Red-Haired Alibi

Assembly line drama that gets more ridiculous as it goes along. Very early Shirley Temple flick, she is NOT the Red-Haired Alibi of the title, she's precious but for one of the few times in her career not entirely relaxed on screen. It's not surprising considering she had just turned four but she was always so effortlessly natural on screen it's a bit odd to see her obviously waiting for her cue at times. She's only in the film for about 5 or 6 minutes tops.

As for the rest of the film it's the standard tale of a naive girl who gets in over her head with a gangster who she doesn't realize is leading her astray and then is trapped when she gets wise and tries to break free.

"Red-Haired Alibi" is a b-movie from a low-budget studio. Because of this, the adult actors in the film are mostly no-names. However, despite this, the film is pretty good--and better than you'd expect.

When the film begins, Travers meets a young lady, Lynn (Merna Kennedy) in a shop and offers her a job without even knowing her. Soon, she leaves her small town and moves to New York to work for the man-- even though she has no idea what the work will entail. Her job is odd and yet she asks no questions--she is to pretend to be his wife and provide him with an alibi if needed. So, for example, when they go out to eat, they eat in a private dining room and soon Travers sneaks out. She is to keep the door locked and vouch for him being there even though he wasn't. The pay is good and Lynn, foolishly, goes along with it.

Surprise, surprise....it later turns out that Travers is a gangster and Lynn nearly gets herself thrown in jail. She comes clean with the police and is fortunate that they let her go. However, getting another job is difficult considering she now has a reputation. However, when she meets an old acquaintance once again, Bob asks her to come work for him. It seems his wife has left him and their adorable moppet (a very young Shirley Temple) and she will become the child's governess. Not surprisingly, after some time, Bob asks Lynn to marry him and they are quite happy. However, she has not told him about her past and he's refused to even hear about it. Later, however, Travers returns. He's a wanted man and needs to get out of the country and demands that Lynn help him or else he'll tell everyone who she is and about her sordid past. He also says he'll implicate her in a murder she didn't commit. What's next? See the film.

The best thing going for this melodrama is the acting. Although Myrna Kennedy and the rest of the cast are folks you'll very unlikely recognize (apart from young Shirley), they are quite good and manage to make the most of the script. Enjoyable if a bit far- fetched.

This forgettable film appears on the Shirley Temple film collection even though she is only in about 5 minutes in the film. Of course, she is quite a scene stealer as always. The story is about a fallen woman played well by Merna Kennedy. The script is quite flawed. Since this film was done in the early 1930s, you have to account for the time period of film making and the time period of the Great Depression where money was tight even for studios. Still this film should be considered an early film noir collection but not the Shirley Temple film collection. I doubt that I would have seen this film otherwise though. The cast doesn't have memorable names from Hollywood's early film era.

A few months after her roles in the 'Baby Burlesks' series ended, small film studio Tower Productions, signed Shirley Temple for her feature film debut, September 1932's "The Red-Haired Alibi," marking the first time her name was listed in the credits. Shirley just turned four when she appears as the daughter of Bob Shelton (Grant Withers), a wealthy single-parent who meets Lynn Montih (Merna Kennedy). Bob hires Lynn to be a governess for his daughter, Shirley, who receives an abundant of screen time showcasing her adorable face. Bob and Lynn fall in love and marry. Little does Bob know Lynn had been working for a gangster, Trent Travers (Theodore von Eltz), as a 'companion.' Things get sticky when Trent makes his appearanc, asking Lynn for big bucks, or he'll squawk like a canary.

When the Marx Brothers were filming "Horse Feathers," Shirley and her mother were walking nearby where the four were taking a break. Harpo immediately saw the cuteness oozing all over Shirley and approached her mom. He offered $50,000 for the chance to adopt the young girl. The mother naturally refused his offer. Maybe she instinctively knew a bright future awaited her young daughter.

"Lynn" (Merna Kennedy) is fed up with her mundane life and looking for a job in New York. Luckily, she alights on the dodgy "Travers" (Theodore von Eltz) who offers her an opportunity. All she has to do is be seen with him. She looks great, is well paid and housed and for a moment or two, there is even the threat of a romance on the horizon. Gradually, though, she begins to realise that he is an out-and-out wrong 'un and when another mobster is gunned down and he goes into hiding, she flees. Good fortune is again on her side when she re-encounters "Shelton" (Grant Withers) who is in need of a nanny for his daughter "Gloria" (Shirley Temple). This romance does blossom but has she seen the last of her erstwhile boss? The stories - there are essentially two, here - are nothing much to write home about, but I did rather like the ending and Kennedy has a certain chemistry with the camera that easily enables her to out-act her male counterparts. Temple is also a natural in front of the lens, and though she doesn't really feature very often, she does bring a little charm to this otherwise watchable, but rather by-the-numbers, romantic thriller.