I diplomaniaci

Not that I've seen them all, but considering the sorry comic quality of the many W&W films that I have seen, I'm personally delighted with this one and consider it their best. And most likely the scripting from Mankiewicz and Myers is the reason. They'd written the wacky insanity known as "Million Dollar Legs" (W.C. Fields) just before and kept up the same level of lunacy when they put this one together. A good thing because the loopy script provides W & W with plenty of funny moments removed from their usual stale vaudeville banter. The story itself is, like 'Million Dollar Legs,' almost indescribable. It's basically W&W as barbers on an Indian reservation(!) who end up going to the Geneva peace conference on behalf of the Indian tribe, with all manner of insane nonsense happening along the way. This nonsense includes: an Indian who speaks with an Oxford accent; arrows that fly in and out of the action from nowhere; a valet who exits out of a porthole instead of the door; Hugh Herbert playing a Chinese conspirator(!); people speaking and singing in pig Latin; Woolsey kissing a woman who swallows his smoking cigar; Edgar Kennedy playing the leader at the peace conference but wielding a tommygun; and a bomb exploding that transforms the cast into black-faced minstrels. Compared to their usual routinely handled and written comedies, this one is from another planet. It's a welcome place, and full of laughs.

"Diplomaniacs" certainly lives up to its daft title and this movie probably was one of the silliest of the Wheeler and Woolsey collaborations in the 1930s. The boys find themselves this time uprooted from their Indian reservation barber's shop (where the Indians don't need shaving and only ever seem to say 'oompah', that is, except the Chief who went to Oxford), and sent to stop all wars at the Geneva Peace Conference.

Cue a swipe at every possible stereotype concerning the various peoples and countries of the world, from the Chinaman who wants to return to his wife, who he hates; to the Swiss national costume (don't ask), and even a number, 'No More War', in blackface! And Robert Woolsey even surfaces from sleep with a cigar; the guy must have gone through hundreds of them...

The songs, more of them than usual for one of their movies, are high points amongst the bizarre plot (including one sequence where Bert Wheeler recreates his old vaudeville act with 'Annie Laurie'). In support, Phyllis Barry is a hoot as smoke-breathing siren Fifi, while Marjorie White sizzles as Bert's violent love interest (brilliant number for them in 'Sing to Me'). Louis Calhern and Hugh Herbert also appear.

I know that this movie in particular annoys some commentators who see it as politically incorrect, but viewed in the context of the time, and accepting its mischevious spirit, it has enough good points to keep it watchable today. An excellent comedy classic!

"Diplomaniacs" is a funny, uneven and very politically incorrect film. It also happens to be one of Wheeler & Woolsey's better movies. It's also very, very unusual in many ways. There's even more singing than usual, cute Dorothy Lee (who is in nearly every one of the boys' films) isn't in this one, and it has a very, very dark ending...surprisingly dark for a comedy.

The story begins with the pair lamenting their opening up a barber shop on American Indian land. The natives don't have beards and don't need their services...but they do, for some inexplicable reason, want Willy and Hercules (Wheeler & Woolsey) to represent them at the Geneva peace conference. After all, they wonder why the Indian nation isn't being represented and they want peace. However, a baddie (Louis Calhern) is bent on preventing the pair from addressing the conference, as he wants war...though they never really say why!

The film is, like "Duck Soup" from the Marx Brothers (which debuted a few months later), a film that is actually deadly serious. It makes fun of the peace conferences of the day because they pointed out that these conferences really achieved nothing to protect mankind...and the film even ends on a very, very dark note. In many ways, it's very intelligent in addressing this YET it also is very dopey and filled with tons of jokes...many of which fall a bit bit flat. It's also very unusual in that the film's dialog is often sung. Overall, a good film that occasionally misses the mark...but also often succeeds.

By the way, I need to address the proverbial elephant in the room with this film. It is filled with politically incorrect stuff that will horrify some viewers. Hugh Herbert plays a Chinese man, the American Indian tribesmen are walking stereotypes and are ridiculous...and the final scene at the peace conference is a giant black-face number!! It is offensive....a product of its times, of course! But, all in all, I still enjoyed it in spite of everything....but you should be forewarned.

Wheeler and Woolsey made a ton of these silly, ridiculous films in the early 1930s. SOoooo many one liners... two liners. typical wheeler and woolsey puns and jokes. They have set up shop near an indian reservation, and get caught up in the politics -- the tribe wants to be part of the Geneva convention, so they get Willy and Hercules (Wheeler and Woolsey) to help them out. There are a bunch of (very okay) song and dance numbers in here, and some special effects as well. This was a typical Wheeler and Woolsey film, with quick comedy bits, and all over in about an hour. Vaudeville funny guy Hugh Herbert is also in here as "the chinaman". Fast talkin, jokes and slapstick falls. Fun, light fluffy stuff, if you don't take it too seriously. Woolsey died quite young, but Wheeler carried on. warning -- right near the end, there's a minstrel show, where everyone wears blackface, but it was a real part of entertainment history, so i guess that's why we don't see this film too often. and there actually WAS a Geneva convention discussion on war and treatment of prisoners in 1929. Directed by William Seiter, and written by Joseph Mankowicz. Pretty good. some fun jokes, and a tidbit of actual history.

"Diplomaniacs" is not one of their best movies, but it still has one of the best comedy teams of early Hollywood. As always, the plot is not the main focus of the film; just wait for the boys to throw off one-liners and to work out some wacky situations.

Now, this was 1933 and some of their gags and jokes are old and have been done over and over, but it's special for their fans when it comes from these two. And some of the material would have to be reworked for modern audiences. Some would find some of the situations dated or offensive, this being 2018. But fans of Wheeler and Woolsey will not be disappointed - they're still funny.

6/10 - Website no longer prints my star ratings.