Gambe da un milione di dollari

I found Million Dollar Legs to be one of the funniest films I've seen. I was unaware that it is available on video.I'm going to get myself a copy,and show it to my friends who appreciate satire and/or slapstick in the style of the Marx Bros.

MILLION DOLLAR LEGS (Paramount, 1932), directed by Edward Cline, may have a a backstage musical sounding title to it revolving around sexy-legged chorus girls, but is actually a surreal comedy with all the elements of a slapstick silent Mack Sennett comedy, minus the Keystone Kops and bathing beauties. Consisting of several silent screen comedians of the past, namely Andy Clyde and Ben Turpin (hilarious as crossed-eyed spy), the real stars are Jack Oakie and Susan Fleming, though the movie itself is remembered for the performances of second billed W.C. Fields as the President (not of the United States), and fourth billed Lyda Roberti, as the sexy spy known all over as "the woman no man can resist." MILLION DOLLAR LEGS, pertaining to Andy Clyde's character with the ability to run miles within a few minutes, is mostly an ingredient type of oddball comedy Paramount produced in the 1930s, a plot less story where nothing makes sense though laughs are plentiful right down to the silliest situations. An easy blend of farce and satire predating "Monty Python's Flying Circus" of the 1970s, set in a fictional location, Klopstokia, a locale from the creative mind of Charlie Chaplin, though written by Joseph Mankiewicz, with plot and a "Migg Tweeny" sounding name more like something from of W.C. Fields himself. Even if Fields didn't contribute in the screenplay as he did in his later works, he does retain his familiar character throughout, from some of his classic routines down to a "hearty handclasp."

Forward: "Klopstokia - A Far Away Country; 'Chief Exports - goats and nuts; Chief Imports, goats and nuts; Chief inhabitants, goats and nuts." Klopstokia, population 81,006, a mythological country somewhere on this planet where all the girls are named "Angela" and the men called "George." Enter Mr. Baldwin (George Barbier), manufacturer of Baldwin Brushes, and Migg Tweeny (Jack Oakie), his top salesman whose specialty is selling brushes that brush. On his way to the shipping dock, Migg meets and immediately falls in love with a girl named Angela (Susan Fleming), whose little brother, Willie (Dickie Moore) enjoys shooting arrows at his intended victims, believing all Americans are Indians, and father (W.C. Fields), the the president of Klopstokia. Klopstokia is bankrupt and in desperate need of $8 million. Because every citizen is athletically superhuman, with the president weight lifting ton-heavy objects and using one of his staff members as a human weight lift, Tweeney saves the day by having Klopstokians participate in the Olympics in Los Angeles. All 's well until Mata Machree (Lyda Roberti), a seductress spy, is hired by the president's trusted Secretary of State (Hugh Herbert) wanting to take control of Klopstokia, in order to keep the the Klopstokian team from winning.

Often compared with the Marx Brothers 1933 comedy-satire, DUCK SOUP (Paramount), MILLION DOLLAR LEGS doesn't have any landmark songs as "Hail to Klopstokia" in place of "Hail to Freedonia," but it does consist of tunes as "When I Get Hot" (sung by Lyda Roberti); and "One Hour With You" lifted from a 1932 Maurice Chevalier musical retitled "Wolf-Boogle-Jig" subtitled a Klopstokian love song (sung by Jack Oakie); and "Good Night." Members of the President's cabinet include Billy Gilbert (the sneezing Secretary of the Interior); Teddy Hart (Secretary of War); Irving Bacon (Secretary of the Navy); and Vernon Dent (Secretary of Agriculture). Hugh Herbert, noted for his eccentric millionaire caricatures and catch phrase, "woo-woo" during his years at Warner Brothers, interestingly plays a serious character whose specialty here is overpowering his opponents with arm wrestling. Susan Fleming, Oakie's love interest, who at times resembles Ruby Keeler, tap dancing performer of 1930s musicals for Warner Brothers, never achieved major stardom, yet is known basically as the wife of comedian Harpo Marx.

In spite that MILLION DOLLAR LEGS is a very funny 62 minute movie, it's rarely revived these days. It's reputation and popularity grew, however, through frequent television revivals in the 1970s and early 1980s. The title can often be conflicted with another MILLION DOLLAR LEGS(Paramount, 1939) movie, a college drama starring non-other than future 20th-Century-Fox star, Betty Grable, whose trademark were her "million dollar legs," but not as noteworthy as this 1932 antique.

Distributed on video cassette in 1998 as part of the WC Fields collection, MILLION DOLLAR LEGS only known contribution on cable TV was on Turner Classic Movies in June 4, 2001, as part of it's "Star of the Month" tribute to W.C. Fields. A wild and crazy comedy, MILLION DOLLAR LEGS is something that needs to be seen to be believed. Wolf Boogle Jig. (***)

They don't make 'em like this anymore! In fact, they hardly ever made 'em like this in the first place. Million Dollar Legs is one of a kind, a truly bizarre comedy with attitude to spare and an otherworldly quality all its own. This is a Flesicher cartoon come to life, full of weird non sequiturs, sassy quips, slapstick violence and sexy dance moves. It's hard to believe that such an off-the-wall concoction was the product of the Hollywood studio system of the '30s; it looks more like something written by Algonquin Round Table wiseacres during a late night, booze-fueled party. The closest cinematic parallel would be the Marx Brothers' Duck Soup, made at the same studio (Paramount) by the same producer (Herman J. Mankiewicz) a year later. Both movies take place in mythical countries and include elements of political satire, with oblique references to the financial crisis then sweeping the globe. Both movies were made when Fascist and Soviet totalitarianism was on the march, and both use crazy verbal and visual gags to suggest a world gone mad. Still, Million Dollar Legs is the one that takes the madness concept deeper into the Outer Limits. The Marx Brothers' classic may be a funnier and more tightly made comedy, but this flick is crazier. Viewers with a taste for surreal silliness will be in seventh heaven.

This film was made in anticipation of the 1932 Los Angeles Olympics. The Paramount brass wanted to have something ready to go into theaters in conjunction with the games, and instead of a routine sports picture it was suggested that a comedy would be novel. The project was given to Herman Mankiewicz to supervise, since he'd worked with the Marx Brothers on Monkey Business and seemed to have a knack for this sort of thing. Mankiewicz, an eccentric wit from New York who'd been a regular member of the Algonquin literary set, assigned the script to his 24 year-old brother Joe and a writer named Henry Myers. In later years Joseph L. Mankiewicz told interviewers that the studio brass responded favorably to his crazy ideas and didn't seem too concerned about what kind of movie it turned out to be, as long as it involved the Olympics. One wonders how those Front Office executives -- not to mention Olympics Committee officials -- reacted when they saw the results.

Our story is set in the republic of Klopstokia, a land that time forgot where, we're informed, the chief imports, exports, and inhabitants are nuts and goats. In Klopstokia all the women are named Angela and all the men are named George -- except for our leading lady's little brother Willie, who shoots people in the butt with arrows. The place has a forlorn backwater atmosphere, although the inhabitants all possess superhuman athletic ability. The plot concerns a visiting American brush salesman (Jack Oakie) blessed with the name Migg Tweeny, who falls in love with a Klopstokian girl (Susan Fleming) who happens to be the daughter of the country's beleaguered President (W.C. Fields). Tweeny's boss is eager to bestow money on deserving athletes, so Tweeny, who has been fired, contrives a plan to recruit a team of Klopstokian super-athletes for the Los Angeles Olympics. Thus he can win prize money for Klopstokia, win back his job, and win his girl. The President, meanwhile, must fend off palace coup attempts in a land crawling with spies.

The plot doesn't matter, this movie is all about gags. Million Dollar Legs is generally remembered today as a W.C. Fields vehicle, but although he has a number a good moments he's really just a member of the larger comic ensemble. The tone of the comedy certainly isn't characteristically "Fieldsian," but feels instead like an attempt to revive the freewheeling, anything-goes atmosphere of the early Keystone comedies, updated with a '30s sensibility and satirical wordplay. The Keystone revival motif is underlined by the casting of numerous veterans of the Sennett studio in supporting roles, including Andy Clyde, Vernon Dent, Heinie Conklin, etc. Most notably, Ben Turpin makes a number of wordless appearances as a spy dressed in black. When talkies came in Turpin began a new career in cameo roles, serving as a kind of instant nostalgia figure representing the old days, nowhere so amusingly as here. Jack Oakie and Susan Fleming are the juvenile leads, and while normally I don't much care for Oakie I must admit he's quite appropriately cast as the feckless American brush salesman. Susan Fleming was a gorgeous brunette who is best remembered as Mrs. Harpo Marx. Based on the evidence at hand she wasn't much of an actress, but her awkward line readings (reminiscent of Ruby Keeler) boost the enterprise greatly: instead of "selling" the material she delivers her dialog with a flat-footed earnestness that makes it funnier. And special mention must go to the great Lyda Roberti in the role of the Mata Hari-like Mata Machree, the Woman No Man Can Resist. Faced with formidable competition Roberti rises to the occasion and practically steals the picture with a show-stopping performance of her big number "When I Get Hot in Klopstokia," a tune that sadly doesn't get much airplay nowadays.

There aren't many movies that even try to be as wacky as this one, but that doesn't mean Million Dollar Legs hasn't been influential. I would guess that its admirers have included everyone from Preston Sturges, Ernie Kovacs and Stan Freberg to the writing staffs of Mad Magazine, National Lampoon, Saturday Night Live and The Onion. The comic sensibility may not be to everyone's taste, but for connoisseurs of Pre-Code surrealism this is a gourmet feast.

First of all, bear in mind that this movie was made in 1932, not 2002. Then, do a little research into the popular media of the day, and you'll get the jokes a lot better. This is one of the funniest movies ever, and it is lightyears ahead of its time. The non-sequiturs (that means lines that don't make sense), the quick cuts, the topical humor - I just love it. What can you say about a country where all the men are named George, and all the women are named Angela? Why? Why not?? Let's take a few examples: do we all understand that it's the Fuller Brush Company that's being kidded in the first scene? Do you know about the terrorists of the day - the 'anarchists' - who were generally portrayed in black capes and hats, carrying daggers and pistols and those old fashioned bombs that look like cannon balls with fuses in them? Do you get the joke - Mata Machree? The image of the femme fatale Mata Hari, coupled with an old Irish song about Mom called "Mother Machree". Do we get that Lyda Roberti (who was Polish) is supposed to be Swedish, since Greta Garbo was the biggest star of the day? And the 'old Klopstockian Love Song' is sung to the tune of "One Hour with You," which was not only a popular film with, I believe, Maurice Chevalier, but was the theme song of the Eddie Cantor radio show, the most popular show of 1932? Movie audiences of the day would have gotten it.

Jack Oakie is perfect as the fast-talking brush salesman who saves Klopstockia. He is definitely a forerunner in style of not only Bob Hope, but of Robin Williams. Fields is hilarious, but so is everyone in this movie. Susan Fleming wasn't much of an actress, but she was beautiful. I just love Roberti, who came from a famous acting clan in Poland, and who died tragically young. She was a hoot, and could have had a memorable career. My favorite line of hers, when she does her hootchie kootchie dance to try to inspire Hugh Herbert to greater feats of strength: "I been done all I can do - in public." There are so many other quotable lines in this movie - it's the kind of movie you watch and recite along with the actors.

It helps to understand this movie to know a little something about what was 'in' in 1932, but it isn't absolutely necessary. The movie has enough funny lines and slapstick even by today's standards. It's also valuable as an example of the kind of editing we now take for granted. The kind of quick cutting and blackouts that we would see in, for example "Laugh-In," was rare in 1932. This was probably the first really screwball comedy, and it's the screwiest one of all.

W. C. Fields is The President of Klopstokia, a small poor far away country with more goats than people. Visiting American brush salesman Migg Tweeny (Jack Oakie) falls for Angela (Susan Fleming) who turns out to be the President's daughter. Corrupt men are trying to take over the government. Migg witnesses the President's great strength. In order to raise $8 million and prevent the takeover, Migg suggests joining the 1932 Los Angeles Olympics. He starts collecting a team of surprising athletes. Temptress Mata Machree has been recruited by the corrupt men to sabotage the team.

This is a screwball sports comedy. It's a lot of fun wackiness. The sports do need a little work. It may be better to concentrate on one sport. It could narrow the focus to W. C. Fields and his weightlifting. Why not make a bet with the corrupt men? The sports part needs a villain to battle against. All in all, this is fun and more fun.