Beer and Pretzels

This is the second Three Stooges short and it's obvious that MGM Studios had no idea what to do with the boys. Part of this confusion may have been because the Stooges still were not the same lovable team we have all come to know. Instead, they were essentially the vaudeville team of Ted Healy and His Stooges--with the obnoxious and totally untalented and unlikable Healy as the front man. In real life, Healy was an alcoholic and bitter man and his 'Stooges' resented his taking the lion's share of the money and headlining the act--they also resented his treatment of them. Incidentally, shortly after the three left this team, Healy was beaten to death in a bar fight.

As for this short, it has some lovely Stooge moments but unfortunately there is also LOTS and LOTS of singing and dancing--little of which was done by the Stooges. Because of this, the short is very frustrating to most Stooge fans, though die-hard fans and film historians would no doubt find this interesting.

WHEN ONE HAS been used to having his Stooges movies served up in the tradition of the Columbia Pictures variety, viewing these MGM Ted Healy and the 3 Stooges shorts presents one with a certain set of problems. Essentially we have a sort of 'Time Machine' in which we are able to view others at an earlier state of development; heretofore being an unknown commodity.

THE ONLY OTHER experience that we can site that would compare relates to our two then grade school daughters first viewing of a classic 1940's film. On a holiday off from school, we screened KNUTE ROCKNE ALL American (Warner Bros., 1940); which starred Pat O'Brien in the title role and a future U.S. President as George Gipp. The girls were indeed taken back with Ronald Reagan's portrayal of "the Gipper"; exclaiming that 'Dutch' looked like a College Boy.

BUT, WE DIGRESS. Getting back to this short, the shock is real when one sees that team boss, Ted Healy, is doing the whacking and hitting. Even Moe is reduced to a submissive human punching bag. Ted's demeanor, body language and fish market voice is most domineering and even annoying. His on screen persona would seem to match that to which he was attributed; being tyrannical, self important and cheap.

THE SCENARIO, SUCH as it is, consists of a basic premise of Ted and the boys being banned from an engagement on a Vaudeville Stage by the theatre manager (Ed Brophy). After we learn that the reason for their difficulties in keeping employment is Healy's eye for the ladies. They then seek employment as Singing Waiters.

THE COMIC MATERIAL is obviously tried and true 'old stuff' that they had done on the Vaudeville and Burlesque stages. Tried and true routines, made for a sort of insurance policy for guaranteeing that the laugh meter is being kept busy.

BECAUSE THE SHORTS were being shot at MGM, there is a lot of infusion of talents that were around that studio. Singers, dancers and a large number of extras; all made for a look of opulence. Added to this, we have the obvious use of some sets that belonged to other productions.

BEER AND PRETZELS surely cannot be rated as a top Stooges movie. But it is certainly a fine example of what can only be described as a work in progress. There would be a long tenure with Producer/Director Jules White over at 'Poverty Row' Columbia. But it would be sans Mr. Ted Healy.

Reason why I said before '46 was because Curly was starting to become ill, and it was sad to see Curly in the shape he was in at that time. Because of that, it made it hard to watch any of those without feeling sad :( But here, we have the early days... the EARLY early days. Alright, so this isn't "The Three Stooges", but as it was usually put "Ted Healy and His Stooges". The humor here seems like a mix of what the stooges would become and a little bit of the biggest contenders at the time, The Marx Brothers. Best bit: proof that if you don't throw salt over your shoulder in time, you'll have bad luck... LOTS of it. Anyway, this is worth a look for ALL stooges fans and you can probably find it on a video or DVD collection for about five dollars... and in the words of Curly, "He's got FIVE DOLLARS!!!!!"

What I'm reviewing here is the second of the M-G-M shorts that starred Ted Healy and His Stooges (Moe, Larry, and Curly, natch), not to mention their female foil, Bonnie Bonnell-once again credited as "Bonny". About the latter, she was inconsistently uneven-performance wise-in the previous short Nertsery Rhymes but here is quite funny doing some of the trips and falls with the boys and later nicely begins a number that segues into three bartenders finishing it. Anyway, Healy, Howard, Fine, and Howard are fired from a vaudeville bill and manage to get hired as waiters at a nearby restaurant. If you know the Stooges, you can guess what happens but not before they do a little entertaining singing of their own. So on that note, Beer and Pretzels is very good as an early Stooge short and is thought of so highly that Moe considered it his favorite of his M-G-M efforts and Leonard Maltin made this the only of those shorts to be shown complete on his "The Lost Stooges" VHS tape from the early '90s. P.S. The theater manager who throws out the boys in the beginning is Edward Brophy who would later play the Stooges' restaurant boss in Swing Parade of 1946.

Beer and Pretzels (1933) was one of the first one screen appearances of the Moe Howard, Larry Fine and Curley Howard line-up. The "brains" behind the trio is Ted Healy. He bullies and punks out his "stooges" as he mack's on women. Curley is thin in his role as the central comic foil of the group. The trio hasn't fine honed their permanent characteristics of the lovable doofs that we have grown to love over the next eleven years.

A strange short. I was a bit shocked to Moe being smacked around by someone else. It felt odd and I wished that Ted Healy would have made a few more shorts with them. But Healy was a complicated individual. I wish someone would make a biographical picture on him. That guy was something else.

Recommended as a curio.