L'ombra dell'uomo ombra

In this fourth movie in the Thin Man series, the familiar formula still works pretty well, making "Shadow of the Thin Man" an enjoyable feature with plenty of wit, an interesting mystery, and most of all Nick and Nora. It's hard to think of any other screen couple that worked together better than William Powell and Myrna Loy. All it takes is a few seconds of seeing them interact before you feel as if you are in the company of old friends.

The story and setting make use of Nick's fondness for the horse races, and this also allows for an entertaining assortment of characters. The mystery has several twists and turns, and the story developments alternate with lighter stretches of Nick and Nora being themselves. Besides the race track, there are some other imaginative settings that help in creating an atmosphere that is both believable and interesting.

Most of the other characters are pretty straightforward, but Sam Levene gets quite a few good moments as the police lieutenant. Barry Nelson also has a decent role as a reporter. A very young Donna Reed gets a fair amount of screen time, but her character is not as interesting as the others. It's also interesting to see Stella Adler in one of her rare screen roles.

This one is a cut below the earlier movies in the series, but it's still good fun. As well as the familiar combination works, there weren't a lot of reasons to make significant changes.

Caught this again in a TCM triple feature of Thin Man movies. Even I'm not old enough to have seen these in the theater, but I saw them before as a youth when all of these movies were dumped by Hollywood onto the small screen in the Fifties and Sixties. They have aged very well. Myrna Loy is beautiful and wonderful as perhaps the prototypical smart Aleck and generally competent wife and partner. Her money obviously allows her husband William Powell to be the wise cracking, hard drinking playboy detective in the series start. She's a good influence and he turns into a more acceptable father type by the series end. The movies are all well written, directed and filled with plenty of great 'character actors'. Plot and character driven with nothing a modern audience would perceive as a 'special effect', they're also good detective stories. There's always the gathering of the suspects and the review of the clues at the end where in the less litigious '30s and '40s the killer always confesses. Highly recommended as light comedy and drama.

This fourth of the six Thin Man movies is one of the most fun, most enjoyable. Powell and Loy are terrific, as always, and Donna Reed is beautiful in an early role. But it's Sam Levine as police Lt Abrams who steals the show. It's murder at the race track. Who killed the jockey? See it and find out. And enjoy!

SHADOW OF THE THIN MAN offers nothing really new but it does offer exactly what fans of the franchise expect. Nick and Nora get dragged into another murder mystery. They continue to bicker in their loving way. Nick and all his old street contacts help Nick do what the police cannot. Lt. Abrams (Sam Levene) last seen in AFTER THE THIN MAN returns. He is to Nick what Inspector Lestrad is to Sherlock Holmes. It's a treat to see a young Donna Reed in a film 5 years prior to her breakthrough performance in IT'S A WONDERFUL LIFE and 2 decades prior to her self named sitcom.

As usual, Nick with Nora's help rounds up all the suspects and walks the viewer through his deductive reasoning and then announces who the killer is. As this was the third sequel it is plain to see the basic formula that is present in all the THIN MAN films. It, by this film, had become about as complex as a color by numbers coloring book. Little imagination but still fun to do. I would rank this my fourth favorite of the six THIN MAN FILMS.

When the creators of the original 'The Thin Man' film released their hilarious movie back in 1934, they could never have realised what a successful formula they were using! Produced seven years later, using basically the same ingredients as the original, the fourth edition to the six-part series – 'Shadow of the Thin Man' – still feels as fresh and witty as ever, even surpassing its direct predecessor in terms of wit and mystery. Just as in'Another Thin Man,' there is perhaps a little more murder-mystery and a little less comedy in this installment, but this was a necessary decision in order to reach a fine balance, since, as we know from most comedic sequels, some jokes can get old pretty fast. Fortunately, of course, this is not the case for these movies, and 'Shadow of the Thin Man' still packs a deadly punch, perhaps due to the flawless chemistry of its leads and the return, once again, of the original director, W.S. Van Dyke (credited here as Maj. W.S. Van Dyke II), just two years before his suicide.

A few years after the previous film left off, Nick and Nora Charles (William Powell and Myrna Loy) are living happily with their growing son, Nick Jr. (young Richard "Dickie" Hall, in his debut). Nick suddenly becomes involved in a murder investigation when the dead body of a corrupt jockey is found in the showers at the racetrack. The murders don't stop there, either, and there is a range of suspicious and nefarious characters who could have orchestrated the deaths. With his ultra-enthusiastic wife at his heels, and the playful Asta the dog by his side, Nick must get to the root of the mystery before a good friend of his, newspaper reporter, Paul (Barry Nelson, also in his debut), is convicted of murder. Rounding out a decent supporting cast are Donna Reed (in only her second film, and five years prior to Frank Capra's 'It's A Wonderful Life'), Sam Levene (reprising his role as the incompetent Lieutenant Abrams), Alan Baxter, Henry O'Neill, Stella Adler, Loring Smith, Joseph Anthony and Lou Lubin.

It is Nick Charles' philosophy that if you lock a bunch of murder suspects in the same room, eventually somebody like slip up and give themselves away. Once again, this law proves the villain's ultimate undoing, and I'll confess that never in a million years would I have suspected the actual murderer! The screenplay was written by Irving Brecher and Harry Kurnitz, both new to the franchise, and the murder-plot is noticeably less twisted and convoluted than previously, allowing for enjoyable viewing that doesn't require the viewer to strain their mind quite so much. Nonetheless, it is always fascinating to see how all the pieces fall neatly into place, and how one seemingly-minor clue can prove the most significant evidence of all.

Though present only during the early part of the film, young Nick Jr. – at about four years of age – allows for some excellent comedic gags. The film opens with Nick Charles and his son walking through the park, with the former offering to recite a fantastic fairy-tale that's never been heard before, only to clumsily make one up based on the horse-racing schedule he's reading. In order to coax Nick back to the house for a meal, Myrna begins using the cocktail shaker, prompting her husband – far, far away – to suddenly decide: "Nicky, something tells me that something important is happening somewhere and I think we should be there." Another particularly entertaining sequence involves Asta the dog, and how he single-handedly initiates a heated brawl between every single patron of a restaurant. Despite this being their fourth "Thin Man" mystery together, the chemistry between the two leads remains incredibly potent, and I can't help looking forward to their next great adventure.