Aggiungi una trama nella tua linguaAfter Rob Russell steals Tim Clark's ranch, Clark starts prospecting for silver.After Rob Russell steals Tim Clark's ranch, Clark starts prospecting for silver.After Rob Russell steals Tim Clark's ranch, Clark starts prospecting for silver.
Rube Dalroy
- Townsman
- (non citato nei titoli originali)
Jack Evans
- Townsman
- (non citato nei titoli originali)
Jack Hendricks
- Barfly
- (non citato nei titoli originali)
Sheik the Horse
- Pal (Tim Clark's Horse)
- (non citato nei titoli originali)
Merrill McCormick
- Green - the Agent
- (non citato nei titoli originali)
Bud Osborne
- Jiggs Tyler
- (non citato nei titoli originali)
Arthur Thalasso
- Jake
- (non citato nei titoli originali)
Recensioni in evidenza
In 1932, the 25 year old John Wayne went down poverty row with the independent production companies. In this film, he developed his fist fight scenarios, adding a bit of humour to his acting as well as drawing out his romantic side.
After losing his ranch to a crooked moneylender, Tim McCoy leaves town to become a silver miner, returning some time later with a plan to save a lady friend's ranch and possibly take back his own, only to become a murder suspect.
Although an enjoyable western with a determined performance by McCoy, this is mainly notable for a supporting role featuring John Wayne, who despite having a few starring turns, isn't given anything to do even though he's second billed!
Third billed Walter Brennan fares much better as a corrupt sheriff's deputy.
Although an enjoyable western with a determined performance by McCoy, this is mainly notable for a supporting role featuring John Wayne, who despite having a few starring turns, isn't given anything to do even though he's second billed!
Third billed Walter Brennan fares much better as a corrupt sheriff's deputy.
Though in the film John Wayne is second billed to star Tim McCoy he actually has very little to do. Wayne is in the unaccustomed role of sidekick.
Wayne and Wallace MacDonald are the last two ranch hands working for Tim McCoy. He's lost is ranch to crooked banker Wheeler Oakman, but being the good boss and friend he is to Wayne and MacDonald he finds them jobs with neighbor and sweetheart Alice Day.
That might be short term employment for Oakman has designs on the ranch and on Day. Those designs on Day ain't covered by the cowboy code.
McCoy goes off prospecting for a couple of years and no sooner is he back than he's framed for an express company holdup and killing resulting from same. The rest of the movie is McCoy's fight to prove his innocence and save Day from a fate worse than death.
Wheeler Oakman seems to be enjoying his role as villain, he's hamming it up in the best Snidely Whiplash tradition. And Day makes a perfect Little Nell.
Tim McCoy, a silent western star, seems to have made the transition to sound easily enough. He's a stern and upright hero who's bound and determined prove his innocence.
Note good performances by Tully Marshall as the father figure sheriff of the area who believes in McCoy and a young Walter Brennan as his less than scrupulous deputy.
My VHS of this film is 58 minutes and I note that the running time is 64 minutes. That might explain some gaps in the story and maybe it was John Wayne who got cut out.
This was the last Columbia movie that John Wayne ever appeared in. It seems as though Harry Cohn thought Wayne was putting the moves on a young starlet who rejected Cohn's advances even though Wayne wasn't involved. But after the Duke became a star and a legend, there wasn't enough money in the world that would get him to appear in a Columbia Studios film.
But realizing this is a B western, it's not the worst one I've ever seen although somehow I doubt we'll ever see a director's cut.
Wayne and Wallace MacDonald are the last two ranch hands working for Tim McCoy. He's lost is ranch to crooked banker Wheeler Oakman, but being the good boss and friend he is to Wayne and MacDonald he finds them jobs with neighbor and sweetheart Alice Day.
That might be short term employment for Oakman has designs on the ranch and on Day. Those designs on Day ain't covered by the cowboy code.
McCoy goes off prospecting for a couple of years and no sooner is he back than he's framed for an express company holdup and killing resulting from same. The rest of the movie is McCoy's fight to prove his innocence and save Day from a fate worse than death.
Wheeler Oakman seems to be enjoying his role as villain, he's hamming it up in the best Snidely Whiplash tradition. And Day makes a perfect Little Nell.
Tim McCoy, a silent western star, seems to have made the transition to sound easily enough. He's a stern and upright hero who's bound and determined prove his innocence.
Note good performances by Tully Marshall as the father figure sheriff of the area who believes in McCoy and a young Walter Brennan as his less than scrupulous deputy.
My VHS of this film is 58 minutes and I note that the running time is 64 minutes. That might explain some gaps in the story and maybe it was John Wayne who got cut out.
This was the last Columbia movie that John Wayne ever appeared in. It seems as though Harry Cohn thought Wayne was putting the moves on a young starlet who rejected Cohn's advances even though Wayne wasn't involved. But after the Duke became a star and a legend, there wasn't enough money in the world that would get him to appear in a Columbia Studios film.
But realizing this is a B western, it's not the worst one I've ever seen although somehow I doubt we'll ever see a director's cut.
This is actually quite a fast-paced little story - thing is, though, the plot has been more crochéd together rather than knitted; and the holes can be a bit annoying at times. The plot is pretty old hat; grasping landowner sets up the hero (Tim McCoy) who has to clear his name to get the ranch and the gal. It has been made on a shoestring, with lots of film run at double speed to accelerate the effects of the frequent horse chases. There are a few, limited, appearances from John Wayne as his amiable sidekick but Alice Day is just plain annoying as the feisty dame and McCoy has all the charisma of a beermat. I love all these 1930s Westerns, and this is no better/worse than many. Kills an hour.
Born and raised on a ranch that he eventually inherits from his dad, "Tim Clark" (Tim McCoy) is despondent over the fact that he has to turn it over to a man named "Bob Russell" (Wheeler Oakman) who reneged on a promise concerning the payment of a loan given to him. So with only a horse and a little bit of money left he leaves the ranch and sets out for an old silver mine in the hope of possibly striking it rich there. Two years pass and being a corrupt and greedy person Bob Russell has now set his sights on a ranch owned by Tim's sweetheart "Betty Owen" (Alice Day). So using the same dirty tactics as before he makes it as difficult as possible for Betty to make ends meet and when she is struggling financially he offers her a loan-and then demands payment. However, it's at this time that Tim shows up with some money and an incriminating story which Bob Russell simply cannot allow to be told. Now rather than reveal any more I will just say that this was a solid, old-fashioned Western which manages to stand the test of time for the most part. To that extent, although John Wayne (as Tim's ranch hand "Duke") is featured his role is definitely secondary to that of both Tim McCoy and Wheeler Oakman. Be that as it may, as stated earlier this was a decent film all things considered and for that reason I have rated it accordingly. Average.
Lo sapevi?
- QuizWhen this film was sold to television in the mid-1950s, the title credits were re-designed and the names of John Wayne and Walter Brennan, which were originally in seventh and eighth positions, were moved up to second and third positions, and these re-arranged title credits remain on the DVD released by Sony Pictures and shown on Encore's Western Channel.
- ConnessioniEdited into Meanwhile, Back at the Ranch (1976)
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Dettagli
- Tempo di esecuzione
- 1h 4min(64 min)
- Colore
- Proporzioni
- 1.37 : 1
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