Spavalderia

Culled from the real life exploits of Chuck Connors and Steve Brodie in 1890s New York, "The Bowery" is high energy and good natured.

But be warned: Casual racial epithets flow off the tongues of Wallace Beery and little Jackie Cooper. The very first shot might be startling. This is true to the time it was set and the time it was made. And it also speaks to the diversity of population in that neck of the woods. It certainly adds to the gritty flavor of the atmosphere.

Beery as Connors is the blustering thunder at the center of the action, a loud-mouth saloon keeper with his own fire brigade. And he has a soft spot for ornery orphan Cooper. Raft as Brodie is Connors' slicker, better looking rival in almost every endeavor. Brodie could never turn down a dare and loved attention, leading up to a jump off the Brooklyn Bridge (it is still debated whether he actually jumped or used a dummy).

Beery is as bombastic as ever with a put-on Irish-American accent. He is just the gruff sort of character to draw children, cats and ladies in distress. This is possibly the most boisterous character Raft ever played, and he even gets to throw in a little dancing (as well as a show of leg). And again he mistakes the leading lady (lovely Fay Wray) for a prostitute. Cooper is as tough as either of them, though he gets a chance to turn on the tears.

The highlight isn't the jump off the bridge but a no-holds-barred fistfight between Connors and Brodie that in closeup looks like a real brawl between the principals. It's sure someone bruised more than an ego.

In Brooklyn a century ago, the rivalry between Chuck Connors and Steve Brodie and their competing volunteer fire brigades leads to Brodie's famous bet that he can jump off the Brooklyn Bridge. This is a story which will be familiar to a lot of people through a Bugs Bunny spoof, "Bowery Bugs" from 1949.

This generally very enjoyable film would probably be more widely available if it were not for the notorious and unsettling scene involving some Chinese tenement dwellers -- a time capsule of antediluvian racial attitudes, giving the film a great deal of historical interest, in my view.

I love this freekin movie! Walsh is a true master of the cinematic form, his film have been sometimes in my opinion, overlooked. But this film is a favourite of mine because it really gives you the feel of the time the film was set in.\

All the wonderful characters that existed, the lifestyle, the mode of dress, the way they spoke, OK they might be exaggerated, but it is good to know that there were occasion when two men tried to outdo each other with insane stunts.

I just felt it was apiece of history thats should be wathced by many people and appreciated because of that fact.

Can I get it somewhere on DVD? I have only seen it on TV. But for anyone wanting a slice of life movie about that period of time this is the perfect one.

High energy Raoul Walsh classic from 1933, The Bowery places saloon owner and operator Wallace Beery against bitter rival and dandy, George Raft, with adopted street kid Jackie Cooper and good looking Faye Wray in roles that play in between their big rivalry. It's not clear exactly what the rivalry is all about, but everyone follows it in the daily tabloids. Plenty of wisecracks at the beginning, but the characters soften up as the film progresses. Apart from that is the sheer exuberance of the scenes in Beery's saloon. The various characters, sexy chorus line, lots of drinking, a perfect creation of a den of iniquity not too refrained by so-called pre-code restrictions, and then later come the Carrie Nations led by Carrie Nation herself. It all creates a very vivid picture of a life that's long gone. I don't like to compare eras, but this film is completely and totally different from anything one would see today. The film has plenty of heart and long lost innocence and is absolutlely a must see.

Four words account for why this film was made - "She Done Him Wrong". The huge commercial success of that Mae West vehicle convinced the studio brass that Gay '90s melodramas were a viable proposition. Here we are rewarded with a fast moving, well written romp which neatly targets the personalities of its stars.

Wallace Beery and George Raft are excellent as friendly rivals; Jackie Cooper is a little harder to take, but it is Fay Wray who steals the film with her stock-in-trade damsel in distress. With a strong director - as Walsh proves himself to be - Wray could carry a lot of punch, and she is utterly believable as the object of both Raft and Beery's affection.

Lots of atmosphere, beautifully designed, this is a forgotten film worthy of revival.