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IMDbPro

Ho sognato un angelo

Titolo originale: Penny Serenade
  • 1941
  • Approved
  • 1h 59min
VALUTAZIONE IMDb
7,1/10
8561
LA TUA VALUTAZIONE
Cary Grant and Irene Dunne in Ho sognato un angelo (1941)
DrammaRomanticismo

I grandi sogni di una coppia lasciano il posto a una vita piena di tristezza inaspettata e gioia inaspettata.I grandi sogni di una coppia lasciano il posto a una vita piena di tristezza inaspettata e gioia inaspettata.I grandi sogni di una coppia lasciano il posto a una vita piena di tristezza inaspettata e gioia inaspettata.

  • Regia
    • George Stevens
  • Sceneggiatura
    • Morrie Ryskind
    • Martha Cheavens
  • Star
    • Cary Grant
    • Irene Dunne
    • Beulah Bondi
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    8561
    LA TUA VALUTAZIONE
    • Regia
      • George Stevens
    • Sceneggiatura
      • Morrie Ryskind
      • Martha Cheavens
    • Star
      • Cary Grant
      • Irene Dunne
      • Beulah Bondi
    • 134Recensioni degli utenti
    • 35Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 2 vittorie e 2 candidature totali

    Foto88

    Visualizza poster
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    + 80
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    Interpreti principali53

    Modifica
    Cary Grant
    Cary Grant
    • Roger Adams
    Irene Dunne
    Irene Dunne
    • Julie Gardiner
    Beulah Bondi
    Beulah Bondi
    • Miss Oliver
    Edgar Buchanan
    Edgar Buchanan
    • Applejack
    Ann Doran
    Ann Doran
    • Dotty
    Eva Lee Kuney
    • Trina (at the Age of 6 Years)
    Leonard Willey
    • Doctor Hartley
    Wallis Clark
    Wallis Clark
    • Judge
    Walter Soderling
    Walter Soderling
    • Billings
    Jane Biffle
    • Trina (at the Age of 1 Year)
    • (as Baby Biffle)
    Dorothy Adams
    Dorothy Adams
    • Mother in Stalled Car
    • (non citato nei titoli originali)
    Billy Bevan
    Billy Bevan
    • McDougal
    • (non citato nei titoli originali)
    Mary Bovard
    • Girl
    • (non citato nei titoli originali)
    Lynton Brent
    Lynton Brent
    • Reporter
    • (non citato nei titoli originali)
    Stanley Brown
    Stanley Brown
    • Man
    • (non citato nei titoli originali)
    Albert Butterfield
    • Boy
    • (non citato nei titoli originali)
    Chuck Callahan
    • New Year's Party Drunk
    • (non citato nei titoli originali)
    Nell Craig
    Nell Craig
    • Miss Morgan
    • (non citato nei titoli originali)
    • Regia
      • George Stevens
    • Sceneggiatura
      • Morrie Ryskind
      • Martha Cheavens
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti134

    7,18.5K
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    Recensioni in evidenza

    9TheLittleSongbird

    Heartfelt serenade

    It is hard not to want to see, well in my case it was actually re-watch (liked it a lot on first watch, but wanted to see it again after years), 'Penny Serenade' with a cast this good, having in particular loved many of Irene Dunne and Cary Grant's performances. Also have liked to loved some of George Stevens' other films, particularly 'Shane', 'Swing Time' and 'A Place in the Sun'. With all that in mind, it was also hard to not have high expectations before and while watching, and was really hoping it would be good considering what it had going for it having seen a fair share of frustrating potential wastes.

    'Penny Serenade' was luckily not one of those potential wastes, and the reasons as to why it was seen (cast, director, premise) weren't squandered either. Found it to be a great film that was even better than remembered, with genuine emotional impact and immense likeability. Also thought that mostly it avoided the traps that it easily could have fallen into, considering the type of film (essentially a melodrama, not an easy type of film to nail) it was. A type of film that can be done well, and has been done well numerous times, but has a good deal of dangers evidenced by just as many films falling into those traps.

    Maybe 'Penny Serenade' moves too slowly at first, it doesn't find its momentum straight away.

    The ending also felt a bit too pat and tacked on.

    However, 'Penny Serenade' is very nicely shot and looks like it was made with care and love. Stevens directs with expert control, mostly keeping the story engaging, getting the best out of his cast and stopping the story from going over-the-top on the sentimentality, doing all of this with ease. The music is lovely to listen to and didn't ever find the placement questionable, a good thing seeing as music is a very important thing to talk about when reviewing for me and can find how the music is placed as important as the music itself.

    Script is thought-provoking and warm-hearted, with the highlight being Grant's big speech that really brought a lump to my throat. Once it gets going, the story is charming and engaging more often than not, with also a relatability factor that's inspiring yet wrenching the gut worthy, but it's the emotional impact that makes 'Penny Serenade' memorable. This is genuinely poignant stuff without being sentimental-heavy, and it is very difficult to not clutch at your heart or reach for the tissues watching the film.

    Furthermore, the characters are ones investing in and relating to and brought to life by the note-perfect cast. Dunne radiates class and Beulah Bondi and especially Edgar Buchannan provide sympathetic and knowing support, but it's a superb Grant at his most heartfelt who sticks out the most. He and Dunne's chemistry is beautifully tender.

    All in all, slow start but well worth sticking with, because up until the ending it is a beautiful film. 9/10 Bethany Cox
    10Paculliton

    Great watch on a rainy day

    I just love this sweet old movie. Cary Grant is gorgeous, Irene Dunne beautiful, Edgar Buchanan a lovable old codger. A story about falling in love and the deep inner desire to build a family with the one you love -- and the challenges and sadness that can be as great, but never really greater, than the happiness and fulfillment it brings.

    Falling in love, best friends, career challenges, pregnancy, miscarriage, infertility, adoption, death, divorce... it's all covered in this one sweet little movie. And it's all told in a way that reminds us all how important music is as it sets the soundtrack to our lives.

    This is a wonderful movie. It may not be Citizen Kane -- but it is definitely worthy of your time.
    blissfilm

    A Beauty

    One of the best films made. 1941 was a phenomenal year, not least for this film and Grant's marvelous performance. Call it melodrama, but it's the stuff of life, heartbreak and love and helpless vulnerability. How unfashionable.

    I could watch Edgar Buchanan wash that baby a thousand times. Find me one actor with enough life experience today to do that scene. Just one.

    Independent films today often seem to strive to make the point that human drama is about the struggles and relationships of private life. We call it "sentiment" when studios made films about this sort of drama and what's ultimately important on the most private level.
    9misslv80

    Unusual, but sad story

    Cary Grant plays a newspaper reporter who falls in love and marries Irene Dunne, whom he meets at a record store. While abroad in Japan, tragedy strikes for the couple, which sets the course for the story. It really is a simple story about how a married couple long for having a home and a family of their own. Grant surprised me with his family man role, quite different from the sophisticated characters he played later on in his career. His monologue during the adoption hearing was one of the best scenes in the whole movie and very well done. Irene Dunne was great in her role as his wife. The little girl who plays their daughter was too cute for words. It was also an interesting insight into how a couple struggles to raise their first child, which is something many people can relate to, no matter what the time period. It was also interesting the way Dunne went through all the flashback scenes in the movie by playing records that reminded her of their life together. Beulah Bondi (who played George Bailey's mother from It's A Wonderful Life) has a great supporting role as the head of the adoption agency who has doubts about the couple at first, but then grows to care a great deal for them. The ending was a complete surprise. If you like Cary Grant or old Hollywood movies, this is something different. Sad, but sentimental. Recommended.
    Snow Leopard

    A Generally Effective Bittersweet Story

    With sympathetic main characters and an approach that is usually understated enough to avoid over-sentimentality, this bittersweet story works reasonably well most of the time. Irene Dunne plays this kind of role well, handling a wide range of material while keeping her emotions and reactions restrained enough to be believable. Cary Grant is better than one might expect him to be in this kind of role. It's possible that Edgar Buchanan's performance might be the most important of all in holding it together, since he is ideal in providing some down-to-earth balance, whether his character is repairing printing presses or giving the young couple some tips on taking care of their baby.

    Director George Stevens does a good job with the pacing, and the story-framing technique with the various songs works pretty well. While there may be a few moments when the sentimentality gets dangerously high, most of the time it remains balanced, and certainly more so than is the case with present-day movies of this kind. It's far from flawless, but it is generally effective in telling the kind of story that takes a combination of sensitivity and restraint to tell believably.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Cary Grant, one of the cinema's greatest comedic actors, was only ever nominated twice for an Academy Award for Best Actor, in both instances for lesser-known dramatic roles. This was one of them, followed three years later by Il ribelle (1944).
    • Blooper
      The dress Julie wears at the beginning of playing the records is not the same dress she is wearing when she is playing the last record. This is because she changed into a different dress as well as coat while she is packing to leave and left the record playing.
    • Citazioni

      Judge: [Judge firmly addressing two unseen attorneys] I'll give you an opportunity to better prepare your facts.

      Man: [Hands Judge some papers] Adoption proceedings, the Adams case.

      Judge: What?

      Man: The Adams case.

      Judge: [Looks disturbed] Oh yes, yes. Uh...

      [turns back to attorneys]

      Judge: if either one or both of you gentlemen conduct yourselves like you've been doing today I'll hold you in contempt, the both of ya!

      Judge: [Walks into chambers, sees Roger, Miss Oliver, and the baby all seated. Sits at desk] Uh, oh this is the child in question. Ahem, let me see. Yes, I recall looking over these adoption papers. I see you have no income at present.

      [Looks at Roger]

      Judge: Is that correct?

      Roger Adams: Yes your Honor.

      Judge: Now what is this Miss Oliver? You know this case should never have come before me.

      Miss Oliver: Well your Honor I feel that this is a special case. I kept hoping until the last minute Mr. Adams might be able to resume the operation of his paper or get a job. But unfortunately he hasn't been able to do either, so i thought...

      Judge: Under these conditions I can't grant the adoption. This child will have to revert to the orphanage.

      [Gestures to Roger]

      Judge: Will you draw up a chair please while I prepare these release papers for you to sign? Just a matter of routine.

      Roger Adams: If you please your Honor, it can't just be a matter of routine for people to have their baby taken away from them. This child is ours Judge...

      Judge: [Interrupting] Those are the requirements of the law.

      Roger Adams: Yes but you see we've had her since she was six weeks old. It just doesn't seem reasonable to give her back to-to-to strangers.

      Judge: Mr. Adams, you're not here to plead your case. You've had the regular opportunity to prove your fitness to provide.

      Roger Adams: We are *fit* Judge if you just look at the record.

      Judge: Without any income I have no alternative. Didn't you make that clear Miss Oliver?

      Miss Oliver: Yes your Honor I did, but I thought...

      Judge: [Firmly] I'm sorry but that is the law.

      Roger Adams: Look your Honor, she's not like an automobile or an icebox or a piece of furniture or something you buy on time and when you can't give up the payments they take it away from you!

      [Baby starts to cry]

      Roger Adams: Now sit still and be a good girl. Anyone could give up those kinds of things, but I ask you Judge how can you give up your own child? And she is our child just as much as if she'd been born to us!

      [Baby continues crying]

      Roger Adams: Now, now, Daddy's not going to go away.

      [Baby stops crying and smiles]

      Roger Adams: Look Judge, we've had her over a year now. Why we-we walked the floor with her when she had the colic. We've lost nights of sleep worrying every time she cut a tooth. We've gone through everything, everything real parents have with one of their own. Ask Miss Oliver here about the inspections we've had to have. Her-her weight charts, her vaccination certificates, h-her toys, her toothbrush! How many parents could keep one of their own and

      [voice cracks]

      Roger Adams: go through that? And you sit here and say it's a matter of routine for you to take her away from us.

      Miss Oliver: Please! Mr. Adams...

      Roger Adams: I'm sorry Judge, but we weren't as fortunate as most people. We would've had one of our own only-only... well you don't know how badly my wife wanted a child. It wasn't so important to me. I-I don't know, I suppose most men are like this but children never meant a great deal to me. Oh I liked them alright I suppose, but well what I'm trying to say is your Honor the first time I saw her... she looked so little and helpless. I didn't know babies were so-so little. And then she took a-hold of my finger and I held onto it. She-she just sort of walked into my heart Judge

      [begins to cry]

      Roger Adams: and-and she was there to stay. I didn't know I could feel like that! I'd always been well, kind of careless and irresponsible. I wanted to be a big shot. And I couldn't work for anybody, I had to be my own boss, that sort of thing. Now here I am standing in front of a judge pleading for just a little longer so that I can prove to you I can support a little child that doesn't weigh quite twenty pounds. It's not only for my wife and me I'm asking you to let us keep her Judge, it's for her sake too. She doesn't know any parents but us.

      [starts sobbing]

      Roger Adams: She wouldn't know what'd happened to her. You see there's so many little things about her that nobody would understand her the way Judy and I do. We love her Judge, please don't take her away from us. Look, I'm not a big shot now, I-I'll do anything, I'll work for anybody.

      [Starts to break down]

      Roger Adams: I-I'll beg, I'll borrow, I-I'll... please Judge I'll sell anything I've got until I get going again. And she'll never go hungry, she'll never be without clothes not so long as I've got two good hands so help me!

      [Camera fades out as Judge, Roger, and Miss Oliver all ponder what has just been said]

    • Versioni alternative
      Also shown in computer-colored version.
    • Connessioni
      Edited into Conosci il tuo nemico - Giappone (1945)
    • Colonne sonore
      You Were Meant for Me
      (1929) (uncredited)

      Music by Nacio Herb Brown

      Lyrics by Arthur Freed

      Played on a record and sung by Johnny Johnston four times

      Played as background music often

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    Dettagli

    Modifica
    • Data di uscita
      • 29 ottobre 1946 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Giapponese
    • Celebre anche come
      • La canción del recuerdo
    • Luoghi delle riprese
      • Columbia/Sunset Gower Studios - 1438 N. Gower Street, Hollywood, Los Angeles, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Columbia Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 59min(119 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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