20.000 anni a Sing Sing

One of the best movies from the early era of sound. Both Spencer Tracy and Bette Davis display the wonderful talents that made them legends. In a time when most films were simplistic and performances still laced with pantomime, this movie truly stands out. The script is clever and engaging and director Michael Curtiz displays his vision and prowess in creating one of the first great crime films.

20,000 Years in Sing Sing (1932)

** 1/2 (out of 4)

A tough guy (Spencer Tracy) gets 5-30 in Sing Sing but he thinks the journey will be easy due to his connections on the outside. The Warden (Arthur Byron) eventually reforms the guy but when his girlfriend (Bette Davis) gets injured, the Warden offers the man one night outside the prison if he promises to return the following day. This Michael Curtiz directed prison drama is pretty good, although it really doesn't offer us anything new or original. The story eventually falls apart in the middle section but Tracy and Davis, in their only film together, makes it worth watching.

Great Pre-Code prison flick from Warner Bros. stars Spencer Tracy as an arrogant hoodlum sent to prison where he learns he's not the big shot he thought he was. Gradually he's humbled by a stern but fair warden and we learn he's not such a bad guy after all underneath all that tough talk. Tracy's good in an early role. The fine cast backing him up includes Bette Davis, Louis Calhern, Lyle Talbot, and Arthur Byron. This was the only screen pairing of Tracy and Davis. Bette's likable and pretty here with one nice scene to display her melodramatic acting chops. This might be the first prison movie to use the plot device of a convict being granted 24-hour leave for but doesn't return on time for one reason or another. It would be used in other prison dramas in the years to come. I'm not certain this is the first but I think it might be. It's also notable for having many scenes filmed on location in Sing Sing. It's solid entertainment that any fan of the types of crime dramas WB was known for in the '30s will enjoy.

20,000 Years in Sing Sing is directed by Michael Curtiz and adapted to screenplay by Wilson Mizner, Brown Holmes, Courtney Terrett and Robert Lord from the book written by Warden Lewis E. Lawes. It stars Spencer Tracy, Bette Davis, Lyle Talbot, Arthur Byron, Grant Mitchell and Warren Hymer. Music is by Bernhard Kaun and cinematography by Barney McGill.

Cocksure hoodlum Tom Connors (Tracy) enters Sing Sing Prison and is instantly disrespectful towards those in authority. Could it be that the tough - but compassionate for reform - warden can put Connors on the right road?.

Out of Warner Brothers, this crime/prison melodrama manages to rise above its social conscience heart to become gutsy entertainment. This is due in most part to a committed turn from Tracy, the real location photography, the use of real prisoners for key prison scenes and the sense of realism brought about by the adaption from real life Sing Sing Warden Lawes' literature source. Curtiz manages to keep it from being a torrid "message" movie, even keeping a grim feel to proceedings, though his one failing is not to rein in the sometimes over the top perf from Davis as Tom's love interest moll. 7/10

As I write this, "Shawshank Redemption" is IMDb's number two top movie of all time. I find that absolutely fascinating.

The prison movie isn't quite a genre to itself because the story possibilities vary so. But there is a definite collection of cinematic devices that are used in nearly all of them, only "Silence of the Lambs" excepted that I can recall.

This film may be the first to set that collection of cinematic devices. It has a lame redemption story and quite ineffective acting styles. But the way the story is told in images is masterful. The filmmaker is Michael Curtiz, who you will know as the man who took a B movie and framed it beautifully as "Casablanca."

His is an approach very much like the "graphic novel" trend sweeping across Hollywood right now. Simple compositions, starkly presented to be easy to read. A consistent pulse in the way scenes change. Strict attention to the way the brightness is modulated slowly throughout the thing. And of course within this, some shots of prison life that have since become almost mandatory. (Thank God, that slamming door sound effect hadn't found its way into movies yet.)

So, if you are interested in cinematic storytelling, this is something of a must for you.

Ted's Evaluation -- 3 of 3: Worth watching.