Una famiglia 900

George Arliss is marvelous as a successful financial agent (Henry) who suffers "A Successful Calamity" of his own creation. He has two children, Evalyn Knapp (Peggy) and William Janney (Eddie). As his character states, he wisely picked younger Mary Astor for his second wife (Emmy), after becoming a widower. You can spot Randolph Scott as polo coach, wearing a "bull's-eye" striped cap.

When this film begins, Arliss is returning home from a successful business venture; he ls looking forward to catching up with the family. However, his wife and children are caught up in polo matches and socials. Then, he announces he is financially "Ruined!" How will the family take their imminent poverty?

Mr. Arliss commands the screen in a way few actors do (Greta Garbo may be a good comparison). He uses both big and slight glances and twitches of face and body. He uses intonation of voice and is obviously aware of camera positions and continuity. Arliss is magnificent at a stuffy piano recital (watch every movement!), and delightful simply drinking tea. Also, watch how he changes his acting ever-so slightly when he tells Ms. Astor they are penniless.

"The poor don't get to go very often." is a line to watch for - first as uttered in a conversation with loyal Butler Connors (Grant Mitchell, in perhaps the best of the film's supporting performances); the scene triggers Arliss' plan. With "A Successful Calamity", Arliss has selected a role which enables a commanding performance.

********* A Successful Calamity (1932) John G. Adolfi ~ George Arliss, Mary Astor, Grant Mitchell, Evalyn Knapp

When a rich financier fears that his wife & children take him for granted, he arranges A SUCCESSFUL CALAMITY to make them believe he's lost all his money.

George Arliss, the 1930's preeminent character actor, is perfectly cast in this bit of dramatic fluff. With the lift of a sardonic eyebrow, or the twitch of an elegant finger, he is able to convey volumes of personality & emotion. Listen to how he pronounces the single word `poor' - turning it into two syllables layered with nuance - to get an idea of the quality of stagecraft at work here. It is to Hollywood's discredit that Arliss' contributions to American cinema have been in eclipse for decades.

The rest of the cast- Mary Astor as Arliss' society wife; William Janney & Evalyn Knapp as his preoccupied children; Hardie Albright as a social twit; Grant Mitchell as Arliss' faithful butler; Hale Hamilton as his business manager; Helena Phillips as a frantic cook; and Randolph Scott as a polo captain - do very well with their roles. But it is George Arliss that captures and holds the attention of the grateful viewer.

A nice comedic performance from Arliss as a business man, whose family has no time for him. He feigns bankruptcy to get them to stay home with him, and is surprised at how they all rally to him. The ruse brings him unexpected financial benefits as well. Warm-hearted film though playing on only one note story-wise.

Mary Astor is fine in an early sound role and the supporting cast does well all around. It's a delight watching Arliss' facial expressions, which convey more subtlety than he could have produced on stage and show him a continued master of comedic timing.

Although only a few sets are used, they are well done and up to the usual Warner Bros. standards of the early thirties.

In all too many movies like this one, the family members are selfish and care little about others. As soon as Arliss's character confesses to his family that he's in financial trouble, they all jump on the bandwagon to help out. They express regret over being the cause of the problem by having spent too much money. The children love their stepmother. She, in turn, pawns her jewels to help out. While perhaps a bit corny by today's standards, this movie stands out as one that anyone who genuinely likes people could enjoy.

Sadly, while George Arliss was known by his colleagues as a great stage actor, the number of films he appeared in were relatively few despite his talents. In each of them I have seen, he gave a seemingly effortless and graceful performance that made me love his characters--in other words, he gave them great life and charm. Here, Arliss plays a major industrialist who spent a year abroad following WWI working for the American government. However, when he returns, he finds that his wife and grown kids are too busy to truly welcome him home and he longs for a happy family life. Then, rather by accident, he comes upon the idea of convincing the family that despite his millions, he is in fact broke. Here is where the film really comes to life. How each of these people as well as Arliss' butler react to the calamity is quite amazing--especially since the script is so magnificently written, it kept me guessing to the very end. It's not often that a film does this, as most films are rather derivative.

In addition to Arliss, Mary Astor, Grant Mitchell and the rest of the family, towards the end is a brief appearance of a very young Randolph Scott--and boy does he look young.

Lovely acting, great script writing and direction make this a wonderful comedy treat that deserves to be remembered. Watch the film then tell your friends--this one is a keeper!