, and Joan Fontaine, looking gorgeous as ever even better as Lina giving a performance of edge and vulnerability. Out of the supporting performances, Nigel Bruce is simply terrific as Beaky, Leo G Caroll while in a brief role is memorable as the Captain and Cedric Hardwicke who played Frollo in the 1939 film The Hunchback of Notre Dame so memorably is great as the General. The direction is superb, tense when it needs to be and gentle in others and also filled with the fashionable touches that make his very best films great. The film is shot in a very sumptuous visual style, with beautiful black and white cinematography and lovely costumes and sets. The score from Franz Waxman is simply marvellous; the scoring in the scene when Lina writes the letter is enough to give you goosebumps. All in all, not Hitchock's best, but very good all the same. 9/10 Bethany Cox
While in many respects one of Hitchcock's lesser films, "Suspicion" has some good performances and a degree of suspense that is as sustained as in any of his films. The movie gets quite a lot out of a relatively simple plot.
Joan Fontaine gives an excellent performance as Lina, a quiet young woman who finds herself swept away by, and suddenly married to, the charming but irresponsible Johnnie, played by Cary Grant. Not long afterwards, she begins to question his behavior and his intentions, and soon she is terribly afraid, both of what he might have done and of what he might do. Whenever she manages to overcome one of her fears, no sooner does she do so than her husband gives her a new reason for suspicion. There really isn't much more to it than that, but Hitchcock gets a lot out of this basic premise. The tension keeps building, and Fontaine's performance allows the viewer to feel all of her fear and anxiety. Not everyone likes the way that it all ends, but it is worth seeing and deciding for yourself what you think about it.
The rest of the cast have mostly limited roles, but give good performances that add to the portrayal of the main characters. Especially good is Nigel Bruce, who provides a few lighter moments as one of Johnnie's old cronies.
While lacking the complexity and excitement of Hitchcock's best pictures, "Suspicion" is still a good example of his ability to keep the audience in lasting suspense. Most Hitchcock fans will want to see it.
Joan Fontaine gives an excellent performance as Lina, a quiet young woman who finds herself swept away by, and suddenly married to, the charming but irresponsible Johnnie, played by Cary Grant. Not long afterwards, she begins to question his behavior and his intentions, and soon she is terribly afraid, both of what he might have done and of what he might do. Whenever she manages to overcome one of her fears, no sooner does she do so than her husband gives her a new reason for suspicion. There really isn't much more to it than that, but Hitchcock gets a lot out of this basic premise. The tension keeps building, and Fontaine's performance allows the viewer to feel all of her fear and anxiety. Not everyone likes the way that it all ends, but it is worth seeing and deciding for yourself what you think about it.
The rest of the cast have mostly limited roles, but give good performances that add to the portrayal of the main characters. Especially good is Nigel Bruce, who provides a few lighter moments as one of Johnnie's old cronies.
While lacking the complexity and excitement of Hitchcock's best pictures, "Suspicion" is still a good example of his ability to keep the audience in lasting suspense. Most Hitchcock fans will want to see it.
The strangest of coincidences haunt newly-wed Joan Fontaine (Oscar-winning) in this sleight of hand from Alfred Hitchcock. She starts to believe that husband Cary Grant may be too good to be true. It appears that he may be a heartless murderer who may be targeting her as his next victim. Hitchcock, the undisputed master of suspense, does not let the audience off easy here. The film's twists and turns will keep you glued until the stunning final act. Not without flaws, but still another winner from Hitchcock. 4.5 out of 5 stars.
Despite a flawed ending (imposed we're told, by nervous studio executives) 'Suspicion' is a terrific thriller. It may not be Hitchcock's best movie but it is one of his most entertaining. Cary Grant is perfectly cast as Johnnie Aysgarth, a charming rogue. This was the first of four movies he made with Hitchcock, but it's the performance I enjoy the most. Joan Fontaine, star of Hitchcock's previous movie 'Rebecca', is wonderful as Lina ("monkeyface") the woman he woos. The two make a great couple, and their acting really makes this one believable. Well loved character actor Nigel Bruce (who had also appeared in 'Rebecca', but is best known to most of us as Dr. Watson in the Basil Rathbone Sherlock Holmes movies) is also brilliant as Johnnie's old pal "Beaky". The rest of the cast includes Sir Cedric Hardwicke ('Rope') and Leo G. Carroll (six Hitchcocks in all). 'Suspicion' is a real treat for mystery/thriller fans. I wonder just how many contemporary movies in this style will be as enjoyable in sixty plus years?
I'm surprised so many people are disappointed with this movie. It doesn't seem to me more unreal than any other Hitchcock film. As always, the highlights are those moments when we get a glimpse of someone doubting what someone else is saying. This movie specializes in such moments and, inasmuch as doubt is Hitchcock's stock in trade, I can't find anything wrong with SUSPICION. It's playful, scary and, yes, escapist. Hitchcock never made a realistic movie, and I thank him for it.
Lo sapevi?
- QuizIn interviews, Sir Alfred Hitchcock said that an RKO executive ordered that all scenes in which Cary Grant appeared menacing be excised from the movie. When the cutting was completed, the movie ran only fifty-five minutes. The scenes were later restored, Hitchcock said, because he shot each piece of film so that there was only one way to edit them together properly. This is a technique called 'in-camera editing', a trick Hitchcock had already employed a year before during filming of Rebecca - La prima moglie (1940), to prevent producer David O. Selznick from interfering with the final cut of the movie.
- BlooperAlthough Johnnie admits to Lina, after taking an extremely expensive house, that he is broke, they continue to live there, employ servants, and run a very expensive car. No explanation is made of how they can afford this. The job Johnnie later gets, in an estate manager's office, would pay only a small part of these running costs.
- Versioni alternativeA colorized version of the film was produced. It has been available on VHS (Turner Home Entertainment) in NTSC format for a while. A dual black & white/colorized Region-2 DVD version has been released in 2003 by Universal in PAL format.
- ConnessioniEdited into Il mistero del cadavere scomparso (1982)
- Colonne sonoreWiener Blut, op. 354 (Viennese Blood)
(1871) (uncredited)
Written by Johann Strauss
Arranged by Roy Webb
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- La sospecha
- Luoghi delle riprese
- Big Sur, California, Stati Uniti("Tangmere-by-the-sea" coast sea-cliff scenes)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.103.000 USD (previsto)
- Lordo in tutto il mondo
- 19 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Proporzioni
- 1.37 : 1
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