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In Manchuria, bandits besiege a group of westerners. While Richard Dix tries to figure out how to get them out of there, bandit leader C. Henry Gordon wants Gwili Andre.

Ever wanted to see a movie in which Edward Everett Horton mows down a bunch of marauders with a machine gun, and dies heroically? Here's your chance. For a performer best remembered for his many comedies, the only man to ever master the triple take, Horton acquits himself quite well. But then, I've always maintained that anyoneone can suffer on the screen; it takes something extra to do comedy.

The other performer worth commenting on is Miss Andre in her screen premiere. Director Wesley Ruggles keeps her speaking to a minimum, and has her posing a lot in profile, and it's quite a profile. It's no wonder she was a model. But her career as an actress is not impressive: fourteen films through 1941. She died in 1959 at the age of 52.

Other performers in this movie include Arline Judge, Zasu Pitts, and Dudley Digges.

This brisk action movie, set in deepest Manchuria, stars Richard Dix as a dipsomaniac riverboat captain thrust into a precarious situation: rescuing a mixed bag of travelers, children, and ne'e'r-do-wells from a bandit, played with wicked intent by C. Henry Gordon. Amongst the motley crew are Zasu Pitts as a nervous society lady, Arline Judge as a flapper with a heart of gold, and Danish-born Gwili Andre as a Garbo-like woman of mystery. The film is brilliantly shot by Edward Cronjager, with some top-notch action sequences, but Howard Estabrook's screenplay doesn't do enough to establish its characters, perhaps not surprising considering the film's 68 minute running time. Nonetheless, this gets a strong recommendation, especially for fans of pre-code cinema, who will appreciate scenes such as Gordon having a hot iron applied to the hole in his head where an ear used to be.

This film might remind you of "Shanghai Express" (1932) and "The Bitter Tea of General Yen" (1933), as all were set in China during their prolonged civil war--in which various warlords carved out their own private fiefdoms from the troubled early days of the Republic (about 1916-1928). Chaos typified this era and it made a decent backdrop for stories of adventure--though in Hollywood style MANY of the 'Chinese' extras looked about as Chinese as Mickey Mouse! And, like these other films, the story is about a group of westerners caught up in the middle of this fighting. In fact, all three films are virtually the same when it comes to major plot points.

Richard Dix plays the captain of a boat that is at port. When the group (including the likes of Dudley Digges, Edward Everett Horton, Zasu Pitts and Gwili Andre) is trapped in a small fortress, the hard-drinking Captain takes charge...but can he really do anything to stop the evil Russian bandit, Voronsky (C. Henry Gordon)? And will the westerners rise to the occasion or behave like a bunch of rats on a sinking ship?

So are there any surprises that set "Roar of the Dragon" apart from these other films? Well, Gwili Andre is certainly a unique figure. She was a pretty Danish lady who looked a lot like Greta Garbo and Myrna Loy put together. It's almost certain you have not heard of her but she was one of several attempts to find the new Garbo or Dietrich--a European beauty with a mysterious air about her. She never caught on with audiences and only made a few films. What's REALLY stood out for me was seeing the usually effeminate and effete Horton playing somewhat of an action hero in the film! REALLY! Watching him manning the machine gun and mowing down the rebels was quite a treat! My feeling about "Roar of the Dragon" is that it's an interesting curio but the other two films I already mentioned are just a bit better. So, unless you want to see all three, I recommend you try the others instead--the really aren't all that different from each other.

A collection of natives and Westerners barricade themselves in an old Chinese inn against the onslaught of fierce Tartar bandits.

ROAR OF THE DRAGON is a very fine adventure film, with suspense & humor, plenty of excitement, first rate production values and good acting. It is indeed difficult to find anything to dislike about the movie and it stands up nicely to comparison with other similarly themed pictures of the period - SHANGHAI EXPRESS (1932), THE MASK OF FU MANCHU (1932) & THE BITTER TEA OF GENERAL YEN (1933).

Richard Dix creates another sturdy performance as the alcoholic riverboat captain who takes charge in defending the folks sheltering in the inn. Dix gives us a character who's sensible, brave and absolutely no nonsense in dealing with deadly danger. But the film has another champion as well, and this one refreshingly unlikely. Wonderful character actor Edward Everett Horton eschews his normal Nervous Nellie nuances and rewards us with a civil servant who vigorously fights back against the terrorists, heroically aiding Dix despite terrible odds. He even gets to enjoy some tender romance before the film ends, leaving us with a most memorable characterization.

Two lovely ladies grace the film - Gwili Andre as the mysterious gun-toting doll sought by the bandit chief and Arline Judge as the girl from Bridgeport, Connecticut, who finds love in the most unexpected place. Comedienne ZaSu Pitts plays the timid Lady from Omaha, thoroughly regretting her decision to travel around the world. Dudley Digges is the cowardly owner of the stranded riverboat, degraded enough to steal goat's milk from orphans. C. Henry Gordon is delightfully repulsive as the Russian leader of the bandits, whom we first encounter cauterizing the remains of his left ear, bitten off by Dix in a previous encounter.

Movie mavens will spot an uncredited Willie Fung at the end of the picture playing a Chinese sailor.

Travelers in China are trapped in a Manchurian riverside village by marauding bandits. Richard Dix is the hard-drinking riverboat captain who takes charge of the situation, and he has a STAGECOACH-like assortment of tourists under his wing who must unite in the face of danger. This is an ARGOSY magazine pulp novelette version of China, admittedly, a la the work of Loring Brent, but it is quite nicely done with some good atmosphere and plenty of action. And this may be the only movie in which you see Edward Everett Horton blasting away with a machine gun. Solid 7 on the IMDB scale.