Aggiungi una trama nella tua linguaAn ambitious mechanic is tempted to desert his wonderful girlfriend when a silly but rich debutante falls for him.An ambitious mechanic is tempted to desert his wonderful girlfriend when a silly but rich debutante falls for him.An ambitious mechanic is tempted to desert his wonderful girlfriend when a silly but rich debutante falls for him.
- Regia
- Sceneggiatura
- Star
Marian Nixon
- Glory Franklyn
- (as Marion Nixon)
Herman Bing
- Franklyn's Chauffeur
- (non citato nei titoli originali)
Harry Bowen
- First Reporter
- (non citato nei titoli originali)
Stephen Chase
- Betty's Escort
- (non citato nei titoli originali)
Helen Freeman
- Franklyn's Guest
- (non citato nei titoli originali)
Betty Furness
- Betty
- (non citato nei titoli originali)
Thelma Hardwick
- Miss Bruce
- (non citato nei titoli originali)
Dennis Morgan
- Party Guest
- (non citato nei titoli originali)
Nancy Shubert
- Girl
- (non citato nei titoli originali)
Recensioni in evidenza
CHANCE AT HEAVEN is a fairly low-key soaper even though near the end it makes some rather startling precode plot turns. Ginger Rogers stars as Marge, a small-town girl who has been a quasi-fiancée to gas station owner Blacky Gorman (Joel McCrea) for two years but he takes her so much for granted you would think they'd been married for decades. Although set in a small town, both of them are quite comfortable financially (Marge's dad owns a store we never see). "Practical" Blacky wants to wait however until he gets a chain of gas stations going before he takes a wife though one has to wonder how much of their engagement is merely Marge's presumption given his rather non-romantic friendship with her. Suddenly another woman enters the picture when New York heiress "Glory" Franklyn (Marian Nixon) and her socialite mother purchase a large estate in the area apparently as a summer home. Blacky is immediately bewitched by this new scenery despite his denials to Marge although this new face is a blatantly shallow and frivolous coquette. Glory awakens a passion in Blacky that true-hearted, sensible Marge really hasn't done and they quickly become an item, with Marge good-naturedly (if incredibly) pulling herself out of the race and wishing them the best.
The couple elopes and Mrs. Franklyn reaches for the smelling salts, horrified that her daughter has married down. Glory attempts to step into the new role as small town wife of a small business owner but she is as dependent on new friend Marge (still hanging in there as a buddy) now as much as she was on her mother in her past life. Eventually Glory becomes pregnant and the news is not especially welcomed by this little shallow flirt who knows Mother will be an even harder role than Wife. Mrs. Franklyn takes her back to New York supposedly for a short rest but as the months past, Blacky begins to wonder just when she is going to return.
Ginger Rogers and Joel McCrea are two very appealing players and do what they can with this story although it's hard to have much sympathy for "nice guy" Blacky when he's been so inconsiderate throughout the picture to Marge, who despite being his "girl" for the first part of the film he treats with little more passion than a buddy. Marge, on the other hand, seems to be a male fantasy of the era, perfect, devoted, and always there no matter what kind of crud you throw at her and it is a bit disheartening to see the delicious spitfire that is Ginger Rogers restrained to this level. Marian Nixon was a fairly popular starlet/second tier star of the era, a minor rival to Janet Gaynor at Fox Films, but here she is miscast as a flighty flirt although she is quite credible in capturing her character's shallowness. Acting honors that are here may belong to character actress Virginia Hammond as Nixon's control freak of a mother.
The couple elopes and Mrs. Franklyn reaches for the smelling salts, horrified that her daughter has married down. Glory attempts to step into the new role as small town wife of a small business owner but she is as dependent on new friend Marge (still hanging in there as a buddy) now as much as she was on her mother in her past life. Eventually Glory becomes pregnant and the news is not especially welcomed by this little shallow flirt who knows Mother will be an even harder role than Wife. Mrs. Franklyn takes her back to New York supposedly for a short rest but as the months past, Blacky begins to wonder just when she is going to return.
Ginger Rogers and Joel McCrea are two very appealing players and do what they can with this story although it's hard to have much sympathy for "nice guy" Blacky when he's been so inconsiderate throughout the picture to Marge, who despite being his "girl" for the first part of the film he treats with little more passion than a buddy. Marge, on the other hand, seems to be a male fantasy of the era, perfect, devoted, and always there no matter what kind of crud you throw at her and it is a bit disheartening to see the delicious spitfire that is Ginger Rogers restrained to this level. Marian Nixon was a fairly popular starlet/second tier star of the era, a minor rival to Janet Gaynor at Fox Films, but here she is miscast as a flighty flirt although she is quite credible in capturing her character's shallowness. Acting honors that are here may belong to character actress Virginia Hammond as Nixon's control freak of a mother.
Blacky Gorman (Joel McCrea) owns a gas station in Silver Beach, Massachusetts which is a resort town for the rich. He plans to marry his girlfriend Marge Harris (Ginger Rogers) and buy more gas stations. Rich careless driver Glory Franklyn (Marian Nixon) is new in town. She befriends Marge. She flirts with Blacky and comes between the couple.
I'm not enamored with the couple but I don't want them to split up either. I don't ship anybody in particular in the movie and that's a problem. I'm not actually rooting for any actual outcome. I just become a passenger. There is a home makeover and sister wives situation. Non of it is that compelling. Also somebody needs to stop that guy's annoyingly fake laughing. I don't care that much about the ending going one way or the other.
I'm not enamored with the couple but I don't want them to split up either. I don't ship anybody in particular in the movie and that's a problem. I'm not actually rooting for any actual outcome. I just become a passenger. There is a home makeover and sister wives situation. Non of it is that compelling. Also somebody needs to stop that guy's annoyingly fake laughing. I don't care that much about the ending going one way or the other.
A small-town mechanic (Joel McCrea) leaves his girlfriend (Ginger Rogers) for an heiress (Marian Nixon).
An early role for Ginger, Chance at Heaven is an enjoyable little bauble, coming in at just over 70 minutes. Ginger doesn't get much to do, but is very good as always, while Joel McCrea is a competent leading man. Marian Nixon is good as the heiress; however, her character is so scatterbrained it makes Carole Lombard in My Man Godfrey look like Einstein!
The film itself is a little depressing, and it's hard to sympathize with McCrea because his character is such a sap. There's also a thinly veiled reference to abortion, one of the worst screen mothers in history and Andy Devine as McCrea's friend. Overall, it's nothing very memorable, but it's enjoyable.
An early role for Ginger, Chance at Heaven is an enjoyable little bauble, coming in at just over 70 minutes. Ginger doesn't get much to do, but is very good as always, while Joel McCrea is a competent leading man. Marian Nixon is good as the heiress; however, her character is so scatterbrained it makes Carole Lombard in My Man Godfrey look like Einstein!
The film itself is a little depressing, and it's hard to sympathize with McCrea because his character is such a sap. There's also a thinly veiled reference to abortion, one of the worst screen mothers in history and Andy Devine as McCrea's friend. Overall, it's nothing very memorable, but it's enjoyable.
Chance at Heaven is a 71 minute shortie from RKO with Marge ( Ginger Rogers) and Blacky (Joel McCrae), as the young locals in love. Rogers made all those dance flicks with Fred Astaire, while McCrae is mostly known for his Westerns. These two would also make Primrose Path together in 1940. Blacky runs a gas station, and flirts with Marge, planning the future, at least until Glory (Marian Nixon)comes along, then the showdown begins.....Look for Andy Devine and his raspy voice as the slightly slow but love-able co-worker. He's along for the comedy. Too bad they didn't give him a few more lines - he could have zinged things up a little more. The girls are remarkably cordial to each other, in light of the situation. They sure cram a lot into 71 minutes, dealing with some heavy issues for 1933. The Hays film code would start being enforced the next year, 1934. Fun film, with a serious plot of love between the classes, plus some comedy on the side for seasoning.
Neither Joel McCrea or Ginger Rogers was particularly fond of Chance At Heaven where nobility borders on the idiotic. They would have to wait until Primrose Path to get a decent film together.
Good natured Joel is a garage mechanic and even in the Depression folks have to get their cars repaired. So he's making a good living and he and Ginger Rogers are planning to marry. But along comes heiress Marian Nixon and she sees sweaty Joel repair her car, she eyes him like a slab of beefcake.
Before you know it they're married and the heiress who tries everything for a lark, decides to settle down and be a simple domestic housewife.
Meanwhile Ginger who should have whacked Marian upside the head with a two by four is positively saintly in her approach. Positively saintly and positively ridiculous.
Everybody involved has certainly done better. Make sure to see Primrose Path for a good film with the leads.
Good natured Joel is a garage mechanic and even in the Depression folks have to get their cars repaired. So he's making a good living and he and Ginger Rogers are planning to marry. But along comes heiress Marian Nixon and she sees sweaty Joel repair her car, she eyes him like a slab of beefcake.
Before you know it they're married and the heiress who tries everything for a lark, decides to settle down and be a simple domestic housewife.
Meanwhile Ginger who should have whacked Marian upside the head with a two by four is positively saintly in her approach. Positively saintly and positively ridiculous.
Everybody involved has certainly done better. Make sure to see Primrose Path for a good film with the leads.
Lo sapevi?
- QuizOne joke needs explanation. When Joel McCrea brings his bride to their new house, he says that it's all theirs: "No plaster!" She says, "Oh, that's all right, dear. We can have it put on later." In contemporary slang, a plaster was a mortgage.
- Citazioni
Blacky Gorman: Funny how a good kick in the pants will make a guy's head work.
- Colonne sonoreLondon Bridge is Falling Down
(uncredited)
Traditional
Sung a cappella by Ginger Rogers and Joel McCrea
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- Tres corazones en juego
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 11 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Chance at Heaven (1933) officially released in India in English?
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