VALUTAZIONE IMDb
6,3/10
1123
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA poor woman and a man from an upper-class family fall in love, but his mother will go to any lengths to stop their marriage.A poor woman and a man from an upper-class family fall in love, but his mother will go to any lengths to stop their marriage.A poor woman and a man from an upper-class family fall in love, but his mother will go to any lengths to stop their marriage.
- Regia
- Sceneggiatura
- Star
LeRoy Mason
- Toby
- (as Robert Alden)
William Begg
- Banquet Party Guest
- (non citato nei titoli originali)
Sidney Bracey
- Photographer
- (non citato nei titoli originali)
Charles A. Browne
- Cop
- (non citato nei titoli originali)
Wallis Clark
- Mr. Dean
- (non citato nei titoli originali)
John Elliott
- Judge
- (non citato nei titoli originali)
Bess Flowers
- Banquet Party Guest
- (non citato nei titoli originali)
Selmer Jackson
- Murray - Headwaiter
- (non citato nei titoli originali)
Carl M. Leviness
- Party Guest
- (non citato nei titoli originali)
Recensioni in evidenza
Shopworn (1932)
** 1/2 (out of 4)
Barbara Stanwyck plays Kitty Lane, a poor waitress who one days meets David Livingston (Regis Toomey) who is of course rich and comes from a respectable family. The two fall in love and decide to get married but his rather evil mother (Clara Blandick) will stop at nothing to keep them apart. Thinking he has left her, Kitty goes out to make something of herself. SHOPWORN is pretty predictable from start to finish but the attractive cast makes the film worth sitting through and especially since it runs a very fast 68-minutes. There's no question that the screenplay could have used a little work because everything that happens seems rather predictable and unoriginal even for 1932 standards. The poor girl being looked down upon by rich people is something we've seen many times and there's really nothing new done with it here. Even what happens to the character after she becomes famous is pretty standard stuff. What keeps the film moving along so well are the performances and especially the one from Stanwyck. She delivers a really well rounded performance as she perfectly nails both the tough and tender side of the character. Toomey is also quite good as the love interest and there's no question that Blandick does a very good job as the snake-hissing villain. Zasu Pitts is wasted in a supporting role but she's got one funny scene towards the start of the picture. The ending is one you'll see coming from a mile away and at times it gets so silly that I couldn't help but laugh but there's still enough going on here to make it worth viewing.
** 1/2 (out of 4)
Barbara Stanwyck plays Kitty Lane, a poor waitress who one days meets David Livingston (Regis Toomey) who is of course rich and comes from a respectable family. The two fall in love and decide to get married but his rather evil mother (Clara Blandick) will stop at nothing to keep them apart. Thinking he has left her, Kitty goes out to make something of herself. SHOPWORN is pretty predictable from start to finish but the attractive cast makes the film worth sitting through and especially since it runs a very fast 68-minutes. There's no question that the screenplay could have used a little work because everything that happens seems rather predictable and unoriginal even for 1932 standards. The poor girl being looked down upon by rich people is something we've seen many times and there's really nothing new done with it here. Even what happens to the character after she becomes famous is pretty standard stuff. What keeps the film moving along so well are the performances and especially the one from Stanwyck. She delivers a really well rounded performance as she perfectly nails both the tough and tender side of the character. Toomey is also quite good as the love interest and there's no question that Blandick does a very good job as the snake-hissing villain. Zasu Pitts is wasted in a supporting role but she's got one funny scene towards the start of the picture. The ending is one you'll see coming from a mile away and at times it gets so silly that I couldn't help but laugh but there's still enough going on here to make it worth viewing.
Have always been a big fan of classic film (pre-1970s) of all genres, and certainly don't have anything against comedy and romance. Far from it, there are many classics. Other than my love for classic film, the biggest reason for wanting to see 'Shopworn' was Barbara Stanwyck. Have always found her a wonderful actress and have yet to see a bad performance from her (though there is plenty more to see), one of the better ones of her generation in my view.
'Shopworn' is certainly watchable, it actually takes a lot for me to say that something is lacklustre or less. At the same time, it is a disappointment when it actually had all the ingredients to be very good and even great with the right execution and there is much better in the genre. Stanwyck comes off very well but she deserved better and there are things done pretty well, but what should have particularly worked doesn't quite and the waste of ZaSu Pitts is unforgivable.
The best thing about 'Stanwyck' in a classic example of a performance that is much better than the film itself, her character's determination, dignity, charm, sensuality and wit are all brought out brilliantly and quite relateably. The best of the rest of the actlors is by a mile a frighteningly beastly Clara Blandick. While not mind-blowing, the photography is very pleasing to look at. Especially clever in a banquet scene later on in the film.
Furthermore, the costuming and settings are handsome, and the music fits nicely and while not amazing it at least fits and is pleasant. There are a good deal of very snappy dialogue, with lines tht do put a smile on the face. The story has its charms and is not dull at least. The chemistry between Stanwyck and Regis Toomey has its moments and the direction, while not exactly special, is not the kind that is indifferent or amateurish.
On the other hand, Toomey generally is very bland and looks stiff. If he was a better presence his and Stanwyck's chemistry would have been more believable. Pitts has very little to do, and her rather subdued presence means that she doesn't really register.
Would have slightly forgiven the lack of surprises if the film didn't let itself down as much in the last 15-20 minutes or so. This portion felt rather rushed and contrived, and did it really need "to" on the somewhat convenient and saccharine way that it did?
All in all, above average for mainly Stanwyck but disappointing. 6/10
'Shopworn' is certainly watchable, it actually takes a lot for me to say that something is lacklustre or less. At the same time, it is a disappointment when it actually had all the ingredients to be very good and even great with the right execution and there is much better in the genre. Stanwyck comes off very well but she deserved better and there are things done pretty well, but what should have particularly worked doesn't quite and the waste of ZaSu Pitts is unforgivable.
The best thing about 'Stanwyck' in a classic example of a performance that is much better than the film itself, her character's determination, dignity, charm, sensuality and wit are all brought out brilliantly and quite relateably. The best of the rest of the actlors is by a mile a frighteningly beastly Clara Blandick. While not mind-blowing, the photography is very pleasing to look at. Especially clever in a banquet scene later on in the film.
Furthermore, the costuming and settings are handsome, and the music fits nicely and while not amazing it at least fits and is pleasant. There are a good deal of very snappy dialogue, with lines tht do put a smile on the face. The story has its charms and is not dull at least. The chemistry between Stanwyck and Regis Toomey has its moments and the direction, while not exactly special, is not the kind that is indifferent or amateurish.
On the other hand, Toomey generally is very bland and looks stiff. If he was a better presence his and Stanwyck's chemistry would have been more believable. Pitts has very little to do, and her rather subdued presence means that she doesn't really register.
Would have slightly forgiven the lack of surprises if the film didn't let itself down as much in the last 15-20 minutes or so. This portion felt rather rushed and contrived, and did it really need "to" on the somewhat convenient and saccharine way that it did?
All in all, above average for mainly Stanwyck but disappointing. 6/10
Barbara Stanwyck stars in SHOPWORN (1932) as Kitty Lane, a young woman who has to move to the city when her father dies after a work accident. She is taken in by her aunt Dot (ZaSu Pitts) and works in a diner frequented by college students who are always hitting on her. Unfairly, she acquires a reputation as an "easy" girl, and this complicates things when she falls in love with David (Regis Toomey), a wealthy young man whose selfish mother (Clara Blandick) will stop at nothing to prevent the two from marrying.
The plot of SHOPWORN is standard melodrama – boy loves girl from "the wrong side of the tracks", the good girl with an undeserved bad reputation, the overly possessive mother, the uppity disapproving blue bloods, etc. As such, there are very few surprises here and the peripheral characters are very one-note. The ending is rather predictable. There is also a misunderstanding (based on a lie) between Kitty and David that causes them to separate for a long time, and Kitty finds success as an actress in an unlikely plot twist. It does have some pre-Code innuendos that I found rather surprising, especially when the college students at the diner hit on Kitty. There are some witty exchanges between Kitty and David that make the movie livelier in spots as well.
The film is redeemed somewhat by the caliber of the performances. Barbara Stanwyck is always worth watching, and her charm, fire, wit and charisma help to bring some life to the rather cookie-cutter plot. Regis Toomey is good as David, sometimes a little cloying during the love scenes but effective when he defends his love and stands up to his mother. Clara Blandick plays the mother about as well as her character could have been played, revealing an unhappy, self-centered woman whose "love" for her son is mostly obsessive fixation and a desire to control him. The cinematography and editing are professional, if not outstanding, except for the first part where Kitty's father is killed as the result of an explosion.
Overall, SHOPWORN isn't really a great movie, but fairly serviceable and not very long (1 hour 12 minutes). Worth seeing mostly for Barbara Stanwyck's performance. SCORE: 7/10
The plot of SHOPWORN is standard melodrama – boy loves girl from "the wrong side of the tracks", the good girl with an undeserved bad reputation, the overly possessive mother, the uppity disapproving blue bloods, etc. As such, there are very few surprises here and the peripheral characters are very one-note. The ending is rather predictable. There is also a misunderstanding (based on a lie) between Kitty and David that causes them to separate for a long time, and Kitty finds success as an actress in an unlikely plot twist. It does have some pre-Code innuendos that I found rather surprising, especially when the college students at the diner hit on Kitty. There are some witty exchanges between Kitty and David that make the movie livelier in spots as well.
The film is redeemed somewhat by the caliber of the performances. Barbara Stanwyck is always worth watching, and her charm, fire, wit and charisma help to bring some life to the rather cookie-cutter plot. Regis Toomey is good as David, sometimes a little cloying during the love scenes but effective when he defends his love and stands up to his mother. Clara Blandick plays the mother about as well as her character could have been played, revealing an unhappy, self-centered woman whose "love" for her son is mostly obsessive fixation and a desire to control him. The cinematography and editing are professional, if not outstanding, except for the first part where Kitty's father is killed as the result of an explosion.
Overall, SHOPWORN isn't really a great movie, but fairly serviceable and not very long (1 hour 12 minutes). Worth seeing mostly for Barbara Stanwyck's performance. SCORE: 7/10
TCM recently featured Barbara Stanwyck as their star of the month, giving them an opportunity to show a good number of the numerous films she pumped out very early in her career with Warner Brothers and Columbia. It is fascinating to watch several movies with the same star immediately one after another, because this way you get to determine how good an actor really is: do they become tiresome, or do they have staying power?
Barbara Stanwyck was the real thing. Thanks to her understated skills, I found myself appreciating her more and more, the more films of hers I watched. By herself she could pull even the weakest script into something worth watching.
"Shopworn", a typical quicky, was one of the best from those early days. Her range of talent was immense, playing, within this one film, a poverty-stricken waif and a successful Broadway star, playing happy and sad, incensed and appreciative, kindly and outraged, always with a dignity and slight detachment that are wondrous to watch. Again, it is sometimes only by watching multiple films of hers in succession to these nuances start to really make themselves known.
This is a strong film, with a very good cast. Regis Toomey is very likable as Stanwyck's love interest, and Clara Blandick and Oscar Apfel, as Toomey's mother and her consort, are deliciously manipulative and evil. Zasu Pitts adds a little mild comedy to the proceedings, providing a nice contrast.
Look for some very brave and quite interesting camera angles and panning sequences; one particularly good shot was taken of Stanwyck reaching under her bed for a suitcase - the camera is at floor level, shooting the scene from under the bed! Very unique and perhaps a little experimental for the time.
I highly recommend this fast-paced little film; and highly recommend seeking out early Barbara Stanwyck gems like this!
Barbara Stanwyck was the real thing. Thanks to her understated skills, I found myself appreciating her more and more, the more films of hers I watched. By herself she could pull even the weakest script into something worth watching.
"Shopworn", a typical quicky, was one of the best from those early days. Her range of talent was immense, playing, within this one film, a poverty-stricken waif and a successful Broadway star, playing happy and sad, incensed and appreciative, kindly and outraged, always with a dignity and slight detachment that are wondrous to watch. Again, it is sometimes only by watching multiple films of hers in succession to these nuances start to really make themselves known.
This is a strong film, with a very good cast. Regis Toomey is very likable as Stanwyck's love interest, and Clara Blandick and Oscar Apfel, as Toomey's mother and her consort, are deliciously manipulative and evil. Zasu Pitts adds a little mild comedy to the proceedings, providing a nice contrast.
Look for some very brave and quite interesting camera angles and panning sequences; one particularly good shot was taken of Stanwyck reaching under her bed for a suitcase - the camera is at floor level, shooting the scene from under the bed! Very unique and perhaps a little experimental for the time.
I highly recommend this fast-paced little film; and highly recommend seeking out early Barbara Stanwyck gems like this!
This is an early Barbara Stanwyck film, Shopworn, from 1932.
After her father dies in a construction accident, Kitty Lane (Stanwyck) keeps her promise to her dad and goes to live with his sister (Zasu Pitts). There, she works as a waitress.
It's a college town, and the guys are ga-ga over her, though she turns them all down. She falls for a bookish man, David (Regis Toomey), a medical student who doesn't seem to pay attention to her.
David comes from a good family - his father is a Judge, and his mother is possessive. She does not approve of Kitty. She fakes an illness and David finds that he must take her to a specialist in Vienna. Before he leaves, he proposes to Kitty, intending that she join them.
Everyone pretends to go along, but while packing, the police show up and arrest her for violating the public morals act, after she refuses the $5000 offered her. She is sentenced to prison for 90 days. David is told she took the money.
Upon her release, Kitty joins the Follies and makes a great success. Six years later, David visits her dressing room. She leads him on just to reject him, but later, the two talk it out and get back together. But his mother is still a pain, referring to her as "that shopworn woman."
One major scene was cut from this film - while in prison, Kitty miscarries a pregnancy, so it seems that she and David had quite the romance going.
I wouldn't say that Regis Toomey, who became a prolific character actor, and Barbara Stanwyck are well-matched. In the beginning, his role is that of an easily-influenced young man where his parents are concerned, and back in those days, this wasn't unusual. Later on he seems better able to stand up for himself. But as a couple, even when she was just starting out, Stanwyck had star quality, so it doesn't really work.
Stanwyck was a petite ball of fire, versatile, strong and charismatic, with a beautiful figure to boot. What a pleasure to see her in these early films. Watch it for her.
After her father dies in a construction accident, Kitty Lane (Stanwyck) keeps her promise to her dad and goes to live with his sister (Zasu Pitts). There, she works as a waitress.
It's a college town, and the guys are ga-ga over her, though she turns them all down. She falls for a bookish man, David (Regis Toomey), a medical student who doesn't seem to pay attention to her.
David comes from a good family - his father is a Judge, and his mother is possessive. She does not approve of Kitty. She fakes an illness and David finds that he must take her to a specialist in Vienna. Before he leaves, he proposes to Kitty, intending that she join them.
Everyone pretends to go along, but while packing, the police show up and arrest her for violating the public morals act, after she refuses the $5000 offered her. She is sentenced to prison for 90 days. David is told she took the money.
Upon her release, Kitty joins the Follies and makes a great success. Six years later, David visits her dressing room. She leads him on just to reject him, but later, the two talk it out and get back together. But his mother is still a pain, referring to her as "that shopworn woman."
One major scene was cut from this film - while in prison, Kitty miscarries a pregnancy, so it seems that she and David had quite the romance going.
I wouldn't say that Regis Toomey, who became a prolific character actor, and Barbara Stanwyck are well-matched. In the beginning, his role is that of an easily-influenced young man where his parents are concerned, and back in those days, this wasn't unusual. Later on he seems better able to stand up for himself. But as a couple, even when she was just starting out, Stanwyck had star quality, so it doesn't really work.
Stanwyck was a petite ball of fire, versatile, strong and charismatic, with a beautiful figure to boot. What a pleasure to see her in these early films. Watch it for her.
Lo sapevi?
- QuizThe print shown on Turner Classic Movies, from Sony's archives, displays title credits which were modernized and re-designed in 1938 for a re-release that took place only after several minutes worth of deletions were made to meet the standards of the Production Code, which was more rigorously enforced starting in 1934. These revised title credits also display a Production Code Certificate of Approval 4749-R indicating a re-release, so some further trimming most definitely may have occurred.
- BlooperWhen Kitty and David are parked next to the golf course, the windshield on his car is struck with a ball, causing it to crack on Kitty's side. In the next scene where they are parked and his mother and the judge pull abreast of them, the windshield is intact.
- Citazioni
Mrs. Helen Livingston: Tell her Mrs. Livingston is here.
Aunt Dot: Oh... that won't do her headache any good.
- ConnessioniFeatured in Barbara Stanwyck: Fire and Desire (1991)
- Colonne sonoreBridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Music by Richard Wagner
Hummed by Regis Toomey
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Dettagli
- Tempo di esecuzione
- 1h 12min(72 min)
- Colore
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